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	Arto Records - Wikipedia, the free encyclopedia
		Arto Records was a short lived record label based in the United States of America, from 1920 to 1923.
		Arto Records was owned by the Arto Company of Orange, New Jersey which in turn was owned by the Standard Music Roll Company, a business which made player piano rolls.
		Arto Records also pressed masters for other record companies, including Nordskog Records.
	en.wikipedia.org /wiki/Arto_Records (124 words)

	Nordskog Records - Wikipedia, the free encyclopedia
		Nordskog Records was a small record label based in California in the early 1920s that produced some interesting historic recordings.
		Nordskog had no record pressing plant, and indeed there were none located in the western United States at the time.
		Among the records which survived to be pressed were the only recordings of Eva Tanguay, early sides by Abe Lyman's Orchestra, and a number of recordings by Kid Ory's band.
	en.wikipedia.org /wiki/Nordskog_Records (350 words)

	Arto (Site not responding. Last check: 2007-10-07)
		En arto on demonstras interna qualesi di ula objekto tra lua externa traiti.
		Arto havas diversa branchi segun organo, per quo on recevas percepto de artala verko.
		Arto ed arteso povas revelar su anke en objekti di ordinara vivo, por exemplo, en mobli e spensala utensili.
	ido.encyclopedia.st /Arto (439 words)

	: : : righteous babe records > > > artists > > > arto lindsay : : :
		Arto Lindsay has made a lifelong habit of crossing both geographical and musical borders.
		Born in the United States and raised in Brazil during the heyday of that country's pointedly eclectic Tropicália movement of the 1960s, the multi-faceted songwriter/producer/vocalist/guitarist has forged an international reputation as an artist whose work is as seductive as it is challenging.
		From his late '70s recordings of abrasive "no wave" through his acclaimed series of solo albums beginning in the late '90s, Lindsay has bonded rhythms and melodies from diverse cultures and genres in provocative new ways, crafting inimitable soundscapes whose impact can range from fragile pop pleasure to sheer sonic assault.
	www.righteousbabe.com /artists/arto/index.asp (618 words)

	Arto Järvelä (Site not responding. Last check: 2007-10-07)
		While Arto was in the Folk Music Studies program at the Sibelius Academy in Helsinki, students were required to form ensembles, and Niekku was the group of original students.
		Unlike a lot of the younger folk musicians, Arto came from a family that could trace its fiddlers back over 120 years, giving Arto the advantage of learning the folk styles while simultaneously developing advanced digital technique through classical studies, and not being "ruined" by the latter.
		Arto tends to play a lot of mandolin in the Pinnan Pojat duo, which pairs him up with a harmonica player.
	www.rootsworld.com /rw/finland/arto.html (561 words)

	Bar/None Records: Arto Lindsay
		A great idea man who leads with his heart, Arto is not afraid to take the outside road wherever it may lead, crossing the traditional boundaries of class, culture, genre and nation.
		Arto has always seemed like an elder statesman, even when he was a youngster fronting DNA, one of the premier outfits of the No-Wave scene.
		The center has a theater, workshops on brush painting and a recording studio that Arto has turned into a second home, where he has been working daily from one in the afternoon to one in the morning for the last couple of months.
	www.bar-none.com /bios/ArtoMundoBio.html (1022 words)

	Welcome to Infomatique - this section is dedicated record companies (Site not responding. Last check: 2007-10-07)
		Recording companies often invest a lot of time and money in discovering new talent or developing the talent of artists already under contract.
		Many times, the record label's decisions are correct ones, but this typically frustrates the artist who feels that their artwork is being destroyed.
		In the early days of the recording industry, record labels were absolutely necessary for the success of any artist.
	www.infomatique.org /music_companies.html (652 words)

	Bar/None Records: ARTO LINDSAY (Site not responding. Last check: 2007-10-07)
		Arto's record The Subtle Body was released in Japan last year on Ryuichi Sakamoto's label, and it has done quite well there.
		The record is thoughtful and fairly restrained, roughly in a Brazilian style as opposed to Arto's noise/downtown rock.
		Arto Lindsay has been a mainstay of the NY "downtown" scene since the days of No Wave, which makes him something of a father figure to bands like Sonic Youth.
	www.bar-none.com /bios/arto.html (187 words)

	[No title]
		arto was born in new york and grew up in brazil, so his merging of styles is true to his upbringing.
		arto is on at least one lounge lizards record (the self-titled one) and is featured prominently on one golden palominos record.
		Arto's playing on the first Lounge Lizards is what makes the record, I think, quite remarkable and not jazz (without Arto, the record would have made all the jazz critics right on the point).
	www.xmission.com /pub/lists/zorn-list/archive/v02.n793 (3062 words)

	Brazilian Recomendations: RootsWorld
		Though this collection of short songs was recorded live, the sound quality is crystal-clear and, except for applause between songs and one impromptu sing-along, the recording seems like it could have been made in a hermetically sealed studio.
		Because she is such a great singer, and because the original recordings seem to be left reasonably untouched, this is a good record of a great time in Brazilian music.
		That record had a bite, an edge of jazz that at the same time delved deep into the language and music of the native people of the Amazon basin.
	www.rootsworld.com /rw/feature/brazil1.html (8401 words)

	The Morning News - Personagem: Talking With Arto Lindsay, by Patrick Ambrose
		Arto Lindsay: Producing a record is really helping an artist make the best record that they can make—looking at their whole career and figuring out where they should go.
		I had never had much of a working relationship with Laswell, except that we were on the same record and had played in the band together for awhile.
		There was a record he did called Beauty that I wrote a lot of the lyrics for, so I’ve been associated with him off and on for years.
	www.themorningnews.org /archives/personalities/personagem_talking_with_arto_lindsay.php (3972 words)

	Hollow Ear Review Archive
		This recording is not for the sonically challenged or the melodically dependant.
		Recorded live in the studio in three days, it is proof of the power of real musicians utilizing all the new ideas, electronic and acoustic, without sacrificing any of the human interaction.
		These are not field recordings of dying cultures, but modern, honest celebrations of living music with musicians who are excited by the prospect of making their music live within the broad confines of modern technology.
	www.hollowear.com /feature/archive.html (11656 words)

	AOL Argentina - Buscador (Site not responding. Last check: 2007-10-07)
		The first record is Arto Lindsay and the Ambition Lovers.
		Arto Lindsay and DJ Spooky: Form and Function (10'') - Manifold Records Arto Lindsay and Seth Tillet: Pini Pini Arto Linsday with Heiner Goebbels and Heiner...
		Arto Lindsay has been a mainstay of the NY "downtown" scene since the days of...
	buscador.americaonline.com.ar /search?query=arto+lindsay (234 words)

	E.J.N. - ARTO LINDSAY
		From his late '70s work with noise architects DNA through his series of bossa nova-influenced albums in the late '90s, Lindsay has fused rhythms, melodies, and verbal expressions from several cultures and genres in provocative new ways, crafting inimitable soundscapes whose impact can range from fragile pop pleasure to sheer sonic assault.
		With keyboardist Peter Scherer he founded the Ambitious Lovers, recording three albums (Lust, Greed, and Envy) in which, Lindsay now says, "we tried to put it all together; by the mid-to-late '80s we were trying to incorporate Brazilian, experimental, funk, RandB, and soul styles in our music.
		Arto Linsday with Heiner Goebbels and Heiner Muller:Man in the Elevator
	www.ejn.it /mus/lindsay.htm (532 words)

	[No title]
		Arto is on one side and Spooky on the other.
		The Arto side opens with some freely played snares before shifting over to more free improv playing which moves along the waves of distortion.
		With his turntable with three arms he plays records, but I don't seem to recognize a lot of it (of course my knowledge of records might not be that good).
	www.staalplaat.com /vital_archive/201.txt (1944 words)

	DISCOGRAPHY OF CHRISTIAN MARCLAY
		In all other pieces the records were mixed and manipulated on multiple turntables and recorded analog with the use of overdubbing.
		The one- sided record, containing the sopunds of footsteps, was recorded in Decem- ber 1988 in the deserted hallways of the Clocktower (N.Y.), and in the studios of Harmonic Ranch (N.Y.), where Keiko Uenishi's tap dancing was mixed in.
		The DAT used for this CD was recorded directly off the mixer, consequently there were some problems with the balance and sound on the tape which would not have been audible in the concert space.
	www.wnur.org /jazz/artists/marclay.christian/discog.html (3867 words)

	N.Y No Wave gullbuy review
		ZE Records is back, only this time it is should just be called E Records.
		I am glad to have this label back in operation, and can't wait to hear the records ZE released that I was too young (and too close minded as a rule abiding punk rocker) to enjoy when they first came out.
		I had hoped that this compilation would expose me to some recordings that had surfaced during the years, but most of this record is James and Lydia.
	www.gullbuy.com /buy/2003/11_25/nynowave.cfm (1206 words)

	labelindexG-J
		The "recording angel" trade mark used by the company in it's Berliner period was retained from 1902 to 1909, when Nipper and the gramophone appear and the label name changed in 1910 to "His Master's Voice".
		Some solo vocal recordings were electrically recorded, as were all later records from about 1930 to 1932, when the label was withdrawn.
		Some of the dance records are by bands which made no other recordings, such as Howard Baker and his Orchestra, whose singer on record was a very young Vera Lynn, making her first recording.
	www.mgthomas.co.uk /Dancebands/IndexPages/labelindex-G-J.htm (1921 words)

	Serart - Serj Tankian Interviewed @ Designer Magazine
		It wasn't until Serj founded his record label, which is distributed internationally through Columbia Records, that the pair decided to hook up for 6 days and record what became the Serart album.
		Q: You first hooked up with Arto Tunc Boyaciyan at the Armenian Music Awards three years ago and through that you went onto collaborate on "Toxicity" and it was then that Serart came to be.
		I was compelled by his artistry to do the record rather than thinking of doing a solo project or whatever.
	designermagazine.tripod.com /SerartINT1.html (862 words)

	About the Yellow Bell musicians (Site not responding. Last check: 2007-10-07)
		Below are the world-class musicians who have recorded on Yellow Bell CD's and links to free sound samples of their work.
		Having been a resident of the Lower East Side in the sixties, he was an active member of the loft improv scene of the late sixties and early seventies.
		Recordings he is on include, Friendship, Gypsy Fever, Casting Nine, Ararat Maiden, Southern Arrival, Rom-Anadolu Session, Danse Orientale Project, Full Circle, Cafe Makam, Whispers of Ellis Island, and for Sony Music/Estafan Enterprises, Gloria Estefan's Destiny, Shakira's Ojos Asi (Donde estan los ladrones).
	yellowbellmusic.com /about_us.php (2443 words)

	KF//Knitting Factory Records (Site not responding. Last check: 2007-10-07)
		Knitting Factory Records is a genre bending presenter of established avant garde.
		Recorded over two nights of inspired improvisation at the Knitting Factory NY, All Is One: Live in New York City is The Jacob Fred Jazz Odyssey's most innovative and cohesive album to date.
		The debut Knitting Factory Records release featuring guest appearances from Peter Apfelbaum (Hieroglyphic's Ensemble, Peter Apfelbaum Sextet), Chris Lovejoy (Charlie Hunter), Chris Theberge (Groove Collective) and Jessica Lurie (Living Daylights, The Billy Tipton Memorial Saxophone Quartet) is sure to make an impact at retail.
	www.knittingfactory.com /labels/kfr/index.cfm (446 words)

	Arto Records -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-07)
		They went into the (Click link for more info and facts about gramophone record) gramophone record business in summer of 1920.
		Artists who recorded for Arto included the California Ramblers, (Click link for more info and facts about Lucille Hegamin) Lucille Hegamin, and the Original Memphis Five.
		Arto Records also pressed masters for other record companies, including (Click link for more info and facts about Nordskog Records) Nordskog Records.
	www.absoluteastronomy.com /encyclopedia/a/ar/arto_records.htm (93 words)

	New Gibraltar Encyclopedia of Progressive Rock GI-GO
		Aside from his work with Glass Harp, the Phil Keaggy recordings most of most interest to progressive rockers are his instrumental albums: The Master and the Musician (1978, which features an appearance by Yezda Urfa's Phil Kimbrough); The Wind and the Wheat (1987), and 220 (1996).
		Recorded during various live dates in their native Finland, it's even darker than their debut (if you can imagine that), and has an "evil" vibe that can rival the most Satan-loving fl metal band.
		This record should appeal particularly to fans of so-called RIO music and, in fact, would be an excellent place to get one's toes wet in that sometimes thorny genre.
	www.gepr.net /gi.html (13999 words)

	African American Registry: Lucille Hegamin, a Georgia Blues singer
		She cut "The Jazz Me Blues" and "Everybody's Blues" for Arto Records in November of that year, just a few months after Mamie Smith had recorded "Crazy Blues," the first blues song to appear on disc.
		Although not a pure blues singer in the tradition of, say, Bessie Smith, Hegamin seemed as comfortable singing the blues as she was singing the pop and vaudeville hits of the day.
		In all, Hegamin recorded some forty songs with Cameo before she slid from the scene in the 1930s.
	www.aaregistry.com /african_american_history/1999/Lucille_Hegamin_a_Georgia_Blues_singer (357 words)

	American BigBands - Page 3a "H" Bands (Site not responding. Last check: 2007-10-07)
		In 1920, Arto Records signed her, where her version of "The Jazz Me Blues" made her only the second Black woman to record.
		When her Arto contracts expired, she signed with Cameo (that's when she became known as "The Cameo Girl"), and went on to record some 40 songs for Cameo.
		From 1934 -1950's, she recorded on and off with Willie "the Lion" Smith and his Clubs, on the Bluesville label.
	nfo.net /usa/h3a.html (1216 words)

	Arto Lindsay discography - Slipcue.com Brazilian music guide
		Arto Lindsay Trio "Aggregates 1-26" (Knitting Factory, 1995)
		Arto Lindsay produced the album, and fellow New Yorkers Laurie Anderson and Greg Cohen are along for the ride.
		Arto also provides English-language translations of the lyrics, which is a cool public service...
	www.slipcue.com /music/brazil/arto.html (1208 words)

	DISCOGRAPHY OF ARTO LINDSAY
		Arto Lindsay plays on four tracks with DNA: 13/ Egomaniac's Kiss (Crutchfield, Lindsay) 2:08 14/ Lionel (Crutchfield, Lindsay) 2:04 15/ Not Moving (Crutchfield, Lindsay) 2:35 16/ Size (Crutchfield, Lindsay) 2:10 Recorded at Big Apple Studio in New York City Spring 1978 Robin Crutchfield: organ, vocal; Ikue Ile: drums; Arto Lindsay: guitar, vo- cals.
		Recorded at Sear Sound, NYC Sumner Crane: vocals, guitar, piano, percussion; Don Burg: bass clarinet; Mark Cunningham: horns; Ikue Mori: strings, percussion; Arlindo: percussion on The Samba; Dantas Lins: percussion on The Samba.
		Arto Lindsay plays on two tracks, one with Caetano Veloso: 2/ O Estrangeiro (Veloso) 6:14 and one with Heiner Goebbels: 4/ Five Minutes Too Early (Muller, Goebbels) 4:27 1989 - nma 001 (CD) See ESTRANGEIRO (1989) and THE MAN IN THE ELEVATOR (1988) for further references.
	www.wnur.org /jazz/artists/lindsay.arto/discog.html (4270 words)

	Lucille Hegamin
		Hegamin's first record was "The Jazz Me Blues" and "Everybody's Blues" for Arto Records and it sold well enough, but her next record in 1921 "Arkansas Blues" and "I'll Be Good But I'll Be Lonesome" was one of the most popular records of 1921 and made her a star of the blossoming Blues scene.
		supported her on all of her Arto records and toured the vaudeville circuit throughout Pennsylvania, West Virginia and Ohio with her.
		In the early l960s, Hegamin returned to recording and released records with Willie "The Lion" Smith and Victoria Spivey.
	www.redhotjazz.com /hegamin.html (394 words)

	Columbia Records - NEWS
		Born in a small town near Constantinople, Turkey, Arto Tunçboyaciyan had appeared on more than 200 records in Europe before arriving in the United States, where he went to work with numerous jazz legends including Chet Baker, Al DiMeola, and Joe Zawinul, as well as a semi-regular stint with Paul Winter and the Earth Band.
		Arto also fronts his own group called the Armenian Navy Band.
		A friendship grew when Arto appeared on Toxicity (he performed on an outro track) and later blossomed into a musical partnership and the desire to expand their respective musical vocabularies, blending cultures and defying genres.
	www.sonymusic.com /labels/columbia/hearandnow/news/pressreleases/04142003.html (541 words)

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