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| | Seminar |
 | | The introduction notes that German poetic realism has as a central concern the phenomenon of "repetition," a focus that Downing finds mirrored in twentieth-century critical descriptions of realist literature and also shared by such prominent nineteenth-century thinkers as Kierkegaard, Nietzsche, Marx, and Freud. |
 | | While the author's analyses of the primary works engage these and other philosophers, poets, and literary critics, the main argumentative framework is supplied by thoughts on repetition in narratology (Jakobson, Barthes), psychoanalysis (Freud, Lacan), and critical theory (Horkheimer, Adorno). |
 | | Realist literature does not naively attempt to reproduce a prior given "reality," the representation of which proves merely to "repeat" deeply ideological cultural discourses of nature, gender, history, aesthetics, etc. Rather, this constructedness of the only seemingly prior and "original" reality is problematized by the characteristically "two-fold" optic of Realism. |
| www.humanities.ualberta.ca /seminar/display.cfm?ReviewID=42 (413 words) |
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