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| | The Death and Rebirth of Rhetoric |
 | | The rhetorical event in this sense is only secondarily concerned with the clarity or veracity of its evidence (as in the "realism" of documentary photographs); before anything, it is intended to move us by means of verbal skill, bodily eloquence, spectacle, color, performance, and all the well-known elements of cosmetics, stagecraft, and mise en scène. |
 | | century, rhetoric was usually subordinated to philosophy and devoted to the study of inventio, dispositio, and elecutio in verbal language. |
 | | The Stanilavskian revolution didn't completely eliminate rhetoric, any more than novels or poems eliminated communication, but like most forms of modern art it was less openly solicitous or directly aimed toward the audience; it often relied on indirection, requiring viewers or readers to work at the discovery of meaning. |
| www.sensesofcinema.com /contents/00/5/rhetoric.html (2550 words) |
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