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| | wtc-ii-4 |
 | | In each of the previous statements, this continuous motion has been taken care of by one of the other voices; see in bar 3 the appoggiatura to the lower voice, in bar 9 the eighth-note (which represents a written-out appoggiatura) in the lower voice, and in bar 35 the appoggiatura in the accompanying upper voice. |
 | | The fourth note of the "main theme", in bar 2d preceded by an appoggiatura, is found in different circumstances in each of the four statements. |
 | | In bar 34, however, a middle-voice appoggiatura which highlights the line of the "main theme", is definitely preferable to the written upper-voice appoggiatura. |
| www-personal.umich.edu /~siglind/wtc-ii-04.htm (5689 words) |
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