| |
| | "The Literary, Political, and Legal Strategies of Oscar Zeta Acosta and Hunter S. Thompson: Intertextuality, Ambiguity, ... |
 | | Throughout The Autobiography of a Brown Buffalo, for example, hallucinations appear as vocal, well-developed characters while "real" people often fade into the oblivion of the psychedelic landscape without any warning given to the narrator, the reader, or the characters themselves. |
 | | Early on, Acosta, as narrator and as author of an autobiography, informs us that his self-identification continually shifts along a spectrum of self-deprecating parody and mean-spirited antagonism with respect to racial identification. |
 | | Throughout The Autobiography of a Brown Buffalo, few characters even recognize that Oscar plays his own racial identity game like a long-running, one-man in-joke, but upon meeting the fictional Oscar character, Hunter Thompson’s fictionalized self, "King," more than perceives the ironic sport, he spars with Oscar at it. |
| www.gregwright.info /subpage57.html (2898 words) |
|