
	Where results make sense

Topic: Archduke Leopold Wilhelm

	Archduke - Search Results - MSN Encarta
		Archduke, racehorse, winner of the 1799 Epsom Derby.
		Francis Ferdinand (German, Franz Ferdinand), (1863-1914), Archduke of Austria, born in Graz, son of Archduke Charles Louis and nephew of Emperor...
		The Archduke was considered between 1563 and 1567.
	uk.encarta.msn.com /Archduke.html (115 words)

	Archduke Leopold Wilhelm of Austria in his Gallery by TENIERS, David the Younger
		In 1646 Archduke Leopold Wilhelm of Austria was appointed Governor of the Low Countries and took up residence at the Coudenberg Palace in Brussels.
		In 1651 Teniers was appointed court painter and curator of the Archduke's gallery.
		It is not difficult to identify these masterpieces, which the Archduke took with him to Vienna when he left Brussels in 1656, as Teniers was careful to indicate the artist on each picture frame.
	www.wga.hu /html/t/teniers/jan2/1/gallery.html (389 words)

	Sue Bond PR - Press Release - David Teniers and the Theatre of Painting
		His new patron was the Habsburg Archduke Leopold Wilhelm, cousin of King Philip IV of Spain.
		The Archduke’s single most important acquisition was of more than 500 paintings from the Duke of Hamilton, who was executed in 1649 and whose collection rivaled that of the King in quality.
		Having first documented Leopold Wilhelm’s collection in these gallery pictures, Teniers embarked on an even more ambitious representation of his patron’s achievements as a collector: an illustrated catalogue of 243 of the Archduke’s most admired Italian paintings.
	www.suebond.co.uk /events/release.php?eventid=113 (996 words)

	Courtauld Institute of Art Gallery
		His new patron was the Hapsburg Archduke Leopold Wilhelm, cousin of King Philip IV of Spain.
		During the single decade of his governorship (1646-56) Leopold Wilhelm formed one of the greatest art collections of his age, and Teniers effectively became its curator.
		The Archduke is depicted in the company of courtiers and fellow collectors, with Teniers showing his patron a picture by Annibale Carracci.
	www.courtauld.ac.uk /gallery/exhibitions/2006/teniers/index.html (886 words)

	Guggenheim Hermitage Museum - Teniers the Younger
		The project was interrupted by the archduke’s resignation and return to Vienna in 1656.
		Leopold Wilhelm’s successor, Don Juan of Austria, confirmed the artist’s position at court.
		Teniers’s genrelike depictions of country life and his vast stock of motifs continued to be studied well into the 18th century, and had a major influence on painting in Flanders and France.
	www.guggenheimlasvegas.org /past/exhibition_167_work_md_503.html (488 words)

	Worldroots.com
		(dghtr of Princess Astrid of Belgium and Archduke Lorenz of Austria)
		Leopold V, Archduke of Austria+Count of Tyrol 1586-1632
		(dghtr of Archduke Lorenz of Austria-Este and Princess Astrid of Belgium)
	worldroots.com /brigitte/royal/habs-l.htm (390 words)

	Archduke Leopold Wilhelm in his Gallery by TENIERS, David the Younger
		David Teniers, court painter to Archduke Leopold Wilhelm Hapsburg, the Governor of Flanders, and keeper of his very fine collection of painting and sculpture, made several of these gallery portraits.
		The Archduke (in tall hat) is depicted showing to visitors the wealth of his pictures, most of them Venetian, almost half of them by Titian.
		The painting was presented to Philip IV of Spain by Archduke Leopold Wilhelm before 1653.
	www.wga.hu /html/t/teniers/jan2/1/archduke.html (182 words)

	Kim Barnett Draft Essay 1 (Site not responding. Last check: 2007-10-29)
		As part of the introduction to this oil painting, Berger touts Wilhelm as “the sort of man in the seventeenth century for whom painters painted their paintings.” During this period in history, a man’s status in society was mainly measured by his possessions, which were an indication of power and wealth.
		In the portrait of the Archduke, right away the observer is drawn not to the small crowd of spectators in the foreground, but to the massive collection of paintings that serve as a wall-like obstruction within the main work of art.
		Although the Archduke is a wealthy aristocrat living the good life, in some ways the portrait struck me as a portrayal of emptiness.
	www2.english.uiuc.edu /finnegan/Barnett_1.htm (1004 words)

	Princely Collection
		This painting dated 1647, now in the Prado collection in Madrid, was sent by the Archduke Leopold, who became the Governor of the Spanish Netherlands in 1646, to his cousin Philip IV, the king of Spain.
		Teniers served as the court painter for Leopold as such he was given responsibility to paint and buy paintings and to serve as the curator of the collection of the Archduke.
		This was manifested by the selection of the Archduke as the godfather to Teniers sixth child and the special gifts Teniers received from his patron.
	employees.oneonta.edu /farberas/arth/arth200/museum/princely_collection.html (420 words)

	My Family
		Children were: Anna of AUSTRIA, Ferdinand II GERMAN EMPEROR, Margaret of AUSTRIA, Leopold V of AUSTRIA, Constance of AUSTRIA, Magdalen of AUSTRIA.
		Leopold V of AUSTRIA was born in 1586.
		Leopold Wilhelm of AUSTRIA was born in 1614.
	freepages.genealogy.rootsweb.com /~fleet/d6.htm (625 words)

	Archduke Leopold Wilhelm (1614-61) in His Picture Gallery, circa 1647 Giclee Print by David Teniers the Younger at ...
		Archduke Leopold Wilhelm (1614-61) in His Picture Gallery, circa 1647 Giclee Print by David Teniers the Younger at AllPosters.com
		Archduke Leopold Wilhelm (1614-61) in His Picture Gallery, circa 1647 by David Teniers the Younger
		Archduke Leopold Wilhelm (1614-61) in His Picture Gallery, circa 1647
	www.allposters.com /-sp/Archduke-Leopold-Wilhelm-1614-61-in-His-Picture-Gallery-circa-1647-Posters_i1349504_.htm (132 words)

	Witryna Czasopism.pl: Journals Showcase
		The painting depicts the archduke looking benevolently at the pictures, which occupy the walls from floor to ceiling.
		The duke may be buying his next masterpiece or planning investments, as he's heading in the direction of the table with a piece of paper in hand and looking at the painting, which hasn’t been yet placed on the wall.
		In 1658 the archduke could be accompanied by two fashionable dogs and surely the other people did not mind their presence.
	witryna.czasopism.pl /en/showcase/5/6/10 (943 words)

	Credits: Teniers image (Site not responding. Last check: 2007-10-29)
		Archduke Leopold-Willem in his Art Gallery in Brussels.
		Rubens was a witness at his marriage "and it must be assumed that Rubens and Teniers were on a friendly footing with each other." (old Website of Statens Museum for Kunst, Copenhagen, Denmark) Teniers succeeded to the sinecure of court painter in Brussels, vacated on the death of Rubens.
		Archduke Leopold-Wilhelm (Leopoldo Guillermo of Austria, 1614-1662) was Stadholder of the Spanish Netherlands from 1646 to 1656.
	alcor.concordia.ca /~linbien/vr/credits/corbis.html (331 words)

	Guggenheim Museum - Connecting Museums
		Archduke Karl of Styria, a great lover of the arts, and Archduke Ferdinand of Tyrol, who pursued varied interests, both followed in the footsteps of their imperial cousins.
		In the seventeenth century, Archduke Leopold Wilhelm, governor of the Spanish Netherlands, acquired a much celebrated collection of paintings.
		He bequeathed this collection to his nephew Emperor Leopold I, thus laying the cornerstone for the Kunsthistorisches Museum Picture Gallery.
	www.guggenheim.org /exhibitions/past_exhibitions/connecting_museums/hist_kun.html (541 words)

	sehepunkte - Rezensionsjournal für die Geschichtswissenschaften - 6 (2006), Nr. 6
		Hans Vlieghe investigates the patronage of archduke Leopold-Wilhelm (1614-1662) during his time as governor of the Southern Netherlands, from 1647 until 1656 (61-90).
		When the archduke had himself portrayed he preferred being painted in full armor, thus combining the religious and the worldly aspects as Miles Christianus.
		The artists from whom Arenberg purchased paintings were Paul de Vos, Frans Snyders, Gaspar de Crayer, and Salomon Noveliers, court painter to the archdukes in Brussels.
	www.sehepunkte.de /2006/06/8170.html (1416 words)

	Antwerp Conference (Site not responding. Last check: 2007-10-29)
		My discussion is concerned with the values that can be attached to these little works during a period in which the status of the copy was contested, as an aspect of the broader crisis in visual representation articulated by iconoclasm.
		The engagement here is with Italy, and my paper argues that the sketch-like character of the copies places Teniers not in the realm of mechanical reproduction but amongst the ambitious northern painters for whom a personal dialogue with this locus of authority was a way of defining their own art.
		Teniers's extraordinary group of paintings of Leopold Wilhelm's collection, which show mostly Italian works, can be seen to enact a similar dialogue, and there is a print in the Theatrum Pictorium which is extremely reminiscent of these compositions.
	www.hnanews.org /2002/papers/woodall.htm (552 words)

	ART / 4 / 2DAY
		Teniers was also court painter to Don John of Austria, who succeeded the Archduke as regent in 1656, and was one of the prime movers in the foundation of the Brussels Academy of Fine Arts (1663) and subsequently the Academy in Antwerp (1665).
		— Archduke Leopold Wilhelm in his Gallery (1647, 106x129cm) _ David Teniers, court painter to Archduke Leopold Wilhelm Hapsburg, the Governor of Flanders, and keeper of his very fine collection of painting and sculpture, made several of these gallery portraits.
		— Archduke Leopold Wilhelm of Austria in his Gallery (1651, 96x129cm) _ In 1646 Archduke Leopold Wilhelm of Austria was appointed Governor of the Low Countries and took up residence at the Coudenberg Palace in Brussels.
	h42day.netfirms.com /art/art4dec/art1215.html (14260 words)

	Art through the Ages: Masterpieces of Painting from Titian to Picasso - Introduction
		David Teniers the Younger, Archduke Leopold Wilhelm in His Gallery at Brussels, ca.
		Flemish genre scenes by David Teniers the Younger and Jan Steen contrast the aristocracy and commoners.
		1651)—an interior displaying in miniature the painting collection of the archduke who commissioned the work and was one of the Hapsburg empire's most important collectors—presents a microcosm of aristocratic wealth that is to be admired.
	www.guggenheimlasvegas.org /past/exhibition_167_page_7.html (885 words)

	Archduke Leopold William in his Gallery at Brussels on Flickr - Photo Sharing!
		739 Leopold William (1614-1662), the most important collector of paintings among the Habsburgs, accumulated most of the items in his gallery while governor of the southern (Spanish) Netherlands from 1647 to 1656.
		In this painting Leopold Wilhelm is portrayed on a visit to his gallery, accompanied by his retinue and Teniers himself, who was the director of the gallery and the archdukes court painter.
		Leopold William (1614-1662), the most important collector of paintings among the Habsburgs, accumulated most of the items in his gallery while governor of the southern (Spanish) Netherlands from 1647 to 1656.
	www.flickr.com /photos/kerim/4211417 (423 words)

	The CODART List - David Teniers and the Theatre of Painting - Museums with Dutch art and Flemish art
		Teniers first depicted this collection in 1651, painting the large and innovative Archduke Leopold Wilhelm in his Picture Gallery, which will be on loan to the exhibition from Petworth House.
		With the addition of selected loans, a total of 25 copies will feature in the exhibition, including several after masterpieces by Raphael, Giorgione and Titian visible in the gallery interiors.
		These copies will be displayed alongside the prints from the Theatrum for which they were made and in proximity to views of the Archduke’s gallery in which the original works can be identified.
	www.codart.nl /exhibitions/details/1139/?css=print (886 words)

	David Teniers and the Theatre of Painting at Courtauld Institute of Art Gallery \| Art Knowledge News
		Teniers’ painted copies have long been recognized as a valuable historical resource, particularly since many pictures in the Archduke’s collection, including most famously Giorgione’s The Three Philosophers, were altered during a reinstallation of the Viennese collections in the 18th century, while others have been lost altogether.
		Measuring approximately 17 x 25 cm and executed in full color, these copies are works of great beauty and skill in their own right, and they show Teniers’ profound interest in the achievements of his illustrious predecessors.
		The exhibition will further include Teniers’ little-known painted design for the frontispiece of the Theatrum showing a portrait of the Archduke on a pedestal with, at its base, two of his favourite paintings by Giorgione and Titian.
	www.artknowledgenews.com /David_Teniers_Theatrum_Pictorium.html (1093 words)

	David Teniers' Theatre of Painting At The Courtauld Institute - London City Guide news
		His new master, the Habsburg Archduke Leopold Wilhelm, had amassed one of the greatest art collections of his generation and Teniers acted as curator to masterpieces by Holbein, Pieter Bruegel the Elder, Van Eyck, Raphael, Giorgione, Veronese and Titian.
		Teniers’ skills as an artist were put to the test by his new patron, as his first depiction of the collection – a large-scale painting entitled, Archduke Leopold Wilhelm in his Picture Gallery (1651) – demonstrates.
		The Archduke had even acquired more than 500 paintings from the Duke of Hamilton, who was executed in 1649.
	www.24hourmuseum.org.uk /london/news/ART41325.html (1021 words)

	Peasants Dancing outside an Inn by TENIERS, David the Younger
		He was received as a Master of the Guild of Saint Luke in Antwerp in 1632/3, becoming its Dean in 1645/6, and in 1663 he became a founder member of the city's Académie Royale.
		Apart from his paintings, Teniers's duties as art adviser to Archduke Leopold-Wilhelm are best seen in the publication Theatrum pictorium of 1660, an illustrated catalogue of part of the Archduke's collection.
		Teniers made many of the small preparatory painted copies, prior to engraving (there are some in the Royal Collection and several in the Courtauld Institute Galleries, London), and oversaw the etchings for the catalogue.
	gallery.euroweb.hu /html/t/teniers/jan2/2/peas_dan.html (498 words)

	Teniers cataloged paintings ... in a painting \| csmonitor.com (Site not responding. Last check: 2007-10-29)
		Teniers, a native of Antwerp, was appointed court artist to Archduke Leopold Wilhelm, the governor of the Austrian Southern Netherlands.
		Teniers must have known that this particular painting of the Archduke's collection was intended as a gift for his cousin, King Philip IV of Spain.
		He documented the archduke's collection in several paintings, which are now considered a historical resource.
	www.csmonitor.com /2006/1026/p18s02-hfes.html (520 words)

	CATHOLIC ENCYCLOPEDIA: Breslau (Site not responding. Last check: 2007-10-29)
		The Catholics sought to establish a theological school for the education of the diocesan clergy, and the endeavour led to the founding at Breslau, in 1565, of a theological seminary which was transferred in 1575 to Neisse.
		In 1623 the Bishop of Breslau, Archduke Carl of Austria, founded at Neisse a Jesuit college to which he gave a large endowment.
		However, Leopold I signed at Vienna, 21 October, 1702, the charter raising the school to the rank of a university and obtained the papal confirmation for the decree.
	www.newadvent.org /cathen/02761a.htm (6287 words)

	Home\|Collections\|Library\|Selected objects\|David Teniers
		The "Theatrum Pictorium" with its accompanying texts in French, Latin, Spanish and Flemish, is the engraved pictorial inventory of Italian paintings in the gallery of Archduke Leopold Wilhelm in Brussels.
		David Teniers the Younger - the most successful genre painter of the southern Netherlands in the 17th century - was painter to the court in Brussels, and also custodian to the Archdukes collection of paintings and tapestries.
		As director of the gallery, Teniers also painted a series of "gallery interiors, some of which are today preserved in Vienna, Brussels and Madrid.
	www.khm.at /staticE/page386.html (91 words)

	ART / 4 / 2DAY (Site not responding. Last check: 2007-10-29)
		— Archduke Leopold Wilhelm in his Gallery (1647, 106x129cm; 741x900pix, 183kb) _ David Teniers, court painter to Archduke Leopold Wilhelm Hapsburg, the Governor of Flanders, and keeper of his very fine collection of painting and sculpture, made several of these gallery portraits.
		Initially influenced by Adriaen Brouwer, Teniers abandoned his predecessor's truculent, anecdotal genre around the time of his death in 1638, going on to develop a much more refined style, vigorous, delicate, and full of verve, as well as a brilliant and clever painting technique distinguished by a very light brush and subtle coloring.
		He was received as a Master of the Guild of Saint Luke in Antwerp in 1632-1633, becoming its Dean in 1645-1646, and in 1663 he became a founder member of the city's Académie Royale.
	www.jcanu.hpg.ig.com.br /art/art4dec/art1215.html (15111 words)

Try your search on: Qwika (all wikis)