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| | Dance International > Current Issue |
 | | In his ballets, August Bournonville preserved the memory of his own training in Paris during the 1820s, a period that witnessed the transition between post-revolutionary ballet d'action, with its classical and mythological themes, and Romantic ballet, with its glorification of emotion, imagination and intuition. |
 | | Bournonville, who lived between 1805 and 1879, was the son of a French father and a Swedish mother, but he considered himself thoroughly Danish, and his work is a harmonization of the French style of dancing with Nordic social and cultural history. |
 | | Bournonville's ballets, along with the poetry of Adam Oehlenschläger and the dramas of Johan Ludvig Heiberg, were central to the Royal Theatre during the first half of the 19th century. |
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