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Topic: Atsuko Tanaka

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	e.Peak (14/3/2005) arts: visual arts: Flashing lights and ringing bells
		The Electrifying Art exhibition of Atsuko Tanaka explores the mapping out of space, whether it is the sound of a bell ringing further and further away, or the visual echo of a flourescent light that is more off than on.
		Tanaka explores the importance of these pulses as she maps the resonance of sound and light, and the path from one system to another.
		Tanaka's drawings of this period end with a return to painting, as she explored her infatuation with connectivity.
	www.peak.sfu.ca /the-peak/2005-1/issue10/ar-tanaka.html (609 words)

	Atsuko Tanaka, 73, Artist Who Challenged Convention, Dies - New York Times
		Atsuko Tanaka, one of Japan's most important avant-garde artists, died on Dec. 3 at a hospital near her home in Nara, Japan.
		Tanaka made works of colored fabric that were cut with scissors and pinned unstretched to gallery walls, challenging traditional definitions of painting and artistic craft.
		Atsuko Tanaka was born on Feb. 10, 1932, in Osaka.
	www.nytimes.com /2005/12/10/arts/design/10tanaka.html?ex=1291870800&en=b337115e0dff8853&ei=5088&partner=rssnyt&emc=rss (569 words)

	Atsuko Tanaka (Site not responding. Last check: 2007-11-05)
		Tanaka collaged pieces of tracing paper and architectural blueprint on a white ground, and drew what appears to be an ordinary calendar on top of the collaged elements.
		Tanaka distinguished herself from the other Gutai artists by introducing the materials of industrialization and the aesthetics of urbanization, gesturing towards the radical changes that were taking place in the everyday life of post-war Japan.
		With the former, Tanaka was fascinated by the undulations of the fabric’s surface in the wind.
	www.belkin-gallery.ubc.ca /webpage/pastex/tanaka/ming.html (7748 words)

	Art in America: Circuitries of color: a pioneer of the postwar avant-garde in Japan, Atsuko Tanaka has pursued the idea ...
		Tanaka was not the only female member of Gutai, but she was by far the most prominent.
		Tanaka seems likely to become as noted as two other Japanese women of her generation, Yoko Ono and Yayoi Kusama, although she differs in having done all her work in Japan.
		Tanaka's work is a surprising combination of science and art, the mundane and the dramatic, perhaps reflecting the reindustrialization following the war and the infiltration of technology into everyday life.
	www.findarticles.com /p/articles/mi_m1248/is_10_92/ai_n7576772 (1051 words)

	www.fashion.at/culture
		Tanaka has redefined the relations between the body, artistic material, objects and the (exhibition) space in her installations, drawings and actions.
		One of the most metaphorically laden works of the Gutai group is Atsuko Tanaka's Electric Dress of 1956, a combination of the tradition of the Japanese kimono and modern industrial technology.
		Atsuko Tanaka (*1932) is celebrating her seventieth birthday this year.
	www.fashion.at /culture/tanaka8-2002.htm (457 words)

	SAST REPORT - ATSUKO TANAKA___________________________________________________________________________________________
		Atsuko Tanaka (born in Osaka in 1932) was one of the founding members of Gutai (stayed until 1965) and continues to work today on her contemplative paintings at her atelier in Nara.
		She is the creator of the "Electric Dress of 1956", one of the masterpieces of this century, a combination of the tradition of the Japanese kimono and modern industrial technology.
		Tanaka's interest in boundaries manifests itself in her choice of color: shocking pink.
	www.geocities.com /sastreport/tanaka.html (948 words)

	Sugarzine : Art
		Atsuko Tanaka, the dressmaker, you might have guessed, is not really a dressmaker; she is in reality, a revered artist from Japan who helped to pioneer an avant-garde art movement called Gutai in the post-war years.
		With her multicolored electrically wired dress, Tanaka united the Japanese traditional idea of dress, the kimono, with objects representative of a modern world, namely lights and electricity.
		Reflecting on Tanaka’s work, I realize she constantly asked whether the conventions attached to an object or concept gave the said subject its identity.
	sugarzine.com /site_10.04/art.html (1385 words)

	frieze (Site not responding. Last check: 2007-11-05)
		The artist is Atsuko Tanaka, and these works, props she has used in performances documented on film, are Stage Clothes (1957) and Electric Dress (1956; reconstructed in 1986).
		Other pieces in which Tanaka defied conventional definitions of painting include three unstretched lengths of yellow cotton fabric, which she simply tacked on a wall, and several works on paper in which she crossed out simple geometric shapes.
		Tanaka has remarked that in making them she aspired to ‘destroy safe beauty’, and the destructive urge seems to extend beyond the visual.
	www.frieze.com /review_single.asp?r=2099 (393 words)

	United Press International - The Washington Times, America's Newspaper (Site not responding. Last check: 2007-11-05)
		Tanaka had been hospitalized since an auto accident last spring, Midori Nishizawa of the Paula Cooper Gallery, which represents her work in New York, told the Times.
		Tanaka joined the Japanese artist group Gutai in 1955, one year after it was founded.
		The Paula Cooper Gallery exhibited Tanaka's late paintings and drawings in 2004 and her "Electrifying Art" from the 50's and 60's were shown at the same time at New York University's Grey Art Gallery.
	www.washtimes.com /upi/20051211-014801-1833r.htm (267 words)

	OFFOFFOFF New York art gallery listings Williamsburg Chelsea SoHo
		Born in Osaka in 1932, Tanaka initiated her lifelong investigation into issues of representation in the early 1950s.
		With Electric Dress, which flashed on and off as she walked around, Tanaka introduced a number of issues that would become central for international avant-garde artists in the 1960s: performance, body art, and the incorporation of technology.
		This enormous garment, a fire-red satin dress with disproportionately long sleeves, was suspended from the ceiling and provided the backdrop against which Tanaka transformed herself in front of the audience with a series of innovative costumes suggesting a magician's sleight of hand.
	www.offoffoff.com /art/listings/index.php?sid=312 (988 words)

	Electrifying Art: Atsuko Tanaka, 1954-1968 - New York Magazine Art Review
		Atsuko Tanaka’s Electric Dress, which she made for a performance in 1956, is a work with this iconic power.
		Tanaka is a Japanese artist who’s not well known in the United States, which makes the current exhibit Electrifying Art: Atsuko Tanaka, 1954—1968 at New York University’s Grey Art Gallery particularly welcome.
		Tanaka’s electric garment consisted of twinkling, flashing colored lightbulbs connected by a great mass of wires; during the performance, her head peeked out from this pyramidal dress-house.
	www.newyorkmetro.com /nymetro/arts/art/reviews/9937 (800 words)

	Ghost In The Shell 2: Innocence - Movie Review
		Atsuko Tanaka is reprised from the original Ghost in the Shell to give our heroes a heads up on what might actually be going on with the erratic machines.
		His detailed and devoted care of Ruby -- to the extent of removing one of her big floppy ears from the dinner bowl -- after a weary day at work, is rewarded with the kind of warm appreciation only a close animal companion can provide.
		Voices for the characters are Akio Ôhtsuka (Batou), Atsuko Tanaka (Major Motoko Kusanagi, the "Ghost in the Shell"), Kôichi Yamadera (Togusa), Tamio Ôki (Section 9 Department Chief Aramaki), and a basset hound providing the barks for Batou's affectionate pet.
	www.contactmusic.com /new/film.nsf/reviews/ghostintheshell2innocence (540 words)

	TANAKA: UNESCO Culture Sector
		The artist presented this work in different performances, such as “Stage clothes” (1957), in which Tanaka wore costumes in different materials and different sizes, some of them almost four meters high and 19 meters wide.
		In the eighties the works of Tanaka and the other Gutaj artists were shown in exhibitions at the Museum of Contemporary Art in Tokyo (1981), the Städtisches Kunstmuseum, Düsseldorf (1983), the Museum of Contemporary Art in Madrid (1985) and the Georges Pompidou Centre in Paris (1986), amongst others.
		In the nineties there was a retrospective sample of the Group at the 45th Venice Biennial.
	portal.unesco.org /culture/en/ev.php-URL_ID=16289&URL_DO=DO_TOPIC&URL_SECTION=201.html (392 words)

	Atsuko Tanaka; avant-garde artist; 73 \| The San Diego Union-Tribune
		Founded in 1954, at a time when many Japanese were exploring new freedoms, Gutai reacted to American abstract expressionism and the French Informel movement by advocating a radically nontraditional, experimental play with nonrepresentational materials.
		Tanaka was born Feb. 10, 1932, in Osaka, Japan.
		She had her first museum retrospective, a show of 145 work, at the Ashiya City Museum of Art and History in 2001.
	www.signonsandiego.com /uniontrib/20051221/news_1m21tanaka.html (476 words)

	Atsuko Tanaka 1954 - 1968 Chronology (Site not responding. Last check: 2007-11-05)
		Atsuko Tanaka is born to Ishimatsu and Tami Tanaka at 1–3 Kita Horie Kamido¯ri, Nishi-ku, Osaka.
		Tanaka enters the Department of Western Painting at Kyoto Municipal College of Art (Kyoto Shiritsu Bijutsu Daigaku), which is now known as Kyoto City University of Arts (Kyoto Shiritsu Geijutsu Daigaku).
		Tanaka leaves the school and goes back to the Art Institute of Osaka Municipal Museum.
	www.belkin-gallery.ubc.ca /webpage/pastex/tanaka/chrono.html (4143 words)

	Hayward - Atsuko TANAKA (Site not responding. Last check: 2007-11-05)
		One of the most striking images of modern art is a photograph, taken in 1956, of Atsuko Tanaka wearing her Electric Dress.
		She was responding to the neon signs of a brave new metropolitan Japan, a gesture that continues to resonate in contemporary Japan.
		These vibrant paintings made in enamel retain the process through which they were produced, they are a kind of record of her movements and actions as she drips and traces the paint across the canvas whilst it is on the floor.
	www.hayward.org.uk /exhibitions/factsoflife/artists/tanaktxt.html (212 words)

	Atsuko Tanaka (Site not responding. Last check: 2007-11-05)
		Presented by New York University's Grey Art Gallery, Electrifying Art: Atsuko Tanaka, 1954-1968 is the first solo show of a Gutai artist in North America.
		A leading figure in postwar Japanese art and a founding member of the Gutai group of avant-garde artists, Tanaka explores issues that dominated the 1960s, such as the expressive limits of the body, the use of technology, and the notion of interactivity.
		Grey Art Gallery New York University 100 Washington Square East New York, NY 3 1 1 1096984270b.jpg Atsuko Tanaka 100 Washington Square East, New York University The first solo show of a Gutai artist in North America.
	www.undo.net /artinpress/1097013600.1096974386.html (338 words)

	Women's Ski Jumping USA
		The longest jump of the day was had by the young Canadian Atsuko Tanaka.
		With her teammate Katie WIllis sidelined by a crash and injury 2 days ago, Atsuko stepped up to the plate and jumped 99 meters in the first jump.
		She was 4th after the first round and had really been turning it on in the comps this summer.
	www.womensskijumpingusa.com /pc_oct-05.htm (774 words)

	SAST REPORT: CULTURE
		She was a member of the Gutai Bijutsu Kyokai (Gutai Art Association).
		Atsuko Tanaka is the creator of the "Electric Dress of 1956", one of the masterpieces of this century.
		Hermann Nitsch is one of the initiators of the so called "Wiener Aktionismus", a group of Austrian artists, ignored by the art establishment, in total opposition to the social, political and aesthetic mores, and still regarded as a strange, unique phenomenon in Austria.
	www.geocities.com /sastreport/culture.html (404 words)

	Atsuko Tanaka on artnet (Site not responding. Last check: 2007-11-05)
		Tanaka enters the Art Institute of Osaka Municipal Museum of Art (Osaka Shiritsu Bijyutsukan Fusetsu Bijyutsu Kenkyu*jo), in preparation for art-school entrance exams.
		Tanaka enters the Department of Western Painting at Kyoto Municipal College of Art (Kyoto Shiritsu Bijyutsu Daigaku), which is presently known as Kyoto City University of Arts(Kyoto Shiritsu Geijyutsu Daigaku).
		She subsequently marries Kanayama and moves in with him at a detched house at the temple Myohoji in Osaka.
	www.artnet.com /artist/423970435/Atsuko_Tanaka.html (215 words)

	Moviefone: Movie Celebrities - Atsuko Tanaka: MAIN
		Atsuko Tanaka (born in Osaka in 1932) was one of the founding members of...
		Akira Kanayama, Kazuo Shiraga, Atsuko Tanaka, Saburo Murakami took part in...
		Jennifer Aniston and her 'Friends With Money' pals look like a million bucks in photos from the movie's Hollywood premiere.
	movies.aol.com /celebrity/main.adp?sid=296144 (221 words)

	Ghost in the Shell: Stand Alone Complex Vol. 01 (2004): Atsuko Tanaka, Akio Otsuka, Koichi Yamadera, Tamio Oki - ...
		They are also capable, with their cybernetic bodies, of superhuman feats of strength, speed, and agility.
		The team's leader is comely, hard-as-nails Major Motoko Kusanagi (Atsuko Tanaka), whose "ghost," or consciousness, inhabits a completely artificial body.
		Troubled by this in-between status, Kusanagi wonders whether she is a mere mechanical functionary, or has an emotional and spiritual life independent of her body.
	www.popmatters.com /film/reviews/g/ghost-in-the-shell.shtml (1517 words)

	Untitled Document
		"One of the most influential artists of post-war Japan, Atsuko Tanaka's installations and performances provided a benchmark position of the Japanese avant garde...
		The opening is this Thursday, Jan 20th at the Belkin Gallery, UBC — show runs until March 20th.
		It's fl and white because it's apparently only an interim version, in place for the full version which will drop in the Spring.
	www.happyaccidents.ca /cutenews/show_archives.php?archive=1107124568&subaction=list-archive& (584 words)

	Ghost in the Shell 2: Innocence (2004) - Akio Ohtsuka , Naoto Takenaka , Atsuko Tanaka , Koichi Yamadera (Site not responding. Last check: 2007-11-05)
		Ghost in the Shell 2: Innocence (2004) - Akio Ohtsuka, Naoto Takenaka, Atsuko Tanaka, Koichi Yamadera
		Akio Ohtsuka, Naoto Takenaka, Atsuko Tanaka, Koichi Yamadera
		Set in 2032, when the line between humans and machines has been blurred almost beyond distinction.
	www.countingdown.com /movies/3556722 (325 words)

	Ghost In The Shell: Stand Alone Complex
		In the future, cyborgs, prosthetic and cerebral enhancements will be commonplace.
		Interview with Atsuko Tanaka - Voice Actress (Motoko)
		Check out the excellent interview with director Kenji Kamiyama who reveals an in-depth understanding of the elements that made Ghost in the Shell such a great work and how he worked hard to incorporate those elements into the series.
	www.heroic-cinema.com /reviews/gshell01 (916 words)

	Atsuko Tanaka (I) (Site not responding. Last check: 2007-11-05)
		Ka (2001) (VG) (voice: Japanese version) (as Atuko Tanaka)....
		Discuss this person with other users on IMDb message board for Atsuko Tanaka (I)
		Find where Atsuko Tanaka is credited alongside another name
	www.imdb.com /name/nm0848968 (216 words)

	Ghost in the Shell 2: Innocence (2004): Atsuko Tanaka, Naoto Takenaka, Ruby, Mamoru Oshii (Site not responding. Last check: 2007-11-05)
		Ghost in the Shell 2: Innocence (2004): Atsuko Tanaka, Naoto Takenaka, Ruby, Mamoru Oshii
		paired with a new human partner, Togusa (Atsuko Tanaka) and given a new case.
		IGN's enterprise databases running Oracle, SQL and MySQL are professionally monitored and managed by Pythian Remote DBA
	www.rottentomatoes.com /click/movie-10004115/reviews.php?critic=columns&sortby=default&page=2&rid=1320298 (587 words)

	[No title]
		Atsuko Tanaka - Artist, Art - Atsuko Tanaka
		Quick facts (Styles, locations, mediums, teachers, subjects, geography, etc.) (Atsuko Tanaka)
		Sign up for Artist Alert Updates for Atsuko Tanaka
	www.askart.com /AskART/artist.aspx?artist=135513 (140 words)

	Ghost in the Shell 2: Innocence DVD
		Starring: Akio Otsuka, Atsuko Tanaka Director: Mamoru Oshii Rating: PG-13
		R1: Will only play on North American Region 1 or multi-region DVD players.
		Ghost in the Shell (Special Edition) DVD ~ Atsuko Tanaka
	www.futureent.com /index.php?s=1&id=19812 (294 words)

	Amazon.com: Ghost in the Shell: DVD: Atsuko Tanaka,Akio Ôtsuka,Tamio Ôki,Iemasa Kayumi,Kôichi Yamadera,Tesshô ... (Site not responding. Last check: 2007-11-05)
		Join Amazon Prime and ship Two-Day for free and Overnight for $3.99.
		Starring: Atsuko Tanaka, Akio Ã”tsuka Director: Mamoru Oshii Rating
		Actors: Atsuko Tanaka, Akio Ã”tsuka, Tamio Ã”ki, Iemasa Kayumi, KÃ´ichi Yamadera, See more
	www.amazon.com /exec/obidos/tg/detail/-/6304493681?v=glance (2655 words)

	Ghost in the Shell 2: Innocence (2004): Akio Ohtsuka, Atsuko Tanaka, Koichi Yamadera, Naoto Takenaka - PopMatters Film ...
		Ghost in the Shell 2: Innocence (2004): Akio Ohtsuka, Atsuko Tanaka, Koichi Yamadera, Naoto Takenaka - PopMatters Film Review
		Cast: Akio Ohtsuka, Atsuko Tanaka, Koichi Yamadera, Naoto Takenaka
		In the opening sequence of Mamoru Oshii's follow-up to his acclaimed anime Ghost in the Shell, we hover vertiginously above a glowing, futuristic cityscape before quickly descending into its labyrinthine streets.
	www.popmatters.com /film/reviews/g/ghosts-in-the-shell-2.shtml (1416 words)

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