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Topic: Aronofsky


  
  Aronofsky doesn't mind if audiences find 'The Fountain' divisive » PopMatters | News and Commentary | PopWire
Aronofsky, who looks as much like a wiry-haired grad student as a renowned film director, was just reaching the end of a far longer gestational period.
Aronofsky said his heart wasn’t in “Batman” anyway because he had another project he ached to direct: “The Fountain,” despite all of the debt and “bad karma” it had rung up.
Aronofsky’s in a sticky situation because he doesn’t want to strike a defensive stance, but he said someone who was at the Venice press screening informed him that (1) they weren’t booing but whistling (same intent, different sound), (2) just as many people applauded, and (3) people kept arguing about the movie outside the theater.
www.popmatters.com /pm/news/article/8270/aronofsky-doesnt-mind-if-audiences-find-the-fountain-divisive   (1966 words)

  
  The DVD Journal: Requiem for a Dream: Director's Cut
It was a smart move by Darren Aronofsky to deck this adaptation of Hubert Selby, Jr.'s novel in a mesmerizing array of visual gimmickry.
Aronofsky, however, has confidently constructed a dazzling vehicle for this depressing tale of addiction, brilliantly wrapping the sourest of pills in a delectable hard candy shell.
Aronofsky's debut film, the dark and disturbing Pi, was a throbbing fantasy about paranoia and conspiracy, and in many ways, so is his follow-up.
www.dvdjournal.com /reviews/r/requiemforadream.shtml   (1092 words)

  
 Wired 14.11: The Outsider
It was the spring of 1999, and Aronofsky had already established himself as one of the most promising directors of his generation.
Aronofsky and Handel's freewheeling conversations ranged over primate neurology, the physics of space travel, and the history of Mayan civilization.
Aronofsky's hip hop montages – obsessive loops of iconic images and sounds – were imitated in dozens of music videos.
www.wired.com /wired/archive/14.11/outsider.html   (995 words)

  
 Pi (film) - Wikipedia, the free encyclopedia
Darren Aronofsky's next film was Requiem for a Dream (which was also sold co-packaged with π).
Aronofsky raised money for the project by selling $100 shares in the film to family and friends, and was able to pay them all back with a $50 profit per-share when the film was sold to Artisan.
The film is about a mathematical prodigy, Maximillian Cohen, who believes that everything in nature can be understood through numbers.
en.wikipedia.org /wiki/Pi_(movie)   (899 words)

  
 Interview with Darren Aronofsky   (Site not responding. Last check: 2007-10-24)
Aronofsky confirmed that this was one of the things he considered the most carefully when making the movie.
Aronofsky nabbed the Festival's Directing award, but his strongest memory resulted from a sold-out morning screening at the huge Eccles Theater.
Aronofsky wasn't forthcoming with any specifics about his next project, although he did confirm that he's working on something, that it won't necessarily be science fiction, and that it definitely won't be in fl- and-white.
movie-reviews.colossus.net /comment/070798.html   (934 words)

  
 Darren Aronofsky Interview by Vito Carli -ArtInterviews.com
When he was a child, Aronofsky’s parents often took him to Broadway shows, and these formative experiences gave him a great appreciation for spectacle.
  When he spoke about his influences, Aronofsky showed he had was extremely knowledgeable about television, and classic films as well as new cinematic trends, “Rod Serling was one of my great patron saints of film.” He said that “Eye of the Beholder (1960)” was one of his favorite episodes.
Aronofsky is also a huge comic and graphic novel fan.
www.artinterviews.com /Darren.html   (905 words)

  
 INTERVIEW: "Pi" Progression, Aronofsky Returns With "Requiem"
Aronofsky: It's a great score, actually, some of Clint's beats, for instance, are samples from Bruce Lee punches, stolen from movies and basically, turned into beats.
Aronofsky: That scene was one of the major reasons I did the film.
Aronofsky: I think it might attract more people, in fact, because a.) people want to see what the controversy is about.
www.indiewire.com /people/int_Arnofsky_Darren_001006.html   (2693 words)

  
 'Lost': Aronofsky will not direct | Popwatch | Blog: Entertainment Weekly
There are still hopes, however, that Aronofsky -- a big fan of the show -- will be able to direct an episode next season.
Considering how Aronofsky drove Ellen Burstyn nutty with diet pills and a demonic fridge in Requiem for a Dream, just imagine what he could do with the washing machine and all that smack inside The Hatch.
Aronofsky will reveal that God was the pitcher of the Yankees and that Ellen Burnstyn was cursed by the numbers when Hurley won the lottery.
popwatch.ew.com /popwatch/2006/03/lost_aronofsky_.html   (403 words)

  
 The Fountain, Darren Aronofsky, spirtuality, Bible -- Beliefnet.com
In “The Fountain,” maverick writer-director Darren Aronofsky searches for the mythical fountain as he explores matters of life, love, spirituality, and death in three storylines spanning 1,000 years.
Aronofsky first grabbed attention with the dark and quirky “Pi,” and then explored the devastating effects of addiction with "Requiem for a Dream,” which earned an Oscar nomination for one of its stars, Ellen Burstyn.
Aronofsky recently spoke with Beliefnet about the inspiration for “The Fountain,” the difficulty inherent to making a spiritual film, and how fatherhood is affecting his future projects.
www.beliefnet.com /story/204/story_20416_1.html   (772 words)

  
 Comic Book Resources - CBR News - The Comic Reel
Aronofsky and his writing partner Ari Handel worked up a new script that was used for the film that just recently wrapped principal photography.
Aronofsky began looking and working on other projects, but then six months later the creator found himself fighting a bit insomnia, during which he found a way to bring it back to life.
Aronofsky noted earlier while on set, "When I started the film I said no computer graphics, let's find one of those old time guys and see what they've been doing." They found their guy in Peter Parks.
www.comicbookresources.com /news/newsitem.cgi?id=5080   (7700 words)

  
 Scotland on Sunday - Review - Thwarted filmmaker's original vision finally finds a home in print   (Site not responding. Last check: 2007-10-24)
Although Aronofsky has since completed a celluloid version of The Fountain (working from a rewritten, stripped-down script and a much lower budget), this book, created in collaboration with artist Kent Williams, is the final incarnation of his original vision.
Aronofsky describes the book and the film as siblings, referring to their shared beginnings but also emphasising their differences; the latter not so much, one suspects, in terms of the different medium, rather the differing paths if not outcomes of the twin stories.
Nevertheless, Aronofsky's musings on the nature of life, love and death are intriguing, and this book remains a tantalising teaser of what he might have put on the big screen, and what he finally managed to.
scotlandonsunday.scotsman.com /review.cfm?id=575772006   (441 words)

  
 IGN: Weisz on Aronofsky's The Fountain
In a sea of unoriginality in Hollywood, Aronofsky's incredibly original work on that film, and also on 1998's Pi, has given film lovers hope that he may well be one of the most talented and groundbreaking directors since Tarantino.
Weisz says that the experience of working with Aronofsky is one of the most rewarding of her career thus far.
Aronofsky's style has been said to be less traditional.
filmforce.ign.com /articles/583/583833p1.html   (678 words)

  
 village voice > books > Darren Aronofsky and Kent Williams's The Fountain by Matt Singer   (Site not responding. Last check: 2007-10-24)
The Fountain, Darren Aronofsky's first graphic novel, is the requiem for the director's dream of a big-budget Hollywood blockbuster.
When the financing for a $70 million mounting of Aronofsky's Fountain screenplay dried up, Aronofsky figured his massive tale of the Tree of Life for dead and sent the abandoned script to Vertigo Comics, who hooked him up with painter Kent Williams.
Serious to a fault, Aronofsky's temporally trifurcated tale follows a Spanish conquistador, a modern-day cancer doctor, and a futuristic nudistronaut on quests for the key to eternal life.
villagevoice.com /books/0552,singer,71307,10.html   (250 words)

  
 Director Darren Aronofsky: A 'Fountain' Quest Fulfilled - washingtonpost.com
Indeed, Aronofsky's six-year journey to get "The Fountain" to the screen comes off as a more benign version of the obsessive quests his antiheroes often pursue.
The collapse knocked Aronofsky, who at 37 still has the engaging but unkempt demeanor of a philosophy graduate student, back a few steps.
That's what happens, Aronofsky laughs, when you write while "listening to David Bowie's 'Space Oddity.' " Still, compared with "Requiem for a Dream," with the hyperkinetic editing of its third act, "The Fountain" comes off as downright funereal.
www.washingtonpost.com /wp-dyn/content/article/2006/11/23/AR2006112300534.html   (835 words)

  
 Ziggy's Video Realm: Darren Aronofsky's Pi (1998)   (Site not responding. Last check: 2007-10-24)
One thing to realize here is that Aronofsky did in the end manage to make a very entertaining film that has complex mathematics as one of its subject matters.
Aronofsky has in many circles been compared to Stanley Kubrick, which is a pretty hefty claim for a man who has so few films under his belt.
While I do consider Aronofsky to be a brilliant new talent, I think he needs to make a couple more films such as this before that claim can be truly validated.
www.ziggysvideorealm.com /reviews/pi.html   (1196 words)

  
 Pi: Bios   (Site not responding. Last check: 2007-10-24)
Darren Aronofsky leads his army (L. to R., Director of Photography Matthew Libatique, Sound Recorder Ken Ishii, and actor Ari Handel) to victory.
Darren Aronofsky was born and raised in Brooklyn and is a product of the public school system.
Aronofsky has studied filmmaking with director Stuart Rosenberg ("Cool Hand Luke," "The Pope of Greenwich Village"), producer Stuart Cornfeld ("The Fly," "The Elephant Man," "Kafka," "Mimic") and acclaimed Hungarian director Miklos Jancso ("Red and White").
www.pithemovie.com /biodsa.html   (138 words)

  
 Review: Requiem for a Dream   (Site not responding. Last check: 2007-10-24)
This year, it's Darren Aronofsky's Requiem for a Dream, one of the most forceful anti-drug narratives ever to be committed to celluloid.
As he proved with his art house success, Pi, Aronofsky is not afraid to take chances, and Requiem for a Dream represents a big one.
Employing hundreds of cuts, Aronofsky careens back and forth between his four main players, showing their increasingly dire circumstances and allowing those to escalate to a brutal climax.
movie-reviews.colossus.net /movies/r/requiem_dream.html   (1094 words)

  
 Aronofsky inks first-look deal with Uni family
The deal calls for Aronofsky, producer partner Eric Watson and their Protozoa Pictures to not only develop and produce pictures for Universal but also for sister companies Focus Features and Rogue Pictures.
Aronofsky broke on to the scene with the award-winning "Pi," and followed that up with the equally acclaimed "Requiem for a Dream." He is in postproduction on "The Fountain," a sci-fi epic staring Hugh Jackman and Rachel Weisz.
Aronofsky and Watson are represented by CAA and attorney Carlos Goodman.
www.hollywoodreporter.com /thr/film/brief_display.jsp?vnu_content_id=1002033808   (224 words)

  
 UGO.COM - Darren Aronofsky Interview
He sat down with us about a month before the film's premiere to talk about the influences that inspired the controversial film and what he expects from himself and his audience.
Darren Aronofsky on the evolution of the screenplay:
Aronofsky on the recurring theme in his work of 'achieving the impossible and being undone':
www.ugo.com /ugo/html/article/?id=16102§ionId=7   (1569 words)

  
 Comic Book Resources - CBR News - The Comic Wire
This is Aronofsky's third and most ambitious film following the success of "Pi" and "Requiem for a Dream." A full report of that set visit is to come a bit later here on CBR, but first we'd like to share with you some news about the upcoming graphic novel adaptation coming from DC/Veritgo this August.
Aronofsky's not exactly a comic book guy, having come to them a bit later in life during college, first reading the work of Alan Moore and Frank Miller.
Aronofsky is joined on the graphic novel by Ari Handel, a PhD graduate in Neuroscience from New York University's Center for Neural Science.
www.comicbookresources.com /news/newsitem.cgi?id=5073   (1504 words)

  
 Darren Aronofsky's The Fountain reviewed. - By Dana Stevens - Slate Magazine
Darren Aronofsky discusses a scene with Rachel Weisz and Hugh Jackman in The Fountain
Darren Aronofsky's The Fountain (Warner Bros.) is, by any standard, a grand folly of a movie.
In his first attempt at getting the thing made, beginning in 2000, Aronofsky wasted $18 million, built a Mayan pyramid that sat moldering in Australia, and cast and then lost Brad Pitt as the film's time-traveling hero.
www.slate.com /id/2154252   (1229 words)

  
 Combustible Celluloid - Interview with Darren Aronofsky
Aronofsky was in town recently, and I had the chance to speak with him about Pi.
I was fascinated how Aronofsky managed to used real math formulas as plot elements, how they all seemed to fall into place in a natural progression.
Aronofsky won the Directing Award for Dramtic Competition at Sundance, and has already struck a deal with Dimension Films to do a horror film called Proteus.
www.combustiblecelluloid.com /daint.shtml   (1800 words)

  
 Amazon.com: Pi: DVD: Darren Aronofsky,Sean Gullette,Mark Margolis,Ben Shenkman (II),Pamela Hart (II),Stephen ...   (Site not responding. Last check: 2007-10-24)
This super-low-budget début by Darren Aronofsky is a noir-like metaphysical sci-fi flick, shot in grainy fl-and-white, about a mathematical genius who believes he's found a formula that describes the chaos of the stock market.
Darren Aronofsky, writer and director of 'PI', has created a film that is every bit as engaging as its 'big' brothers - in reality, even more so.
Aronofsky and Gullette, by some strange archaic alchemy have managed to create the seeming of layer after layer of possible meaning.
www.amazon.com /exec/obidos/tg/detail/-/078401213X?v=glance   (2999 words)

  
 The Popkorn Junkie :: Requiem for a Dream
Aronofsky's style is quite individualized and very apparent - the viewer is quite aware of the direction.
His work here is very similar to that in "Pi", although he is now in full color.
The devastation that results from addiction is presented, as is the devastation that leads to addiction in the first place, vicious-circle style.
popkornjunkie.com /reviews/requiemforadream.html   (357 words)

  
 requiem for a dream/ darren aronofsky interview -- movies -- rob larsen's drunkenfist.com
Taking the potential glimpsed in the low- budget, high energy Pi, and marrying it to Selby's powerful tale of love, dreams and addiction, Requiem for a Dream provides a jolting, heartfelt journey into the depths of the human experience.
Aronofsky, Director of Photography Matthew Libatique, Editor Jay Rabinowitz, Production Designer James Chinlund and composer Clint Mansell here combine to produce a wonderful marriage of high style and bare-bones substance.
Their mixture of bleeding edge cinematic language and beautiful, forceful imagery with the pure, honest-to-goodness human emotions of the story make for a singular experience.
www.drunkenfist.com /movies/Hollywood/requiem.shtm   (1440 words)

  
 Darren Aronofsky: First Person Cinema
Welcome to "Darren Aronofsky: First Person Cinema," constructed as a compliment to CAMS 229: Outsider Cinema, a course at Carleton College, in Northfield Minnesota.
The overarching goal of this site is to use Aronofsky's films and techniques to comment on his status as an "outsider," that is, a filmmaker who has deliberately placed himself outside the realm of conventional Hollywood cinema.
Completely dedicated to his artistic vision, Aronofsky assembled teams for his movies that were as emotionally involved in the projects as himself.
www.people.carleton.edu /~tonksn/aronofsky   (453 words)

  
 Darren Aronofsky   (Site not responding. Last check: 2007-10-24)
Darren Aronofsky was born February 12, 1969, in Brooklyn, New York.
Darren Aronofsky has 3 in-development credits available on IMDbPro.com.
Discuss this name with other users on IMDb message board for Darren Aronofsky
www.imdb.com /name/nm0004716   (273 words)

  
 Darren Aronofsky's The Fountain Revealed at Comic-Con
Attending the roundtable was Aronofsky and one of the film’s stars, Rachel Weisz.
Aronofsky says that for how it looks, The Fountain “should be a $90 million” dollar movie.
Due to the elongated preproduction of the film they were able to work out a lot of logistical problems and bring the film in for a much lesser amount.
www.movieweb.com /news/news.php?id=8564   (1290 words)

  
 The Fountain: JoBlo.com's Upcoming Movies: Posters, Plot, Pictures, Cast, News...
: THE FOUNTAIN 1:1 with Darren Aronofsky "I just want to tell stories and this is the story I've wanted to tell for the past six years." I met Darren Aronofsky in a conference room big enough to hold at least 200 people.
Constructed set pieces were literally auctioned off to salvage some of the $18 million in preproduction costs spent before the project fell apart.
Darren Aronofsky's $75 million sci-fi epic THE FOUNTAIN ran dry...
www.joblo.com /upcomingmovies/movies.php?id=322   (1219 words)

  
 Aronofsky: Statistik der Assoziationen und Gedanken zum Stichwort Aronofsky im Assoziations-Blaster
Aronofskys Markenzeichen ist die Unumgänglichkeit der allerschlimmsten Katastrophe.
Er fesselt den Zuschauer, damit dieser keinen Halt mehr findet, wenn erst der Abgrund auf ihn zurast.
Hätte Aronofsky zu Goethes Zeiten gelebt, so wäre er mit ein starker Vertreter des »Sturm und Drang« gewesen.
www.assoziations-blaster.de /info/Aronofsky.html   (247 words)

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