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Topic: Atavistic Records

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	The Scissor Girls Herstory (Site not responding. Last check: 2007-10-10)
		The record, titled From: The Scissor Girls To: The Imaginary Layer on Skeletons, was finally released as a 12" record, rather than the intended 10," in 1994.
		Melowic received her GED and recorded one album with Chicago no wave supergroup Lake of Dracula, which included Weasel Walter from the Flying Luttenbachers on guitar, Marlon Magas from Couch on lead vocals, and Al Johnson (aka the Manhattanite) from Shorty and U.S. Maple on backing vocals.
		She then recorded a piano and voice demo, convincing local indie Drag City to offer her a deal; after the Bride of No No dissolved in mid-2002, Youssefi re-recorded the demo with Isotope 217 bassist Matthew Lux and her boyfriend, John McEntire of Tortoise, on drums; the resulting Enantiodromia was issued in early 2003.
	www.staticland.com /sgbio.html (1780 words)

	Nation Time - Joe McPhee
		This disc, originally released on Cj Records in 1971 and only now emerging on CD due to the strenuous efforts of Chicago's Atavistic Records, is a true sonic landmark, and deserves a much wider audience than it ever could have gained in the pre-digital era.
		As such, it is probably the least satisfying of the three selections, but as it is half the length of the others, and given the power and fury and genius of the album as a whole, it is a small fault.
		This is a record which few would have heard of were it not for the efforts of Atavistic Records, and specifically Chicago-area writer John Corbett (the curator of the Unheard Music series, which will include three more releases by McPhee before year's end).
	www.culturevulture.net /books/nationTime.htm (607 words)

	Atavistic (Site not responding. Last check: 2007-10-10)
		Breaking new ground, crossing all boundaries, and recognizing no limits in sight, feeling, and especially sound, Atavistic releases treasure after treasure, disregarding and surpassing both the past and the present.
		Tenor saxophonist Fred Anderson straddles the divide between disparate jazz generations, marrying the elegance and melodicism of classic swing and bop with the passion and fury of free jazz.
		Thornton's single recording with this lineup is a brooding and unpredictable -- and often oddly elegant -- round of complex improvised jazz.
	www.epitonic.com /labels/atavistic.html (1384 words)

	Alt.Culture.Guide CD Playlist: Jarboe (Site not responding. Last check: 2007-10-10)
		After recording a number of albums with Swans and Skin — an even more musically experimental side project — Jarboe stepped out on her own with Thirteen Masks, her surprisingly diverse 1992 debut.
		Reissued with three bonus tracks by Atavistic after having been out-of-print for a number of years, Thirteen Masks is worth seeking out for listeners who prefer their music to be unpredictable, exhilarating and intellectually challenging.
		Recorded over a number of different sessions, the material on Thirteen Masks evidently reflects the artist's vision and mindset at the particular time.
	www.mondogordo.com /play309.html (585 words)

	NEWCITYCHICAGO.COM: Street Smart Chicago
		And speaking of jazz, Atavistic Records just pumped out an array of new, old releases, as well as some music from contemporary artists.
		The thing about Liquid Soul, which celebrates the release of its newest record, "Here's the Deal," April 29 at the Metro, is that the band is so, SO, much cooler when they include a rapper.
		The rest of the record doesn't break much new ground, by my guess is that LS' fans might be disappointed if it did.
	www.newcitychicago.com /chicago2/337.html (646 words)

	CD Review of Leo Cuyers' Quartet - Heavy Days Are Here Again on Atavistic @ jazzreview.com
		Chicago's Atavistic Records are reissuing some of the rarest avant-jazz records of the 70s & 80s that ever were, some recorded in America but received only minimal distribution back when (like Joe McPhee's 70s records) and those from Europe (the "Willi The Pig" album by the Irene Schweizer-John Tchicai Group: only 500 LPs pressed!).
		Now, they've made this gem available again ('twas recorded in 1981) to music lovers that may not know (yet) how sorely it is needed to bring us-all good times.
		Cuypers & co. are of the Dutch "school" of jazz/improv maniacs-guys that draw on American free jazz for inspiration but don't neglect the pre-free or the pre-bop periods that came before.
	www.jazzreview.com /cdreview.cfm?ID=659 (380 words)

	Atavistic Records: Down Beats and No Wave
		By the same token, Atavistic’s home-base quality doesn’t just mean that they put out an initial salvo and let the artist fend for themselves finding labels or representation in the years to come.
		Vandermark, of course, was Atavistic’s entrée into the world of contemporary improvised music, and it happened by chance through living in Chicago, which has had a rich history with the AACM, but also a scene around figures like drummer Hal Russell, which had seen very little recognition despite documentation from labels like Nessa.
		Those initial Vandermark Five records issued by Atavistic “weren’t presented as jazz records, which is the downfall of a lot of records today—they fit into a genre.
	www.allaboutjazz.com /php/article.php?id=22310 (733 words)

	Chazz for Jazz Storefront (Site not responding. Last check: 2007-10-10)
		The recording on this CD was made at the ‘Montmartre’ jazz club in Copenhagen during Komeda’s Scandinavian tour in May 1964.
		This recording was made in 1963, when he enlarged his group to include two soloists: Michal Urbaniak, at that time still a tenor saxophonist (he later switched to the violin), and the young trumpeter from Cracow, Tomasz Stanko.
		Both recorded pieces were refreshing and plain beautiful, though they are different, the first being a ballad, the other a swinger.
	www.chazzforjazz.com (4832 words)

	Shimamoto Sound- Recording Studio Philadelphia and Record Label Philly
		Many of Truckstop's records were recorded right outside Joe's office in the Truckstop studio by Mike or Joe, and feature crossover musicians from the Truckstop pool.
		Like the two TOE records, two Lofty Pillars records, which is Mike's band and a Mike Krassner record, the last three Simon Joyner records we recorded here.
		Shimamoto Sound offers a variety of solutions for recording artists so that we are able to be a one stop answer for every aspect of a music career.
	www.shimamotosound.com /recordingstudio08.html (1845 words)

	Atavistic Records - Wikipedia, the free encyclopedia
		Atavistic Records is a rock and jazz record label which has released albums by Gregg Bendian, Nels Cline, Lydia Lunch, Peter Brötzmann, Ken Vandermark and Glenn Branca since its inception in 1986.
		This article about a United States record label is a stub.
		This page was last modified 02:16, 9 December 2006.
	en.wikipedia.org /wiki/Atavistic_Records (75 words)

	Life on Mars, Twenty-Five Years Later (interview)
		The Atavistic disc is an interesting document, and when we created it back in 85 (it was originally a vinyl reissue on Lydia Lunch´s Widowspeak label) we were quite happy with it, as we didn’t have possession of the masters, and vinyl transcription was an iffy process back then.
		If you listen to the last five tracks of the new cd on headphones, you place yourself right in the center of the band, which at that moment was, putting it mildly, a rather intense position.
		Another difference is that the Atavistic disc is an anthology of all the Mars songs, several of which were never recorded in studio, so almost half of it is live.
	www.fakejazz.com /interviews/mars.shtml (1801 words)

	CD Review of Luther Thomas / Human Arts Ensemble - Funky Donkey on Atavistic / Atavistic Unheard Music Series @ ...
		In the 60s & 70s, the avante/free wing of jazz was getting the cold shoulder from the majors, so the musicians took matters into their own hands: forming their own labels & finding alternatives to clubs to perform.
		Funky Donkey was recorded at a church in St. Louis in 1973, released on record in 1977 (on a small label, natch), then went real, real gone (as in unavailable) and re-released in 2001 by Chicago's Atavistic Records.
		It is free of self-absorbed introspection, self-indulgent "interplay" and dry, cerebral twaddle - this music grabs you by the lapels, but the way a friend might, to shake you out of your doldrums, not like some pedantic mojo with an ax to grind.
	www.jazzreview.com /cdreview.cfm?ID=2310 (376 words)

	www.jazzweekly.com \| Reviews
		I’ve known Johansson’s name for ages, listed in the Cadence magazine center section way back when it was set from typewriter and lovingly filled with typos, although I’ve never heard his work until now.
		This disc was first released on his own SÅJ records, and then reissued on LP by SAJ (this one without the circle over the A), a sister imprint to FMP.
		Now Schlingerland / Dynamische Schwingungen has resurfaced on CD courtesy of Atavistic’s Unheard Music Series, curated by Chicago-based (as is Atavistic) music journalist John Corbett.
	www.jazzweekly.com /reviews/johansson.htm (403 words)

	Chazz for Jazz The Vandermark Five ALCHEMIA 12 CD box-set
		The fact that record producer / presenter, Marek Winiarski, documented the series and is now releasing the material as a box set is truly remarkable, and I am very thankful to him and everyone who was involved in realizing this project; particularly the musicians, Jeb Bishop, Tim Daisy, Kent Kessler, and Dave Rempis.
		When Marek originally proposed the idea of recording these concerts the intention was not to release everything as a box set, something that would have clearly been considered economically insane, but to select the strongest performances for use as a double cd co-production with Atavistic.
		There are a few problematic moments on these recordings: such as the end of "Gyllene" from the third night, a screw on my baritone came loose during the final theme which made it impossible for me to play; and some sections of the new pieces are faulty, we were literally learning as we went along.
	www.chazzforjazz.com /servlet/Detail?no=63 (1913 words)

	Boxhead Ensemble, MP3 Music Download at eMusic
		Boxhead Ensemble made their debut in 1996 through the Atavistic Records release of the Dutch Harbor soundtrack.
		Two years later, the live double-album set of Last Place to Go was recorded while the band accompanied the European tour of the aforementioned film.
		Atavistic then released Two Brothers in 2001, followed by Quartets in 2003 and Nocturnes in 2006.
	www.emusic.com /artist/11521/11521939.html (262 words)

	DOA - Haazz and Company - Unlawful Noise - Unheard Music Series
		Currently the curator of ornithology at the National Museum of Natural History in Lisbon, Kees Hazevoet has completely distanced himself from his previous life as one of the prominent figures of the early European free jazz scene.
		Split into two pieces, titled "Unlawful Noise" and "Agitprop Bounce," this record features Hazevoet leading a crew of accomplished professionals cranking out a fantastic racket, in the process boiling "music" down to its sweaty, barbaric essentials, the triad of noise, passion, and pure, undistilled, consciousness-piercing sound.
		And when the interplay between piano, percussion, and Johnny Dyani's bass in the first few minutes of "Agitprop Bounce" gives way to a drum-less three-way dance between bass, piano, and suddenly assertive winds, you realize that sometimes music that sounds completely wrong can actually be one of the most god-damned right things you've ever heard.
	www.adequacy.net /review.php?reviewID=1677 (375 words)

	A Message from Nels (Site not responding. Last check: 2007-10-10)
		This is a rather brief but intense 'live' recording of a free-blow with New York electronics/guitar terrorist Giffoni and power freejazz wunderkind Massachusetts drummer Corsano.
		Stephen ("Perk"), Mike Watt, Willie Waldman (trumpet), and I recorded in fits and starts over the period of almost a year in Stephen's garage studio (hence the album title), and here - finally - are the results.
		Recording plans: There will be at least one new Nels Cline Singers CD recorded sometime in 2005 (the ideas and the guest roster keep multiplying...), plus another project of mine (TBA), both for Cryptogramophone.
	www.nelscline.com /message.html (3108 words)

	Swans \| The End Of Swans \| PRESS \| YOUNG GOD RECORDS (Site not responding. Last check: 2007-10-10)
		So Soundtracks For The Blind, a two CD set scheduled for an October 22 release on Gira's Young God label via Chicago's Atavistic Records will be the last proper Swans album released.
		The records I would think of would be Pink Floyd's More and Ummagumma; music that used a lot of overwhelming sonic textures, long passages.
		Much of the recently recorded material, both in the studio and live, features guitarist Vudi, ex of American Music Club, Iggy Pop's drummer Larry Mullins on vibraphone and percussion, Joe Goldring on bass and Clinton Steele on guitar.
	www.younggodrecords.com /Press/PressDetail.asp?ArticleID=208 (471 words)

	\| News \| Young God Records
		If you enjoy our work, the live CD should be worth having as is, and with the funds raised from this venture I'm confident the new album is going to be an apogee of both delicacy and ridiculous sonic excess.
		The plan is to record a studio album too, soon after this first release.
		i remember the show where that was recorded as being completely psychotic, confrontational, and in the end, a sort of epiphany (or nadir, depending on yr point of view).
	www.younggodrecords.com /LetterDetail.asp?ArticleID=398 (4253 words)

	Ken Vandermark
		CD 1 recorded in concert at Artists At Large in Hyde Park, Massachusetts by Amos Scattergood on September 22nd, 2005.
		CD 2 recorded in concert at the Suoni Per Il Popolo Festival in Montreal, Quebec by Amos Scattergood on September 23rd, 2005.
		CD 3 "Live" recorded in concert at the Donaueschingen Festival by Manfred Seiler from SWR on October 15, 2005.
	www.kenvandermark.com /discography.php (246 words)

	Binary System (Site not responding. Last check: 2007-10-10)
		Many of the current songs in the live shows will be on this disc: "Beat the System", "Red Criss Cross", Missy Elliot's "Scream", and others.
		Michael Bierylo is the recording and mixing engineer, and is co-producing with Roger.
		The sound will be quite a jump from their last disc: studio as artform, rather than recreation of a live performance.
	members.tripod.com /~dersch/binary_index.html (428 words)

	Mount Everest Trio (Site not responding. Last check: 2007-10-10)
		In 1975, the three got together as the Mount Everest Trio and recorded Waves from Albert Ayler for the tiny Levande Improviserad Musik label.
		In their Unheard Music Series, Atavistic Records and musician, producer, and writer John Corbett are finding and releasing musical rarities from the realms of action jazz, creative music, and free improvisation.
		In addition to the Mount Everest Trio record, the series includes forgotten gems from Joe McPhee, the Fred Anderson Quartet, and The Peter Brötzmann Sextet.
	www.epitonic.com /artists/mounteveresttrio.html (250 words)

	Boxhead Ensemble
		In the meantime, please visit Atavistic Records or Astria Suparak's Boxhead Ensemble mini-site for further information.
		His producing and recording credits are extensive, including Boxhead Ensemble, Simon Joyner, Manishevitz, Parker Paul, Songs:Ohia and his own band, the Lofty Pillars.
		With his solo instrumental record, Hard Again, released in 2001 on Truckstop records, Tuma expands on his palate to create a truly unique and mesmerizing aesthetic.
	www.truckstopmedia.com /boxheadensemble.html (716 words)

	Christian Marclay - Visual Artist, Composer, And Professor - Bibliography
		Marclay, Christian (Four turntables, Phonograph records, Digital delay), Louis Sclavis (Soprano, Clarinet, Bass clarinet), et al.
		Marclay, Christian (Record loops), Tom Cora (Record loops), et al.
		Ecart Editions, Edition of 50, 12" fl vinyl grooveless record with gold label in fl suede poche with gold lettering.
	www.egs.edu /faculty/christianmarclay.html (1123 words)

	[No title]
		William Jeffrey comes in midway through the 1st tune because he was stuck in traffic.
		Edgetone Records originally began in 1991 to support modern jazz.
		It is the desire of Edgetone to make available recordings and creative products that act to support diverse creative music and art that is otherwise being pushed aside, misunderstood or, under represented by standard media.
	www.indiejazz.com (526 words)

	frank rosaly + recordings i'm on (Site not responding. Last check: 2007-10-10)
		+ fred lonberg holm trio on atavistic records
		these groups are scheduled to record or are in the process or completing a record, so keep coming back for updates!
		This is a paragraph of text that could go in the sidebar.
	fjrosalyrecordings.blogspot.com (112 words)

	Alt.Culture.Guide CD Playlist: Jarboe and Larry Seven (Site not responding. Last check: 2007-10-10)
		A recorded phone conversation leads into a manic rendition of "I Feel Pretty," a truly bizarre moment that nonetheless fits the tone of the album.
		Then there's "My Bruise" which seems to be about the new freedom of love lost, or the hauntingly beautiful "I Know You Don't Like Me" that seems to be about unrequited love before it spirals into chaos and discord, kind of like the feeling of rejection.
		This long-overdue Atavistic Records reissue of Beautiful People Ltd also includes six bonus tracks, mostly song remixes and club mixes that would not have seemed out of place on any early-90s dancefloor ("Suicide Song Mix" especially stands out, downright engaging in a weird sort of way).
	www.mondogordo.com /play375.html (571 words)

	What's New on Saturn Web (Site not responding. Last check: 2007-10-10)
		Added a record label checklist for Po Torch Records in the Discographies Area.
		Added a record label checklist for Centering Records in the Discographies Area.
		Added a checklist for the wonderful new Unheard Music Series, curated by John Corbett for Atavistic Records to the Discographies Area.
	www.dpo.uab.edu /~moudry/whatsnew.htm (345 words)

	+ Frenetic Records: Zu - Info
		Zu will be special guest for a few shows of the FantomasMelvins Bigband in Europe and are invited in the "Patton Night"of the Donau festival in Vienna, Austria.
		Radiale is a collaboration with Spaceways inc, released by Atavistic records, with Touch and Go distribution worldwide.
		A collaboration with hip hop band Dalek is recorded and on its way to be released.
	www.freneticrecords.com /zu/info.html (483 words)

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