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| | TIME.com: Ahmet’s Atlantic: Baby, That Is Rock and Roll -- Page 1 (Site not responding. Last check: 2007-10-21) |
 | | The song along with another all-timer, "Spanish Harlem" was recorded in King’s first solo session after leaving The Drifters, a group that had been at Atlantic, with many personnel permutations, from its inception as a support staff for singer Clyde McPhatter in 1953. |
 | | His records disclose an extraordinary assortment of slurs, glides, turns, shrieks, wails, breaks, shouts, screams and hollers, all wonderfully controlled, disciplined by inspired musicianship, and harnessed to ingenious subtleties of harmony, dynamics and rhythm... |
 | | As Leiber says in the "What’d I Say" book: "A lot of this had to do with being a white kid’s take on a fl person’s take on white society." And most of their songs were written for fl groups, on the regional fl labels, with little expectation of a crossover that didn’t yet exist. |
| www.time.com /time/sampler/article/0,8599,169995,00.html (3002 words) |
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