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Topic: Anya Gallaccio

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	Anya Gallaccio - Wikipedia, the free encyclopedia
		Anya Gallaccio (born 1963) is a Scottish artist.
		Gallaccio was born in Paisley and studied at Kingston Polytechnic and Goldsmiths College.
		Other works by Gallaccio include Stroke (1993) in which benches in the gallery and cardboard panels attached to the walls were covered in chocolate and Because Nothing has Changed (2000), a bronze sculpture of a tree adorned with porcelain apples.
	en.wikipedia.org /wiki/Anya_Gallaccio (258 words)

	Lehmann Maupin Gallery / Press / Modern Painters
		Anya Gallaccio's exploration of the instability and transience of organic matter has produced installations of extraordinary power - and this year she has the Turner Prize nomination she deserves.
		Gallaccio has described some of her flower works as 'paintings in space', and her choice of titles like red on green echoes this with their reference to Rothko.
		Gallaccio has spoken of what she calls a 'responsibility towards objects', and it is no accident, perhaps, that in the Serpentine piece, her flowers and plants burgeon in the places left as scars.
	lehmannmaupin.com /press?object_id=207&...&artistid=anyagallaccio (1809 words)

	Anya - Wikipedia, the free encyclopedia
		Anya is the Russian form of Anna which means "gracious".
		Anya, an alchemist in Diablo II: Lord of Destruction
		Anya, a character in the Star Trek universe
	en.wikipedia.org /wiki/Anya (215 words)

	Anya Gallaccio at Lehmann Maupin - New York - sculpture exhibition - Brief Article Art in America - Find Articles (Site not responding. Last check: 2007-11-01)
		One of the things that has always separated Anya Gallaccio from her Brit-pack contemporaries is her celebration of organic processes.
		In one corner, leaning against a wall, was a tiny bronze cast of a twig with berries; nearby, on the floor, were several life-size bronze casts of lima beans and their shells; in the back room were several cast-bronze potatoes, replete with sprouts.
		The overall strength of the exhibition (as is the case with most Gallaccio shows) was the experience of having one's olfactory, aural and visual senses stimulated all at once.
	calbears.findarticles.com /p/articles/mi_m1248/is_1_90/ai_82012893 (514 words)

	biennale expositions
		On the contrary, to accelerate the process of dissolution, Gallaccio threw in "a time bomb"—a large lump of rock salt—which worked its way down, leaving a void in the center of the block.
		Gallaccio likened the salt both to a heart and to a cancer: "one destroys and the other makes things live." Life, death and transformation; these may be the dominant themes in her work—the rose petals turn brown, "like scabs," exposing the thorns underneath, the chocolate blooms with mold-but they do not explain it.
		Gallaccio has recalled that as a child she enjoyed looking at "Amazing But True" books in which you had to imaging how big things were.
	www.ciac.ca /biennale/angl_gallaccio.html (362 words)

	www.likeyou.com - Anya Gallaccio - Love is only a feeling - Lehmann Maupin Gallery, New York, NY (Site not responding. Last check: 2007-11-01)
		Anya Gallaccio's sculptures and installations combine organic elements such as apples, flowers, trees, and chocolate with more traditional sculptural materials.
		In this exhibition, Gallaccio includes a new series of doors with flowers pressed behind glass, a potato plant plated in gold, rosehip branches cast in bronze, and a series of nets spun of glistening gold thread.
		Anya Gallaccio was nominated for the Turner Prize in 2003 and recently had solo exhibitions at the Tate Britain and at Ikon Gallery in Birmingham, England.
	www.likeyou.com /archives/anya_gallaccio_lehmann_04.htm (222 words)

	SculptureCenter - programs & events
		Born in Scotland, Gallaccio lives and works in London, and is well known in the United Kingdom for her site-specific work with temporal materials.
		Anya Gallaccio's sculptures and installations are made in response to specific spaces and are often made from mutable materials that have limited life spans such as cut flowers, ice, chocolate, grass, basalt, and fruit.
		While many of her works have a formal relationship to minimalist sculpture such as Carl Andre's floor pieces or Richard Serra's lead works, her work is more concerned with the momentary than the monumental and emphasizes the physical and temporal nature of sculpture, appealing to our senses of smell, hearing and touch.
	www.sculpture-center.org /pe_gall_des1.html (621 words)

	bookofjoe: Anya Gallaccio - 'The Look of Things'
		Gallaccio, a contender for the Turner Prize a couple of years ago, is showing new, site-specific work and a selection of earlier pieces.
		The rhythms of the suite of rooms where Gallaccio's works are being exhibited vary in size, from small to expansive; there is no easy flow-through; and their atmosphere changes with the architectural detail, from floor (sometimes marble, sometimes wood) to ceiling (from coffered to barrel-vaulted).
		The most successful piece in the show - insofar as Gallaccio seems at last to have solved the problem of architecture vs art - is the delightful "Falling from Grace", which consists of strings strung vertically from floor to ceiling on to which apples have been threaded - Tuscan apples, we assume and hope.
	www.bookofjoe.com /2005/02/anya_gallacio.html (786 words)

	Turner Prize 2003 \| Shortlisted Artists
		Anya Gallaccio was born in Paisley in 1963.
		Gallaccio is one of the leading British sculptors of her generation, yet the ephemeral nature of her chosen materials, such as flowers, fruit, ice and grass, means that few of her works remain permanent.
		This fascination with cycles of transformation and degeneration, properties inherent in the organic materials she uses, lies at the heart of Gallaccio’s practice.
	www.tate.org.uk /britain/turnerprize/2003/gallaccio.htm (408 words)

	Anya Gallaccio (Site not responding. Last check: 2007-11-01)
		Born in Paisley, Scotland in 1963, Anya Gallaccio lives and works in London.
		After studying at Kingston Polytechnic and Goldsmiths College, University of London, she first came to public attention in the late 1980s with a group of young artists shown in the exhibition Freeze curated by Damien Hirst.
		Anya Gallaccio is the subject of an exhibition at the Palazzo delle Papesse Centro Arte Contemporanea.
	www.britishcouncil.org /italy-arts-anyagallaccio.htm (119 words)

	ArtCal - Sculpture Center - Anya Gallaccio, One Art
		For one art, Gallaccio will fell and disassemble a tree and then reconstruct it with all the engineering required to support it visible.
		In one art, Gallaccio's aesthetic act is to move the tree from its normal outdoor environment to an urban industrial building adapted as an exhibition space.
		Recent projects involving trees include beat (2002), a commission for the Duveen Galleries at Tate Britain, in which Gallaccio responded to the British landscape tradition with a sculptural installation of oak tree trunks placed upright in the gallery like rough hewn columns.
	www.artcal.net /event/view/17/1725 (558 words)

	E-Flux : Anya Gallccio: one art - (2006-01-06)
		Gallaccio, who lives and works in London, is well known in the United Kingdom for her site-specific work with temporal materials.
		For one art, Gallaccio fells and disassembles a fifty-foot weeping cherry tree and reconstructs it in SculptureCenter’s main space, leaving visible all of the necessary hardware.
		Anya Gallaccio will discuss her commissioned work for SculptureCenter, as well as past projects on January 10, 7pm.
	www.e-flux.com /displayshow.php?file=message_1136568263.txt (291 words)

	Anya Gallaccio
		Anya Gallaccio attended Kingston Polytechnic and Goldsmiths' College at the University of London, and now lives and works in London.
		Gallaccio has exhibited extensively, including recent solo exhibitions at the Tate Britain and at Ikon Gallery in Birmingham, England.
		Gallaccio creates site-specific installations, often using organic materials as her medium.
	www.lehmannmaupin.com /artists/anyagallaccio (463 words)

	KultureFlash ::: Art Worker of the Week ::: Anya Gallaccio
		British artist Anya Gallaccio often works with organic materials, such as flowers and fruit, and relishes the unpredictable nature of the results.
		Gallaccio recently opened an exhibition of new work in the Duveen Galleries at Tate Britain and Mark Sladen spoke to her about one of the works made especially for the space -- a giant installation involving seven oak trees.
		Anya Gallaccio: The trees came from a sustainable estate just outside Reading.
	www.kultureflash.net /archive/21/priview.html (552 words)

	Haber's Art Reviews: Ellen Altfest, Anya Gallaccio, and Olafur Eliasson
		Ellen Altfest gives the illusion of art and wood together as they recompose and die, while thanks to Anya Gallaccio a majestic cherry tree seems to rise again from the dead.
		Gallaccio means to evoke loss and recovery, starting with the wintry branches and a natural history of destruction.
		Ellen Altfest at Bellwether through January 21, 2006, Anya Gallaccio and Monika Zarzeczena at SculptureCenter through April 3, Roxy Paine at James Cohan through February 25, and Olafur Eliasson at Tanya Bondakar through May 27.
	www.haberarts.com /trees.htm (2006 words)

	Tehran Museum of Contemporary Art < Exhibition - Forthcoming - Drawing>
		A major survey of her work was mounted at the Ikon Gallery, Birmingham in 2003, and she has subsequently been short-listed for the Turner Prize at Tate Britain, London.
		Gallaccio’s work is concerned with constant change and the effects of time.
		Using a wide range of materials such as cut flowers, fruit, chocolate, ice, burning candles and salt, there is an inevitable impermanence about her work.
	www.ir-tmca.com /exhibition/BritishSculpture/Gallaccio/gallaccio.htm (544 words)

	Anya Gallaccio on artnet (Site not responding. Last check: 2007-11-01)
		Releasing Senses: Anya Gallaccio, Christian Marclay, Muraoka Saburo, Martin Walde, curated by Mami Kataoka, Tokyo Opera City Art Gallery, Japan.
		Anya Gallaccio and Fortun O’Brien, Bloom Gallery, Amsterdam, The Netherlands.
		A Group Show: Lea Andrews, Keith Coventry, Anya Gallaccio, Liam Gillick, Damien Hirst, Gary Hume, Abigail Lane, Sarah Lucas, Steven Pippin, Marc Quinn, Marcus Taylor and Rachel Whiteread, Barbara Gladstone Gallery and Stein Gladstone Gallery, New York.
	www.artnet.com /artist/6676/anya-gallaccio.html (943 words)

	Anya Gallaccio
		A piece on Gallaccio's exhibition at Birmingham's Ikon Gallery (http://www.24hourmuseum.org.uk/exh_gfx_en/ART16312.html)
		List of exhibitions and literature on Gallaccio from artnet.com (http://www.artnet.com/ag/artistdetails.asp?aid=6676)
		A brief interview with Gallaccio on beat (http://www.kultureflash.net/archive/21/priview.html)
	www.ebroadcast.com.au /lookup/encyclopedia/an/Anya_Gallaccio.html (219 words)

	Past Exhibitions - Anya Gallaccio
		This was the first survey exhibition of work by the acclaimed British artist Anya Gallaccio, comprising of new sculptural projects alongside some of her most celebrated work.
		Concerned essentially with the notion of permanence and the balance struck between growth and decay, Gallaccio is renowned for her engaging light touch and paradoxical grasp of the ephemeral.
		Simultaneously, in collaboration with the Arts Council's Creative Partnerships scheme, Gallaccio initiated an ongoing project with an inner-city school in Birmingham, George Dixon International, which involved making a vegetable garden to celebrate the diversity of the pupils and their backgrounds.
	www.ikon-gallery.co.uk /pastExhibitionsAnyaGallaccio.htm (226 words)

	Anya Gallaccio: one art - Sculpture Center - absolutearts.com
		Anya Gallaccio: one art - Sculpture Center - absolutearts.com
		The tree, a weeping cherry killed when contractors erroneously cut its root system, will reach into SC’s 50- foot-high clerestory, virtually filling the space with its branches.
		In making a proposal for the SculptureCenter, I considered this tradition and wanted to make a "proper" sculpture, a work which is determined by the physical matter of the tree as material, a work that considers both gravity and grace.
	www.absolutearts.com /artsnews/2006/01/11/33606.html (721 words)

	Anya Gallaccio artist and art...the-artists.org
		Sensation is the first definitive survey of work by the younger generation of British artists that has captivated the international art world with its vitality and inventiveness.
		Information on the life, background and work of Anya Gallaccio
		Personal data and representives, education, signature, exhibition history, auction results and upcoming auctions of Anya Gallaccio.
	the-artists.org /ArtistView.cfm?id=542A7ADE-FBC2-4A33-8F22266F9EAC5D1D (130 words)

	Breaking News (Site not responding. Last check: 2007-11-01)
		New York's SculptureCenter presents one art by Anya Gallaccio
		SculptureCenter in Long Island City, New York, has announced that they will present one art, a piece by internationally renowned artist Anya Gallaccio.
		Founded by artists in 1928, SculptureCenter is a not-for-profit arts institution dedicated to experimental and innovative developments in contemporary sculpture.
	www.artspass.com /breakingnews.asp?bb=5150&sid=5 (344 words)

	biennale expositions
		-Miscetti, Stephania, Anya Gallaccio, (entrevue avec Stella Santacaterina), Rome, 1994.
		-Leturcq, Armelle, "Anya Gallaccio: Du perissable au perilleux", Blocnotes Magazine, nº 3, printemps 1993, p.
		-Santacaterina, Stella, "Anya Gallaccio at Karsten Schubert Ltd.", Tema Celeste nº 34, 1992, p.
	www.ciac.ca /biennale/cv_gallacio.html (378 words)

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