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| | Antonio Canova |
 | | By his patron Canova was placed under Bernardi, or, as he is generally called by filiation, Torretto, a sculptor of considerable eminence, who had taken up a temporary residence at Pagnano, a village in the vicinity of the senator's mansion. |
 | | Canova had obtained letters of introduction to the Venetian ambassador, the Cavaliere Zulian, and enlightened and generous protector of the arts, and was received in the most hospitable manner. |
 | | Canova's next undertaking was a monument in honor of Pope Clement XIV; but before he proceeded with it he deemed it necessary to request permission from the Venetian senate, whose servant he considered himself to be, in consideration of the pension. |
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