| |
| | Arab Music - Part One |
 | | Music, or alandshymusiqa, a term that came from the Greek, emerged as a speculative discipline and as one of alandshyulum alandshyriyadiyyah, or "the mathematical sciences," which paralleled the Quatrivium (arithmetic, music, geometry, and astronomy) in the Latin West. |
 | | Lute (from the Arab word "al-'ud") players are among the most common themes of early Abbasid art, as in this Iraqi lusterware bowl of the tenth century. |
 | | In Egypt, such musicians included the alatiyyah, literally, "male instrumentalists", and the 'awalim, literally "learned females." According to M. Villoteau, whose extensive description of Egyptian music is part of the accounts prepared by the Napoleonic mission to Egypt, the former groups entertained male audiences, while the latter specialized in performing for female audiences. |
| trumpet.sdsu.edu /M151/Arab_Music1.html (2009 words) |
|