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 | | Lemon, in Aunt Dan and Lemon, addresses us as the curtain rises or the lights swell in a wry and sinister invocation of hospitality, and of the essentially theatrical: “Hello, dear audience, dear good people who have taken yourselves out for a special treat, a night at the theater. |
 | | While Aunt Dan imparts to Lemon her theories of relativist politics, intertwined with tales of violence and inappropriate sexuality, Lemon says, “I would watch the wind gently playing with her hair.” Both sensually and ideologically—ideologically via the sensual—Lemon has been perverted, and there’s no denying this. |
 | | And soon Lemon is learning not just of sex, but of “the power of evil in the world.” Indeed, the power of sex and the power of politics are one and the same in this play; which is why Aunt Dan, were she alive today, would most likely have a crush on Dick Cheney. |
| www.fluxfactory.org /otr/ansteywallaceshawn.htm (2662 words) |
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