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	Audio Engineering Society
		Section A. The Audio Engineering Society (AES), founded in 1948 and now well-established internationally, is the preeminent organizat.ion for disseminating and encouraging the development of new technologies that push forward the frontiers of audio engineering.
		The diffusion and increase of educational and scientific knowledge in audio engineering, and the promotion and advancement of this science and its allied arts in both theoretical and practical application.
		The stimulation of interest in audio engineering, the encouragement of the interchange and intercourse of ideas among its members, and the promotion and maintenance of high professional standards among its members.
	www.ee.calpoly.edu /clubs/aes/bylaws.html (1521 words)

	Audio Engineering Society - Wikipedia, the free encyclopedia
		Established in 1948, the Audio Engineering Society (AES) draws its membership from amongst engineers, scientists, manufacturers and other organisations and individuals with an interest or involvement in the professional audio industry.
		Its membership of leading engineers, scientists and other authorities has increased dramatically throughout the world, greatly boosting the society's stature and that of its members in a truly symbiotic relationship.
		The organisation develops, reviews and publishes engineering standards for the audio industry, and produces the AES Conventions, which are held twice a year alternating between Europe and the USA.
	en.wikipedia.org /wiki/Audio_Engineering_Society (144 words)

	About the Audio Engineering Society
		The Audio Engineering Society, now in its fifth decade, is the only professional society devoted exclusively to audio technology.
		The Audio Engineering Society Education Committee hosts the Education Fair at AES conventions and publishes the Directory of Educational Programs, a comprehensive international guide to educational programs and career opportunities in Audio.
		The Audio Engineering Society recognizes with gratitude the financial support given by its Sustaining Member Organizations, which enables the work of the Society to be extended.
	www.aes.org /info (562 words)

	Tubes vs. Transistors (Site not responding. Last check: 2007-10-12)
		One engineer who admits that there might be some marginal difference in the sound, says, "You just have to get used to the nice clean sound of transistors.
		In the usual evaluation of audio preamplifiers it is assumed that they are operated in their linear range, i.e., harmonic distortion less than l0%.
		Engineering studies show that any amplifier adds distortion as soon as the overload point is reached.
	www.gprime.com /proaudio/tubes/tubes.htm (4449 words)

	Audio Engineering Society Releases Tutorial CD-ROM
		It has been developed to familiarize audio engineers, broadcast engineers and audio students with the underlying principles of perceptual audio coding.
		Perceptual Audio Coders: What to Listen For will be especially helpful to audio professionals, including engineers, designers and students, who are presented with audio material that has undergone audio compression, where the process of coding artifacts takes place.
		The artifacts are sorted according to type and severity as audio files, which enable listeners to enhance their ability to recognize these artifacts.
	mixonline.com /news/audio_audio_engineering_society/index.html (287 words)

	Audio Engineering Society @ UIUC - About AES (Site not responding. Last check: 2007-10-12)
		The Audio Engineering Society at U of I is part of an international organization whose purpose is to unite everyone interested in audio.
		AES members are interested in a huge array of different topics - home audio, car audio, acoustics, signal processing, electronic music, sound recording, etc. We bring in guest speakers from the audio industry, hold events, do demos, go on tours of audio facilities and most of all, we have fun.
		The Audio Engineering Society at UIUC has set two main objectives: 1) To promote the University of Illinois at Urbana/Champaign as a source of employees for audio companies nationwide.
	www.ec.uiuc.edu /soc/aes (248 words)

	AES3, Digital Audio Interface Format
		Audio Engineering Society interface format for serial digital transmission of stereo or two-channel LPCM (Linear Pulse Code Modulated) sound.
		For broadcast and transmission-related applications with restricted channel capacity and where a nominal audio bandwidth of 15 kHz is considered adequate, a sampling frequency of 32 kHz may be used, in accordance with ITU-T Recommendation J.53.
		For applications with an audio bandwidth greater than 20 kHz or in order to permit the use of a wider transition region in the anti-alias filtering a rate of 96 kHz ± 10 parts per million may be used.
	www.digitalpreservation.gov /formats/fdd/fdd000142.shtml (761 words)

	Midi music, recording studio sessions, audio engineering society, and free online download services for individuals and ...
		Our primary engineer, Lloyd Minthorne, has had extensive experience as a professional audio engineer since 1984, graduated magna cum laude from The College for Recording Arts in 1987, and is a current member of the Audio Engineering Society.
		Audio engineering is an art as well as a science.
		Not only must the engineer understand and be able to operate the equipment effectively, but also the engineer should be able to understand the particular type of sound or feeling that the artist is trying to create, and help them bring it to life through a variety of means.
	www.synopticsounds.com /audioengineering (416 words)

	UCD Audio Engineering Society (Site not responding. Last check: 2007-10-12)
		The Audio Engineering Society is an international professional organization, and is the only professional society devoted exclusively to Audio technology.
		The AES promotes advances in audio technology through annual technical meetings and exhibitions of professional equipment, and through the "Journal of the Audio Engineering Society", the proffesional archival publication in the audio industry.
		We are fortunate to have a student section of the Audio Engineering Society here at UCD; one of only 20 AES student sections in the world.
	carbon.cudenver.edu /aes (410 words)

	Audio Engineering Society's European Show Opens Saturday in Amsterdam, Features New Tutorial and Exhibitor Seminars - ...
		The 114th AES Convention, the major annual European event of the Audio Engineering Society, opens Saturday March 22nd at Amsterdam's RAI Convention Center, and runs until next Tuesday, March 25th.
		As the only professional Convention devoted exclusively to audio technology, the AES shows in Europe and the U.S. (in the fall) are known as important gatherings for exhibitors, engineers, scientists and those from the recording, broadcasting and live sound worlds.
		In Amsterdam, AES is expecting a large attendance of audio professionals from all parts of Europe, as well as from Asia and the U.S. In a question-and-answer session, AES executive director Roger Furness explains the key elements of this year's European AES show.
	www.audioworld.com /news/0303/20.aes.amsterdam.opens.shtml (810 words)

	Boston Audio Society - pictures
		Ira is currently the BAS treasurer, and is also active in the Audio Engineering Society (AES) and the Acoustical Society of America (ASA).
		He was managing editor and audio editor of the Boston Phoenix during the 1970s, and worked for dbx engineering through the 1980s, where he was heavily involved in the Soundfield Imaging loudspeaker program.
		Currently he is Senior Audio and Support Engineer, Chief Science Officer, and Webmaster for Miller and Kreisel Sound, and is a world authority on the frequencies from 5 hz through deep ultraviolet, including anything even remotely resembling purple.
	www.bostonaudiosociety.org /pictures.htm (1008 words)

	Audio Engineering Society Boston Chapter, Newsletter January 2003
		The Boston Section of the Audio Engineering Society met on 14 January 2003 in MIT's Bartos Theater to hear a presentation by Dr. Joseph Pompei of Holosonic Research Labs and demonstration of his audio spotlight technology.
		Pompei discussed his interest in '3D Audio' and the research he pursued into using ultrasound as a loudspeaker, first as a graduate student at Northeastern University, then at MIT in their Media Lab facility.
		Since the directivity of a sound source depends on the size of the source, to fabricate a highly directional source requires that the source be much larger than the wavelengths of sound that it is reproducing.
	www.bostonaes.org /archives/2003/Jan (782 words)

	AES 115 Show 2003 -Audio Engineering Society Professional Audio Show
		he Audio Engineering Society (AES), now in their fifth decade of service, is the only professional society devoted exclusively to audio technology.
		These members include leading engineers, scientists and other authorities in the field of audio engineering.
		Audio Engineering Society Convention took place at the Jacob Javits Convention Center in New York City, New York from October 10
	www.enjoythemusic.com /aes2003 (117 words)

	Audio Engineering Society archives
		As Bob pointed out, audio searches and downloads have matched or exceed almost all other uses for the ’Net in recent years, and as a force this can no longer be ignored or mismanaged by the recording industry.
		Issues relevant to recording engineering practice were also discussed with reference to "mastering for the format" and the audio practicioners role in translating recordings for new media.
		The audience, comprised of 30 regional engineers, was treated to a general debunking of audio power mythology, with reference to his groundbreaking paper on the “pin 1 problem' of 1995.
	www.banffcentre.ca /music/audio/aes/archives.asp (2309 words)

	Spatial Audio Literature
		Most references are drawn from either the Journal of the Acoustical Society of American or the Journal of the Audio Engineering Society of America.
		Blauert (1969) is an often referenced paper detailing median plane experiments that proved that IID and ITD cues were not the only cues that influence localization.
		Begault, D.R. (1992) "Perceptual effects of synthetic reverberation on three-dimensional audio systems,"Journal of the Audio Engineering Society, 40 (11), 895-904.
	ccrma-www.stanford.edu /~malcolm/SpatialAudioLiterature.html (886 words)

	About 2003 AES Conference - Multichannel Audio
		Over 180 audio engineers from around the world came to The Banff Centre in June 2003 to share the latest developments in multichannel surround audio.
		Together with a hard-working committee, Theresa Leonard, The Banff Centre’s Director of Audio, and chair of the conference created a program that was packed from morning until night with technical papers, seminars, demonstrations, and panel discussions.
		The 24th AES International Conference in Banff brought together audio engineering professionals, researchers, academics, and manufacturers for further discussions on the art, science, and future of multichannel audio.
	www.banffcentre.ca /aes (145 words)

	Links
		For those that are hiring outside consultants, for high-end dedicated audio or home theatre installations, this information can be very valuable, and make you a much more knowledgeable customer.
		Finally, those that are interested in the design and manufacturing of professional and consumer audio products can post their questions and share their experiences relating to this subject.
		Tim was the Manager of Engineering for Lucasfilm's THX Cinema Division and was a key developer in the R2 project.
	www.audiodesignlabs.com /newfile9.html (1403 words)

	Audio Engineering Society in San Francisco (All I Know²)
		Saturday I ventured over to the Audio Engineering Society Exhibition in Moscone Center...
		the annual gathering of audio and recording engineers and the various equipment and software companies.
		When I got out of college what I really wanted to be was a recording engineer.
	www.rchrd.com /blog/2006/10/audio_engineering_society_in_s.html (518 words)

	George Petersen on Audio at AES 2006
		For years, sound reinforcement was the backwoods stepchild at the annual conventions of the Audio Engineering Society, where recording gear usually snagged all the headlines and hoopla.
		Martin Audio unveiled a new range of high-performance LE stage monitors, the LE2100, LE1500, and LE1200.
		Up to 64 audio inputs and 64 audio outputs per YG2 module can be transmitted to and from any Yamaha device, while multiple modules can provide up to 512 audio channels per Optocore network ring on one single fibre pair.
	svconline.com /tradeshows/products/aes_audio_2006 (3217 words)

	SudeepAudio.com™ : Audio Engineering Society (AES) India Chapter
		The AES serves its members, the industry and the public by stimulating and facilitating advances in the constantly changing field of audio.
		It encourages and disseminates new developments through annual technical meetings and exhibitions of professional equipment, and through the Journal of the Audio Engineering Society, the professional archival publication in the audio industry.
		The AES (India Section) serves its members by stimulating and facilitating advances in the constantly changing field of audio.
	www.sudeepaudio.com /aes/index.htm (236 words)

	The Audio Engineering Society, Penn State AESPS
		To act as a student chapter of the Audio Engineering Society, Inc., hereafter referred to as the AES.
		To aid in the diffusion and increase of educational and scientific knowledge in audio engineering, the promotion and advancement of this science and its allied arts in both theoretical and practical application.
		Each advisor shall be chosen from the University faculty or staff and is required to be a member of the AES.
	www.clubs.psu.edu /up/aes/constitution.html (1284 words)

	Virtual Audio Bibliography
		Journal of the Audio Engineering Society, 39 (11), 864-870.
		The Journal of the Audio Engineering Society, 29(4), pp.
		The Journal of the Audio Engineering Society, 39(10), pp.
	www.hitl.washington.edu /projects/knowledge_base/audio-bib.html (3132 words)

	Audio Best Practices - Digital Publishing Group - UC Berkeley Library (Site not responding. Last check: 2007-10-12)
		The California Digital Library (CDL) is working on the Audio Format Standards and Audio Best Practices for digital audio, just as they developed these for imaging.
		The UC Berkeley Library is waiting on the Audio Engineering Society Working Group on Digital Library and Archive Systems (SC-03-06) for the technical metadata requirements for Audio.
		For more information on the Audio Engineering Society and the standards that they have developed, go to their website, www.aes.org/standards/.
	www.lib.berkeley.edu /~bdykman/dpg/bestpractices/audio_bp.html (181 words)

	Audio Group - Publications
		Mourjopoulos, “Wireless Digital Audio Delivery Analysis and Evaluation”, presented at the IEEE 31st International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Toulouse, May 2006.
		Tsoukalas, " Jither: The Effects of Jitter and Dither for 1-bit Audio PWM Signals", Audio Engineering Society 106th Convention, Munich, May 1999 (preprint 4956).
		[1] A. Floros, J. Mourjopoulos, " Analytic Derivation of Audio PWM Signals and Spectra", Journal of the Audio Engineering Society, Vol.
	www.wcl.ee.upatras.gr /audiogroup/Publications/Publications.html (2142 words)

	Human Hearing - Distortion Audibility Part 3
		Where audio and video equipment undergoes rigorous objective and subjective tests by our staff, ensuring that marketing slogans aren't the only guidelines for your home theater choices.
		In a similar vein, Dr Earl Geddes has proposed the use of a nonlinear system identification model based on the Volterra series that provides for a test metric which evidently provides for a high degree of correlation between listener preference and the presence of varying levels of non-linear distortion.
		Engineering Society Convention, Los Angeles 1978, Preprint 1342.
	www.audioholics.com /techtips/roomacoustics/HumanHearingDistortion.php (1686 words)

	AES report: a quick overview - Audio - Audio Engineering Society Post - Find Articles (Site not responding. Last check: 2007-10-12)
		LOS ANGELES--The LA Convention Center recently played host to this year's Audio Engineering Society convention, and while attendance and exhibit space were down from years past, many manufacturers were on-hand presenting new audio tools.
		Cedar Audio's Declick and Auto Decrackle process is the latest tool to enhance the audio editor.
		The $9,900 Model 585 enables realtime pitch correction of frame-rate converted or time-scaled multichannel audio, producing natural sounding results, Audio can be pitch shifted up or down by 15 percent or adjusted to be 15 percent longer or shorter while maintaining the proper pitch.
	findarticles.com /p/articles/mi_m0HNN/is_11_17/ai_94769348 (864 words)

	DTV Guide Audio (Site not responding. Last check: 2007-10-12)
		The coded representation specified is suitable for use in digital audio transmission and storage applications, and may convey from 1 to 5 full bandwidth audio channels, along with a low-frequency enhancement channel.
		Typical applications of digital audio compression are in satellite or terrestrial audio broadcasting, delivery of audio over metallic or optical cables, or storage of audio on magnetic, optical, semiconductor, or other storage media.
		Truman, M. Davidson, A. Ubale, and L. Fielder; “Efficient Bit Allocation, Quantization, and Coding in an Audio Distribution System,” AES 107th Convention, Preprint 5068, Audio Engineering Society, New York, NY, August 1999.
	www.atsc.org /document_map/audio.htm (578 words)

	Cogswell Polytechnical College: Audio Engineering Society (AES)
		--> The Audio Engineering Society is the pre-eminent international organization devoted exclusively to audio technology.
		The Cogswell student chapter encourages and disseminates new developments in audio through technical meetings, seminars, and exhibitions.
		Student members receive the society journal and participate in AES conferences, forums, and conventions.
	www.cogswell.edu /AES.html (62 words)

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