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| | The Birth of Tragedy - Wikipedia, the free encyclopedia |
 | | Nietzsche presents the claim that the tragedy of Ancient Greece was the highest form of art yet created due to their mixture of both Apollonian and Dionysian elements into one seamless whole, allowing the spectator to experience the full spectrum of the human condition. |
 | | Apollonian : arts of space, dreams, principium individuationis (principle of individuation), rules and boundaries, theoretical or elite individual, illusion, optimism, cheerfulness, reason and science, Maya (appearance) celebrated, human being as artist, moderation, rigidity and stasis, exhausting of possibilities. |
 | | Socrates, while as a man was still seen as a beautiful incarnation of the Apollonian spirit, overvalued reason to a point that diffused the value of myth and suffering to human knowledge. |
| en.wikipedia.org /wiki/Die_Geburt_der_Tragödie (232 words) |
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