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	Arto Lindsay \| The A.V. Club
		Arto Lindsay got his start as a member of the seminal No Wave outfit DNA, a group that--like the other bands captured on the Brian Eno-produced 1978 compilation No New York--embraced the primitivism of punk but added a confrontational element of random noise.
		Lindsay, whose nontraditional guitar work encouraged one critic to invent "skronk" as a descriptive term, went on to play in several bands that came out of New York's Downtown scene, including the Lounge Lizards, Golden Palominos, and Ambitious Lovers.
		Yet Lindsay, who was born in America but raised in Brazil, also began to explore his roots, translating Portuguese lyrics and producing such legendary Brazilian songwriters as Caetano Veloso, as well as relative newcomers Marisa Monte and Vinicius Cantuaria.
	www.avclub.com /content/node/22901 (1476 words)

	Arto Lindsay: simple as ok - Pravda.Ru (Site not responding. Last check: 2007-10-22)
		Arto was strolling among the crowd of people who were waiting impatiently for a concert to start and seemed not to notice his thin figure with eyeglasses.
		Arto Lindsay does not play the guitar, he turns its pegs inside out and it becomes a freaky instrument that produces screamy, torn sounds.
		Lindsay's trio in their turn could not disappoint Russians and finished their performance with Simply Are that was followed by applause from Russia with love, occasionally interrupted by Arto's 'spasibo', which he accompanied with the charming smile.
	english.pravda.ru /main/18/90/361/16540_Lindsay.html (962 words)

	The History of Rock Music. Arto Lindsay: biography, discography, reviews, links (Site not responding. Last check: 2007-10-22)
		Arto Lindsay e` uno degli intellettuali del rock che alla fine degli anni '70 cambiarono l'accezione di "musica rock" facendone un genere musicale astratto e concettuale.
		Di Lindsay e` rimasta l'impronta piu` che altro ideologica: in un freddo registro "declamatoriale" Lindsay canta liriche morbose e romantiche, ambigue e metaforiche (alla chitarra si cimenta raramente).
		Lindsay torna alla ribalta con le ballate brasiliane di Mundo Civilizado (Bar/None, 1997), che approfondiscono quel discorso con un piglio intellettuale, e tanto basta a farne un caso giornalistico.
	www.scaruffi.com /vol4/alindsay.html (2299 words)

	Tiny Mix Tapes (Site not responding. Last check: 2007-10-22)
		Then the band came on: a rather gaunt Arto Lindsay, Melvin Gibbs on bass, and the keyboardist/alto saxophonist whose name I didn't catch, but who was wearing a pair of real Lederhosen and occasionally fanned himself with a little Oriental fan.
		Lindsay's style is probably an acquired taste, but you could tell that he's acquired it and then some, based on the wide smile that spread across his face just before and throughout each solo.
		There was something deeply charismatic about how much Lindsay was clearly enjoying himself on stage, a kind of enjoyment-undertow that pulled the audience in as we tried to anticipate and bop along to each joyous burst of guitar static.
	www.tinymixtapes.com /concertreviews/04.04.22-arto_lindsay_band.htm (503 words)

	Arto Lindsay - Wikipedia, the free encyclopedia
		Arto Lindsay (born May 28, 1953) is an American guitarist, singer, record producer and sound artist.
		Although Lindsay was born in the United States, he spent many years in Brazil with his missionary parents and came of age during the influential Tropicália movement of Brazilian culture, which included musicians Caetano Veloso, Gal Costa, Os Mutantes and Gilberto Gil, as well as the visual artists Hélio Oiticica, Lygia Clark and Antonio Dias.
		From Lindsay's early days in New York amidst the burgeoning art and music scene of the East Village, he was able to befriend and collaborate with a number of visual artists who have gone on to important careers in art.
	en.wikipedia.org /wiki/Arto_Lindsay (816 words)

	Arto Lindsay - Invoke - Review - Stylus Magazine
		Lindsay’s seamless song-suite followed in kind – a voluptuous spread of supple Tropicalia rhythms, bubbling beats, and Lindsay’s literati come-ons tangled in sharp-edged sheets of guitar skree and paranoid electronics.
		Lindsay navigated the splinters and spines of Prize with such grace and confidence that its danger was turned into irresistible allure.
		Lindsay’s lover-man cool has been stricken with traces desperation and doubt, his breathy invitations replaced by successions of prickly whispers and sighing laments, shrouded in hints of discord and distance.
	www.stylusmagazine.com /reviews/arto-lindsay/invoke.htm (1057 words)

	Arto Lindsay discography - Slipcue.com Brazilian music guide
		Lindsay has produced, played on, (or translated lyrics for) many recent albums by folks such as Caetano Veloso, Marisa Monte, and Vinicius Cantuaria, helping add a dense, complex technological veneer to the multilayered Brazilian sound.
		Lindsay captures the reserved, relaxed calm of bossa nova, but adds a laconic, explicitly sexual, postmodern tilt to the proceedings.
		Arto Lindsay produced the album, and fellow New Yorkers Laurie Anderson and Greg Cohen are along for the ride.
	www.slipcue.com /music/brazil/arto.html (1208 words)

	zerecords.com - Arto Lindsay : biography (Site not responding. Last check: 2007-10-22)
		Arto Lindsay has made a lifelong habit of crossing both geographical and musical borders.
		Born in the United States and raised in Brazil during the heyday of that country's pointedly eclectic Tropicália movement of the 1960s, the multi-faceted songwriter/producer/vocalist/guitarist has forged an international reputation as an artist whose work is as seductive as it is challenging.
		From his late 1970s recordings of abrasive "no wave" through his acclaimed series of solo albums beginning in the late 1990s, Lindsay has bonded rhythms and melodies from diverse cultures and genres in provocative new ways, crafting inimitable soundscapes whose impact can range from fragile pop pleasure to sheer sonic assault.
	www.zerecords.com /artists/bio.php?id=4&type=gb (218 words)

	: : : righteous babe records > > > artists > > > arto lindsay : : :
		Lindsay's new album, Salt, continues to explore samba, bossa nova and more recent Brazilian song structures on his own terms.
		Lindsay's critical reputation brought him back to Brazil to work as a producer on recordings by Caetano Veloso, Vinicius Cantuária, Gal Costa, and Carlinhos Brown, among others.
		Lindsay's longstanding association with Monte subsequently led to his producing the music for her recent live DVD.
	www.righteousbabe.com /artists/arto (618 words)

	Arto Lindsay / RootsWorld Recording Review (Site not responding. Last check: 2007-10-22)
		Arto Lindsay came to the attention of American audiences with the experimental, post-punk "No Wave" movement in New York.
		But Lindsay gradually distinguished himself by infusing his albums, beginning with the band The Ambitious Lovers, with elements of music from Brazil, where he was raised by his missionary parents.
		In recent years, Lindsay, in addition to being a producer for notable albums in Brazil and in the U.S., has released a series of albums that combines quiet bossa nova with dissonant avant-pop.
	www.rootsworld.com /reviews/lindsay-invoke.shtml (285 words)

	Arto Lindsay MP3 Downloads - Arto Lindsay Music Downloads - Arto Lindsay Music Videos (Site not responding. Last check: 2007-10-22)
		Arto Lindsay's third outing for Righteous Babe, Salt, continues with the Brazilian meets avant pop stylings he began in the mid-'90s.
		Arto Lindsay has come a long way since his early days as one of the prime architects of downtown New York's "No Wave" sound, a period when he played untuned guitar in the noise trio DNA and served...
		Despite his history of leading noise-rock bands like DNA and the Ambitious Lovers, Arto Lindsay has always made clear his connection to his native Brazil.
	www.mp3.com /arto-lindsay/artists/22024/discography.html (1327 words)

	DISCOGRAPHY OF ARTO LINDSAY
		Arto Lindsay plays on four tracks with DNA: 13/ Egomaniac's Kiss (Crutchfield, Lindsay) 2:08 14/ Lionel (Crutchfield, Lindsay) 2:04 15/ Not Moving (Crutchfield, Lindsay) 2:35 16/ Size (Crutchfield, Lindsay) 2:10 Recorded at Big Apple Studio in New York City during Spring 1978 Robin Crutchfield: organ, vocal; Ikue Ile: drums; Arto Lindsay: guitar, vo- cals.
		Arto Lindsay plays on one track with Bill Frisell: 14/ Before We Were Born (Bill Frisell) 4:15 1989 - Elektra/Nonesuch, 9 79221-2 (CD) See BEFORE WE WERE BORN (1989) for further references on (14).
		Arto Lindsay plays on two tracks, one with Caetano Veloso: 2/ O Estrangeiro (Veloso) 6:14 and one with Heiner Goebbels: 4/ Five Minutes Too Early (Muller, Goebbels) 4:27 1989 - nma 001 (CD) See ESTRANGEIRO (1989) and THE MAN IN THE ELEVATOR (1988) for further references.
	home.arcor.de /nyds-exp-discogs/lindsay.htm (4433 words)

	Amazon.com: Salt: Music: Arto Lindsay (Site not responding. Last check: 2007-10-22)
		Arto Lindsay has gone from arty new wave icon (in seminal bands DNA and Ambitious Lovers) who sometimes focused on such sins as envy to genre-breaking solo artist who wants to talk about sex.
		Arto Lindsay succeeds in effortlessly crafting an amazing mix of musicial genres that might seem incongruous in the abstract.
		Arto Lindsay is not afraid of challenging his listeners, as has been evident in all his work.
	www.amazon.com /Salt-Arto-Lindsay/dp/B0001Z4PK0 (1260 words)

	The Morning News - Personagem: Talking With Arto Lindsay by Patrick Ambrose
		Lindsay went on to work with an early incarnation of the Lounge Lizards and co-wrote most of the compositions on the first Golden Palominos album.
		After spending a year away in Brazil, Lindsay returned to New York in May of this year to work on saxophonist Micah Gaugh’s first solo project.
		Arto Lindsay: Producing a record is really helping an artist make the best record that they can make—looking at their whole career and figuring out where they should go.
	www.themorningnews.org /archives/personalities/personagem_talking_with_arto_lindsay.php (3909 words)

	Arto Lindsay News (Site not responding. Last check: 2007-10-22)
		News about Arto Lindsay continually updated from thousands of sources around the net.
		Arto Lindsay gave us the avant-pop of the Ambitious Lovers.
		Arto Lindsay, a New York-based guitarist and vocalist, will explore his funk, "no-wave - and Brazilian influences at a concert in St. Comment?
	www.topix.net /who/arto-lindsay (109 words)

	E.J.N. - ARTO LINDSAY
		From his late '70s work with noise architects DNA through his series of bossa nova-influenced albums in the late '90s, Lindsay has fused rhythms, melodies, and verbal expressions from several cultures and genres in provocative new ways, crafting inimitable soundscapes whose impact can range from fragile pop pleasure to sheer sonic assault.
		While few listeners noticed at the time, Lindsay and his bandmates were already inserting Portuguese phrases in their lyrics and alluding to Brazilian drumming patterns, "but it was all so garbled nobody could really tell," he recalled nearly 20 years later in a Pulse!
		Arto Linsday with Heiner Goebbels and Heiner Muller:Man in the Elevator
	www.ejn.it /mus/lindsay.htm (532 words)

	Bar/None Records: Arto Lindsay
		A great idea man who leads with his heart, Arto is not afraid to take the outside road wherever it may lead, crossing the traditional boundaries of class, culture, genre and nation.
		Arto has always seemed like an elder statesman, even when he was a youngster fronting DNA, one of the premier outfits of the No-Wave scene.
		Arto is smoking cigarettes, hugging people, greeting visitors with surprise as the elevator doors open.
	www.bar-none.com /bios/ArtoMundoBio.html (1022 words)

	Arto Lindsay cds, vinyl records and music albums
		Arto Lindsay cds and Arto Lindsay records can be found on the label Righteous Babe Records.
		A Svengali of the East Village, guitarist Arto Lindsay's diverse, whimsical, and often challenging repertoire spans the breadth of New York downtown music -- from Tropicalia to Punk, electronica to Avant Garde Jazz.
		arto's guitar wanders in and out of noiseland, producing some ear-shattering effects, but mostly this begins his musical odyssey with the sounds of his youth -- that is, brazili
	www.musicstack.com /search/arto+lindsay (953 words)

	Arto Lindsay: Salt - PopMatters Music Review
		Its use of so-called "world" music ensured that the guilty-conscience crowd would strain every muscle in their bodies to appreciate it, but the album was fairly dull, fading into the background far too often to justify the raves it sometimes got.
		The sense of wild adventure that Lindsay made his signature quality beginning with his stint in no-wave heroes DNA was gone, replaced by a dispiriting satisfaction with producing lovingly crafted Muzak.
		Considering that Lindsay is now on the far side of 50, it would only be slightly hasty to treat an uninspired record as the herald of an irreversible descent into mediocrity.
	www.popmatters.com /music/reviews/l/lindsayarto-salt.shtml (587 words)

	Arto Lindsay
		Arto Lindsay was one of the leading exponents of the aptly-named No-Wave scene that emerged in New York during the latter half of the 1970's.
		In the context of his first band DNA, Lindsay developed an approach utilizing detuned guitar and arrhythmic stuctures that has since been frequently imitated in avant-garde (and particularly New York avant-garde) circles.
		After periods swinging with the ersatz-jazz ensemble The Lounge Lizards and participating in the raucous funk of The Golden Palominos, Lindsay formed The Ambitious Lovers with keyboardist Peter Scherer -- a project in which the influence of his childhood in Brazil was allowed to bubble to the surface.
	www.nndb.com /people/787/000041664 (151 words)

	Arto Lindsay, Invoke (Site not responding. Last check: 2007-10-22)
		Lindsay has been involved in New York noise-rock experimentation since DNA in the '70s, as well as being an accomplished bossa nova artist.
		Overall, the album is a laid-back tropical groove that recalls beaches, rum punch and love born under the moonlight screened by palm fronds.
		Arto Lindsay's warm weather collage is gentle pop that succeeds in the marriage of the delicate sounds of acoustic Brazilian instruments with effectively introduced programmed beats and synths.
	www.rambles.net /lindsay_invok02.html (165 words)

	Official Ticketmaster site. Arto Lindsay tickets, dates
		Lindsay, a native of Brazil, began conflating the Brazilian pop music of his youth with the sonic density and avant-garde urgings he pursued as a member of the Lower East Side noise rock scene.
		As a result, his recordings as leader of the Ambitious Lovers are not all atonal skronk, but rather a deft blend of dance-pop and sonic adventurousness.
		Although they don't sell records in the millions (or the hundreds of thousands for that matter), the Ambitious Lovers are one of the few bands to live up to their name record after record.
	www.ticketmaster.ca /artist/753085?brand=none (597 words)

	Arto Lindsay - Pandora Internet Radio
		After his tenure as guitarist in the great no wave band DNA and punk-jazzers the Lounge Lizards, Arto Lindsay formed the equally exciting and (pun intended) ambitious Ambitious Lovers, while also being involved with the earliest incarnations of the Golden Palominos.
		After several releases on Bar None, Lindsay became the first artist to release an album on Ani Difranco's Righteous Babe label (besides Ani herself, that is), beginning with The Prize.
		Invoke was released in 2002, followed by Salt in 2004, all dispaying his special synthesis of Brazilian music with the downtown avant-garde.
	www.pandora.com /music/artist/5c1438fc52318ba4 (431 words)

	Somnambule ~ Review of Arto Lindsay in concert
		Eventually Lindsay, graduate of a plethora of influential bands through the ‘80s and ‘90s – DNA, Ambitious Lovers and Lounge Lizards to name but a few – takes the stage in trademark pipe-cleaner suit and white shirt.
		One moment Arto sings samba gentle as a nostalgic caress, the next his guitar is like flint grinding on flint.
		Arto sings “You’re simply so beautiful” over and over again above a bass string slung so low that it suggests an unreliable rope bridge suspended above an abyss or the schoolkid’s ruler vibrating on a desk that tips a teacher over the precipice into mental breakdown.
	www.eleventhvolume.com /reviews/concerts/files/arto_lindsay.html (424 words)

	Arto Lindsay: Prize \| Oct 29, 1999
		For years, Lindsay has lured fans into his musical fantasy world with the falsely modest claim that he can't sing or play the guitar.
		And while these claims are not entirely untrue, his unique sound—think Tribe Called Quest at its smoothest, infused with the sounds of bossa nova standards—is explanation enough for his popularity in his native Brazil and in the United States.
		Lindsay's latest album, Prize, has the distinction of being the first album produced on Ani DiFranco's Righteous Babe Records label that doesn't include DiFranco herself.
	www.yaleherald.com /archive/xxviii/1999.10.29/ae/p13lindsay.html (226 words)

	Recording review: Arto Lindsay (Site not responding. Last check: 2007-10-22)
		Though Arto Lindsay is well-known as a denizen of the downtown Manhattan scene, he was raised in northeastern Brazil.
		In that light, Lindsay's dissonant electronic touches can be seen as an extention of the original movement.
		Lindsay shows himself to be a romantic, but the only kind that can still exist in this post-modern world of no mysteries: one who still holds onto his sense of absurd.
	www.rootsworld.com /reviews/lindsay.html (167 words)

	Arto Lindsay - Biography - AOL Music (Site not responding. Last check: 2007-10-22)
		After his tenure as guitarist in the great no wave band DNA and punk-jazzers the Lounge Lizards, Arto Lindsay formed the equally exciting and (pun intended) ambitious Ambitious Lovers, while also being involved with the earliest incarnations of the Golden Palominos.
		Lindsay, a native of Brazil, began conflating the Brazilian pop music of his youth with the sonic density and avant-garde urgings he pursued as a member of the Lower East Side noise rock scene.
		Although they don't sell records in the millions (or the hundreds of thousands for that matter), the Ambitious Lovers are one of the few bands to live up to their name record after record.
	music.aol.com /artist/arto-lindsay/26651/biography (469 words)

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