K111 Ascanio in Alba MozartForum Articles(Site not responding. Last check: 2007-11-02)
However, Ascanio in Alba is not an opera seria, despite of the fact that it was written for an aristocratic wedding and that is bears lots of seria elements both in text and music.
The libretto to Ascanio in Alba was written by the Italian poet Giuseppe Parini (1729-1799), considered by his contemporaries as one of the finest in Italy.
Ascanio makes a pass at her, but Silvia, who doesn’t know that that young man is actually Ascanio, rejects his advances.
Recitativo Venere and Ascanio: Un'altra prova a te mirar conviene
She urges him not to reveal his identity to Silvia, a nymph to whom he is betrothed, but to introduce himself to her under a false identity to test her virtue.
He also informs Silvia that she will be Ascanio’s bride, but she replies that she is in love with a young man she has seen in a dream.
Ascanio wants to go to her forthwith, but his mother restrains him: he shall see the nymph, but he must not disclose his identity; only in this way will he be able to form his own picture of her purity and virtue.
Ascanio acquiesces, and Venus withdraws, accompanied by the singing of genies and graces.
Venus unites the young couple and confers the rulership upon Ascanio, admonishing him to enforce her laws with moderation and to ensure the happiness of the mortals in his realm.
Until I sat through the two and three quarter hours of Ascanio in Alba, I fondly imagined myself to love every single note that Mozart committed to paper.
Ascanio in Alba, K111, is a festa teatrale in two acts, that was written for the wedding of Archduke Ferdinand of Habsburg to Princess Maria Beatrice d'Este of Modena.
She tells Ascanio he is going to marry Silvia; they marry; the opera ends.
Mozart - Ascanio in Alba, Zaide [RH]: Classical CD Reviews- Jan 2003 MusicWeb(UK)(Site not responding. Last check: 2007-11-02)
This box combines Mozart's early Festa Teatrale 'Ascanio in Alba', performed on original instruments, with the incomplete Singspiel 'Zaide' (a precursor of 'Die Entführung aus dem Serail') performed on modern instruments but with period specialist Ton Koopman in charge.
Venere (Claudia Patacca) encourages her son Ascanio (Maaike Beekman) to become ruler of the Kingdom of Alba.
Finally Ascanio and Silvia are united, but the happy ending is a long time in coming, the work lasts 150 minutes.
Mozart, Ascanio in Alba : (concert performance). Soloists, Europa Galante / Fabio Biondi, director. Barbican, London. ...(Site not responding. Last check: 2007-11-02)
That the exchange of views took place shortly after the premiere of Ascanio in Alba given on the occasion of Ferdinand’s marriage in 1771, is known.
She descends and requires Ascanio to hide his identity from the nymph Silvia, whom he is to marry, as a test of her virtue and fortitude.
Silvia faces Ascanio and recognises him from her dreams as her beloved, yet is puzzled why he ignores her, yet she still loves him.
Amazon.ca: Mozart: Ascanio in Alba: Music: Leopold Hager,Mario Rossi,Agnes Giebel,Edith Gabry,Gertrude Jahn,Herbert ...(Site not responding. Last check: 2007-11-02)
Ascanio In Alba, Parte prima: Si, ma d'un altro amore sento la fiamma in petto
Ascanio In Alba, Parte prima: Ah di si nobil alma quanto parlar vorrei
Ascanio in Alba, opera, K. Composed by Wolfgang Amadeus Mozart
It was a bold decision to start this year's Mostly Mozart festival at the Barbican not with the usual mix of pot-boilers but with one of his least-played early operas, Ascanio in Alba.
And for all the charm of the singing, what was surprising about Ascanio in Alba was how limited and one-dimensional it was as a drama and as a score.
In fact, apart from the vivid imagination of an accompanied recitative for Ascanio in the first act, sung with real tenderness by counter-tenor Carlos Mena, and a limpid aria in the second act for Silvia, a sweet-voiced Anna Chierichetti, Mozart's music was plain and conventional.
Guardian | Ascanio in Alba(Site not responding. Last check: 2007-11-02)
But the Buxton festival has got in early with its contribution to the impending 250th anniversary with what is almost certainly the first ever staging in Britain of Ascanio in Alba, the esta teatrale that the 15-year-old Mozart composed on a visit to Milan in 1771.
He had just had a big hit there with Mitridate, and Ascanio in Alba was commissioned as part of the celebrations for a royal wedding.
The text, based on an episode in the Aeneid, is a flimsy allegory in which the goddess Venus tests the love and resolve of her son Ascanio for his bride-to-be Silvia, before allowing them to marry and rule over the new city of Alba.
Amazon.com: Mozart - Ascanio in Alba: DVD: Diana Damrau,Iris Kupke,Sonia Prina,Charles Reid,Christian Benzhaf,Adam ...(Site not responding. Last check: 2007-11-02)
In any case, the musical quality of the performance is not quite at par with what the M22 collection has offered us so far, which is a shame because the music of Ascanio is actually much better than the very static Betulia Liberata, for example.
Iris Kupke and Sonia Prina are quite tame in the parts of Venus and Ascanio.
The idea to reproduce all 22 operas on dvd is very exiting for all opera lovers, but unfortunately this is a dissapointing and shameful production of Ascanio in Alba.
It was too abstract for normal view but with the 3D glasses distributed during the intermission, the abstract pattern became 3 dimensional obstacles between Ascanio and Silvia.
Since Kristina Hammerstöm was sick and canceled, the young counter tenor Peter Rehkopf, who had taken part in a Christ Ludwig Master class, sang Ascanio without rehearsal and won warm applause from the audience.
During the Mozart week, there were 2 performances of “Ascanio in Alba”.
To open the Barbican/Classic FM's summer festival of the bank-rolling Mozart, whose popularity dominates so many schedules again this year, no worse choice than Ascanio could easily be imagined.
Ascanio in Alba, a hugely popular festa teatrale in its day, is long past its sell-by date.
No story, no characterisation, endless recits and undistinguished da capo arias, decent singing (but that is not in short supply, so many well trained singers are jostling for a place in the sun).
Commissioned to create an occasional piece for the wedding, in 1771, of Archduke Ferdinand of Austria to Princess Maria Beatrice of Modena, the 15-year-old Mozart came up with Ascanio in Alba.
The librettist Parini lumbers the teenage composer with an oratorio, whose sole idea is that Venus delays her son Ascanio’s marriage to Silvia to test the latter’s fidelity.
William Purefoy’s Ascanio graduates touchingly from gauche teenage scholar to impassioned lover, the while deploying a strikingly pure, finely projected countertenor.