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Topic: Antoine Busnois

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Burgundian School

Johannes Ockeghem

Jacob Obrecht

Josquin Des Prez

Guillaume Dufay

Dutch School (music)

Gilles Binchois

Gustave Reese

Music of France

Renaissance music

Charing Cross station

Bruges

Checks and balances

Belgium

1467

	Antoine Busnois - Wikipedia, the free encyclopedia
		Busnois was at the siege of Neuss in Germany in 1475, and fortunately survived (or did not attend) the disastrous Battle of Nancy in 1477 at which Charles was killed and the expansion of Burgundy was forever stilled.
		Busnois remained in the employ of the Burgundian court until 1482, but nothing exact is known about his exploits between then and 1492, when he died.
		Busnois also wrote chansons, French secular songs, and these are the work on which his reputation mainly rests.
	en.wikipedia.org /wiki/Antoine_Busnois (1156 words)

	Hayne van Ghizeghem - Wikipedia, the free encyclopedia
		His musical talent must have been noticed early by Charles, Count of Charolais (later to become Charles the Bold) because there is a record of his being personally assigned to a teacher by him; in 1467 he is shown in the Burgundian employment records as being a singer.
		In addition, he was named along with Adrien Basin and Antoine Busnois as "chantre et valet de chambre" to Charles, indicating the special regard in which he was held.
		In addition to serving as a singer and composer, he evidently served as a soldier as well, for there is a record of purchase of military equipment for him, prior to the campaign against Liège by Charles.
	en.wikipedia.org /wiki/Hayne_van_Ghizeghem (490 words)

	Antoine Busnois: biography and encyclopedia article (Site not responding. Last check: 2007-10-12)
		Busnois was at the seige of Neuss (Neuss: neuss is a city in north rhine-westphalia, germany....
		Later, Busnois served at the church of St. Sauveur in Bruges (Bruges: A city in northwestern Belgium; connected by canal to the North Sea; the old city is a popular tourist attraction) ; he held this position at the time of his death.
		The contemporary reputation of Busnois was immense; he was the probably the best-known musician in Europe between the time of Guillaume Dufay (Guillaume Dufay: guillaume dufay (c....
	www.absoluteastronomy.com /reference/antoine_busnois (545 words)

	Antoine Busnoys - A discography
		Antoine Busnoys (c.1430-1492), sometimes spelled Busnois, was the leading songwriter of the late Burgundian style.
		Busnoys may have been born in Busnes, and although much of his career is documented in some detail, his early life and training remain a mystery.
		Busnoys' formal innovations proved to be very successful, blending an interest in imitation and triadic harmony into carefully organized arching lines divided by ostinato and cross-rhythm.
	www.medieval.org /emfaq/composers/busnoys.html (1189 words)

	ANTOINE BUSNOIS, Biography, Discography
		Busnoys was best known for his secular music, and indeed his finest works in these forms compare well with those of the acknowledged master of the age, Johannes Ockeghem.
		In fact, Busnoys' best known work, the motet-chanson "In hydraulis," is a tribute to Ockeghem, his teacher.
		Busnoys' compositions delight in all manner of tricks, from harmonic effects to lyrical acrostics.
	www.goldbergweb.com /en/history/composers/10378.php (115 words)

	Busnois: Missa L'Homme armé & Domarto: Missa Spiritus almus
		The French composer, singer and poet Busnois was widely acknowledged as one of the most outstanding composers of his time, and his Missa L'homme armé (circa 1460) was one of the most revered works of the later fifteenth century.
		His was definitely one of, if not the first of masses to be composed on this tune, and another 40 or so were written subsequently by various composers of various nationalities.
		In fact, many of Busnois' works inspired emulations, and the other two works on this disc by him are as equally mesmerising and exhilarating.
	www.hyperion-records.co.uk /details/67319.asp (317 words)

	Reference.com/Encyclopedia/Antoine Busnois
		In addition to his duties as a singer and a composer, he accompanied the Duke on his military campaigns, as did Hayne van Ghizeghem.
		Later, Busnois served at the church of St. Sauveur in Bruges; he held this position at the time of his death.
		An unusual chanson is Terrible dame, which not only is an antiphonal dialogue, unique in the chanson literature, but has an Old French title which requires no specialized skill to translate.
	www.reference.com /browse/wiki/Antoine_Busnois (480 words)

	Antoine Busnoys (c.1432 - d.1492) : Library of Congress Citations (Site not responding. Last check: 2007-10-12)
		Title: Antoine Busnoys : method, meaning, and context in late medieval music / edited by Paula Higgins.
		In hydraulis Notes: Busnois, p1993: -- container (In hydraulis) insert (4-part motet) New Grove -- (Motets, etc.: In hyraulis, 4 vv.) Heading: Busnois, Antoine, d.
		Missa O crux lignum Notes: Busnois, p1993: -- container (Missa O crux lignum) New Grove -- (Masses and mass sections: Missa "O crux lignum"; 4 vv) Heading: Busnois, Antoine, d.
	www.mala.bc.ca /~mcneil/cit/citlcbusnoys1.htm (389 words)

	Music 220, Seminar. Reform and Music 1450-1550. Busnois (Site not responding. Last check: 2007-10-12)
		The cycle seemingly originated at the Burgundian court between 1465-70, and was dedicated to Beatrice of Aragon only later, after the death of Charles the Bold (1477).
		Busnois may have outlined the cycle's scheme and assigned its completion to his disciples.
		The author analyzes the characteristics of the melody in its older sources (two chansons) and examines its use in polyphonic Masses from 1460-80, including those by Busnois, Ockeghem, Dufay, Aron, Regis, Faugues, and Tinctoris, as well as the anonymous Mass in MS Q 16 in Bologna.
	sheetmusic.berkeley.edu /courses/Music220/homme-arme.html (2976 words)

	ArkivMusic \| Busnois: Missa O Crux Lignum / Orlando Consort
		What makes Busnois so special is his melodic facility and rhythmic interest, especially notable in the chansons, which are full of lively syncopation and catchy phrasing, and his affinity for unlabored, smoothly flowing counterpoint in the sacred settings, which usually are based on a cantus firmus chant melody.
		The four voices of the Orlando Consort--countertenor, two tenors, and baritone--obtain what we must assume is a reasonably authentic period sound, and the singers take care to preserve the individuality of each voice rather than try for the kind of pure, uniform timbre characteristic of some other similar groups, such as the Hilliard Ensemble.
		My only reservation here is that Robert Harre-Jones' countertenor is so prominent relative to the other voices, and Busnois' music is so texturally undifferentiated that over the course of several tracks the ear wants either a rest or something more varied in terms of voicing or tone quality.
	www.arkivmusic.com /classical/album.jsp?site_id=CTRV&album_id=93693 (333 words)

	HOASM: The Netherlanders to Ockeghem
		From this disorder Dunstable and Dufay forged a new International style that was to serve as a model for well over a century.
		The most significant composers of the generation after Dufay and Binchois were Antoine Busnois and Johannes Ockeghem.
		Busnois, like Binchois, spent most of his career in the employ of the Burgundian court, and excelled in elegant and refined chansons, often to hedonistic texts of his own creation.
	www.hoasm.org /IIID/IIIDNetherlanderstoOckegh.html (119 words)

	Amazon.co.uk: Antoine Busnoys: Method, Meaning and Context in Late Medieval Music: Books (Site not responding. Last check: 2007-10-12)
		This volume brings together twenty original essays by distinguished scholars of late medieval music on the life, works, and cultural context of the composer Antoine Busnoys (c.1430-1492), musician to Charles the Bold, Duke of Burgundy, and one of the most celebrated composers of the fifteenth century.
		Particularly noteworthy are the studies providing new light on the origins of L'homme arme mass tradition; unpublished documents on Busnoys's activity in churches in Poitiers and Brussels; previously unidentified liturgical sources for his plainchant cantus firmi; and studies and complete editions of several anonymous works newly attributed to Busnoys.
		These widely ranging essays offer a wealth of novel approaches to the study of musical culture in the late Middle Ages that is of interest not only to medievalists, but to students of all fields of music historical inquiry.
	www.amazon.co.uk /exec/obidos/ASIN/0198164068 (521 words)

	Antoine Busnois - Classical music composer (Site not responding. Last check: 2007-10-12)
		Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music
		Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music.(Review) : An article from: Notes
		Antoine Busnois and musical culture in late fifteenth-century France and Burgundy
	www.classical-composers.org /cgi-bin/ccd.cgi?comp=busnois (530 words)

	FRYE BUSNOIS Masses: Classical CD Reviews- Feb 2001 MusicWeb(UK) (Site not responding. Last check: 2007-10-12)
		Regina coeli I. Regina coeli II (Antoine Busnois).
		Incomprehensibilia firmo / Praeter rerum ordinem (Antoine Busnois).
		The Busnois pieces include two motets latterly assigned to him by modern scholarship, In hydraulis more persuasively so than O pulcherrima.
	www.musicweb-international.com /classrev/2001/Feb01/frye.htm (416 words)

	Music room three
		The opening of the kyrie of the mass by the Burgundian court composer Antoine Busnois is shown here.
		Like Capella Sistina 14 (not included in exhibition), this manuscript is one of the oldest polyphonic mass sources in the Sistina collection and dates from the late fifteenth century.
		This fifteenth-century manuscript of Gregorian chant, copied for the chapel of Cardinal Pietro Barbo of Venice, was given to the Sistine Chapel choir after he became Pope Paul II in 1464.
	www.ibiblio.org /expo/vatican.exhibit/exhibit/e-music/Music_room3.html (610 words)

	Amazon.com: Antoine Busnoys: In Hydraulis & Other Works: Music: Antoine Busnois,Cambrai Chant,Sarum Chant,Pomerium (Site not responding. Last check: 2007-10-12)
		One of the delights of exploring early music is that there's always some wonderful discovery just around the corner--some composer or work you've never heard of or were afraid to take a chance on last year, but who now compels your attention.
		From the very first minute of his fantastic In hydraulis--a tribute to Ockeghem--you'll realize that here was a composer of considerable talent for part writing, for melody, and for intricate rhythmic structures.
		And this lovely collection of the music of Busnoys is no exception.
	www.amazon.com /exec/obidos/tg/detail/-/B000001Q9W?v=glance (617 words)

	Antoine Busnois - Two settings of Regina caeli
		Antoine Busnois - Two settings of Regina caeli
		In his day a much-admired composer, the Burgundian Antoine Busnois has been eclipsed by his great contemporary Jean Ockeghem.
		Best known today for his elegant songs, his church music reveals a more substantial, even monumental side to his musical personality.
	www.anticoedition.co.uk /html/rcm4.htm (89 words)

	The Orlando Consort : News Archive
		The Winter 2005 USA tour (Jan 27 - Feb 12 2005) was a great success and coincided with the release of our new disc of music by Antoine Busnois (see below).
		The music of the fifteenth-century composer ANTOINE BUSNOIS has inspired intense interest in recent times.
		With this survey of the different genres—sacred and secular—in which Busnois excelled, the Orlando Consort demonstrates the composer’s supreme technical mastery, his melodic flair, and his rhythmic vitality.
	www.orlandoconsort.com /news_archive.html (392 words)

	Classical Net Review - Busnois - Missa L'Homme armé, etc.
		These are among the most beautiful and revered pieces of scared music hailing from Renaissance times.
		The figures of Busnois and De Domarto loom large in Flemish musical language comparable with those of Dufay, Faryfax, Weelkes, Tallis and the great John Dowland.
		This is a world of intense contrapuntal beauty matched by an intrinsic mysticism that penetrates deeply into the heart and soul of the listener.
	www.classical.net /music/recs/reviews/h/hyp67319a.html (239 words)

	Castle Classics Busnois, Antoine (French c1430-1492)
		A Busnois: P de Domarto; J Pullois: Missa L'Homme armé; Missa Spiritus almus - The Binchois Consort; Andrew Kirkman, conductor
		We have therefore, together with Jean Pullois’ inspiring motet Flos de spina, a disc of some of the most important choral works from the fifteenth century expertly and beautifully performed by one of the country’s leading exponents in this field, namely the Gramophone award-winning Binchois Consort.
		A Busnois: Mass O Crux lignum - The Orlando Consort: Robert Harre-Jones, countertenor; Mark Dobell & Angus Smith, tenors; Donald Greig, baritone
	shop.castleclassics.co.uk /acatalog/Busnois__Antoine__French_c1430_1492_.html (211 words)

	The Orlando Consort : Recordings
		We have made 18 recordings to date, on such labels as Deutsche Grammophon, Linn, Metronome, and Amon Ra, and are very pleased to announce that we have signed an exclusive contract to record with Harmonia Mundi USA effective May 2001.
		Our newest recording, which is music of the fifteenth-century composer Antoine Busnois, is now available.
		See also: The Orlando Consort's Discography at the Early Music FAQ.
	www.orlandoconsort.com /recordings.html (76 words)

	[No title]
		* Margaret of York and Antoine Busnois's Anima mea liquefacta est, presented at the International Congress of Medieval Studies: Kalamazoo, May, 1991.
		* The Magnificat of Antoine Busnois: Style and Attributions, presented at the St. Lawrence Chapter of the American Musicological Society: Ithaca, April, 1989.
		* The Motets of Busnois and Josquin: A Case of Imitatio, presented at the Annual Meeting of the American Musicological Society: New Orleans, November, 1987.
	www.bgsu.edu /colleges/as/review/report/cv_Mary_Natvig.doc (882 words)

	A Dorian Banquet : Johann Sebastian Bach , Astor Piazzolla , Giovanni Batista Pergolesi , Antoine Busnois , Traditional ... (Site not responding. Last check: 2007-10-12)
		A Dorian Banquet : Johann Sebastian Bach, Astor Piazzolla, Giovanni Batista Pergolesi, Antoine Busnois, Traditional, John Bull, Luys de Narvaez, Hans Neusidler, David Popper, Cecile Chaminade : 25 August, 1998
		A Dorian Banquet Artist Johann Sebastian Bach, Astor Piazzolla, Giovanni Batista Pergolesi, Antoine Busnois, Traditional...
		Johann Sebastian Bach, Astor Piazzolla, Giovanni Batista Pergolesi, Antoine Busnois, Traditional, John Bull, Luys de Narvaez, Hans Neusidler, David Popper, Cecile Chaminade
	www.aaamusicssearch.com /Reviews/cd/B00000AFIY (138 words)

	DVD.CO.UK - Music - Antoine Busnois - Mass O Crux Lignum (Orlando Consort) (Music CD) (Site not responding. Last check: 2007-10-12)
		DVD.CO.UK - Music - Antoine Busnois - Mass O Crux Lignum (Orlando Consort) (Music CD)
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		Antoine Busnois - Mass O Crux Lignum (Orlando Consort) (Music CD)
	www.dvd.co.uk /product3.asp?id=HMU907333 (288 words)

	Sheet music: Antoine Busnois (Site not responding. Last check: 2007-10-12)
		Antoine Busnois has at least 1 items at SheetMusicPlus.com which you can order on-line.
		You can either click [§] for further details or you can go directly to SheetMusicPlus.com by clicking the item's order symbol.
		Items indicated with a red publisher's code are not presently available at SheetMusicPlus.com
	www.grainger.de /dbe/sm/smcomp/smbusnois.html (65 words)

	Classical Net - Basic Repertoire List - Busnoys
		Classical Net - Basic Repertoire List - Busnoys
		Busnoys was perhaps the most highly regarded composer at the court of Burgundy during the final days of the luxurious Duchy.
		Use of text, images, or any other copyrightable material contained in these pages, without the written permission of the copyright holder, except as specified in the Copyright Notice, is strictly prohibited.
	www.classical.net /music/comp.lst/busnoys.html (188 words)

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