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| | Aspect Ratio and Image Cut-Off |
 | | In motion pictures, image cut-off begins in projection: all projector apertures, regardless of film width, are slightly smaller all around than camera aperatures, to avoid projecting unexposed areas of the original camera film, and to mask any bits of dust, dirt or hairs that may cling to the edges of the camera aperture. |
 | | In television, image cut-off begins when a transfer is made from film to the electronic medium with its fixed aspect ratios, namely 4x3 and the new HDTV 16x9 A/R. This is done so that, again, any bits of dust, dirt or hairs that may cling to the edges of the camera aperture are not scanned. |
 | | The problem of elongating the aspect ratio of flat films so that their screen proportion would approximate that of CinemaScope was solved by reducing the height of the projected image, using a shorter focal length projection lens and blowing up the picture onto a larger screen. |
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