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Topic: Avalon (1990 film)

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	Amazon.com: Avalon: Video: Leo Fuchs,Eve Gordon,Lou Jacobi,Armin Mueller-Stahl,Elizabeth Perkins,Joan Plowright,Kevin ... (Site not responding. Last check: 2007-10-08)
		Avalon is a tragic drama with moments of warmth as a second generation immigrant family tries to create a better life in the United States while living under the same roof as their parents.
		Avalon is a representation of the many who came to the US in search of the American Dream; however, in pursuit of this dream lost the connection with what is important in life.
		Avalon feels like it could have benefited from a little extra trimming (the subplot of Eva's long-lost brother coming to America fades in and out in the blink of an eye), but overall was a beautiful look at a family's changing traditions across the generations.
	www.amazon.com /Avalon-Leo-Fuchs/dp/6301999436 (2158 words)

	Mark Bernstein: Avalon
		Avalon (the 2001 film by Mamoru Oshii, not the 1990 Barry Levinson film) is perhaps the one game movie I've seen that has something important to say about immersive games.
		Avalon shows us how games could be about recognition and humanity, about the sense of the uncanny -- of meeting something familiar and human that you've never quite seen before, of seeing something you see all the time transformed into a completely different kind of signifier.
		Avalon is also interesting as a comic; the pictures move, yes, but it's conceived and written as a combination of text and image, not as a film.
	markbernstein.org /Feb0501/Avalon.html (346 words)

	Meridian Magazine : : Video Reviews
		After its release in 1990, Avalon was nominated for Best Picture, but lost the Academy Award to "Dances with Wolves." It grossed a mere $16 million dollars and has virtually disappeared, but its inspired construction and beautiful execution is worthy of revival.
		At times the film suffers from an episodic feel, but this is easily forgiven considering the sincerity of the film and the complexity of the theme.
		Because the film has the breadth and depth of life, the deliberate pace may be difficult for younger viewers.
	www.meridianmagazine.com /videos/991231avalon.html (754 words)

	Filmtracks: Avalon (Randy Newman)
		Avalon: (Randy Newman) The third installment in director Barry Levinson's 1980's series of films about the heritage and people of the city of Baltimore, Avalon was the most widely acclaimed of the three.
		Levinson's film gained attention through the awards season for its unapologetically nostalgic and positive viewpoints, with the texture of America on display just as much as the family who is adapting to it.
		It was yet another controversial nomination for film score fans, because it was further evidence that the nominating members of the Academy favored arthouse scores of lesser size and effectiveness over popular mainstream blockbusters simply because of the fact that the arthouse film was in style at the moment.
	www.filmtracks.com /titles/avalon.html (788 words)

	Midnight Eye review: Avalon (2000, director: Mamoru OSHII)
		Avalon's main point of interest is its use of digital manipulation to investigate Ash's various levels of reality by selectively stripping away the colours from the image, rather than adding to it.
		Regardless of whether this gaping void at the heart of the narrative is intentional or not, the film comes across as cold and impenetrable beneath its hard-edged exterior, and though Itoh's script prompts fascinating questions, few of these are resolved by the end in a needlessly protracted and the dramatically rather flaccid denouement.
		On a technical level at least, Avalon is a landmark film and definitely one to see on the big screen should the opportunity arise, though its lacklustre performance at the Asian box office and ambivalent reception at this year's Cannes make this seem an unlikely option.
	www.midnighteye.com /reviews/avalon.shtml (1096 words)

	DVD Review: Avalon
		"Avalon" focuses on a group of houses in a quiet Baltimore neighborhood, and the inhabitants of one of the houses.
		Although sharpness is not consistent (some of the film has a bit of a soft look), the movie does remain at least pleasantly well-defined, not becoming hazy or blurry.
		As a film that's now 11 years old, some print flaws can be expected, but I actually expected more than I found here - there are a few speckles and minor marks, but the film remains largely crisp and clear.
	www.currentfilm.com /dvdreviews2/avalondvd.html (699 words)

	Avalon (2001) FilmJudge DVD Review
		From the action, the film moves into a bland universe of a ruins and near despair.
		At one point in the film, a character eats and eats while the camera exaggerates his every slurp, chomp and tear.
		A beautifully shot film, that embraces both the eastern European and Japanese paces and the philosophies with style and grace.
	www.filmjudge.ca /a/avalon2001.htm (473 words)

	The DVD Journal: Avalon (Site not responding. Last check: 2007-10-08)
		Levinson's film is largely based on his own grandfather's stories, and the tone of the film reflects a tremendous affection, but also a tangible and sorrowful sense of disintegration.
		The corrosive, but irreversibly pervasive, effects of television on this family are skillfully explored throughout the picture, in direct and passive ways, particularly in the way that it unravels the thread of family history, and on another level how television is the hallmark of a culture defined by comforts rather than struggles.
		As the film patiently moves through its careful narrative, the Krichinsky family is so vividly realized that it becomes extended family to the audience, where every good time, conflict, and heartbreak feels wrenchingly personal.
	www.dvdjournal.com /reviews/a/avalon.shtml (692 words)

	Barry Levinson - Films as Director:, Other Films:
		The film might better be regarded not as an adaptation but as an interpretation, able to stand on its own regardless of its source.
		His debut film as director is about young men "hanging out" in Baltimore over Christmas of 1959, one of them (Steve Guttenberg) enjoying his last days of bachelorhood before his approaching wedding.
		The fourth in the cycle that began with Diner, and something of a companion piece to Avalon, it is set at the social crossroads of the mid-1950s and explores themes of race, class, and religious division from the perspective of a Jewish family.
	www.filmreference.com /Directors-Ku-Lu/Levinson-Barry.html (1576 words)

	dOc DVD Review: Avalon (1990)
		Barry Levinson's Avalon is one of those personal projects that goes to the core of a certain issue or situation.
		The film focuses much of its attention on the current generation of this family who are in the process of setting up their own businesses and opportunities.
		Avalon is a very well-crafted tale of an immigrant family making America their home, but at the same time it has a meandering nature.
	www.digitallyobsessed.com /showreview.php3?ID=1026 (1032 words)

	DVD Review - Avalon
		The film itself has its flaws and foibles, but the writing is endearing, and it comes as no surprise that it earned Academy Award nominations and a WGA Screen Award.
		The film follows the life of Sam Krichinksy (played grandly by Armin Mueller-Stahl), a Jewish immigrant to America in the early part of the 20th Century.
		By the end of the film, however, we are drawn to the suburbs and, when one of the family dies, only a handful are present for the funeral.
	www.thedigitalbits.com /reviews2/avalon.html (829 words)

	re:constructions - Film Clips
		While the Spirit of America was neither commissioned nor paid for by the White House, it has won the backing of Karl Rove, President George Bush's senior adviser, who has had a series of meetings with leading lights in the entertainment industry to enlist their services in support of the war against terrorism.
		Mr Rove has urged the film and television industry to come up with ideas that would boost morale at home and improve the image of the US abroad.
		Workman said none of the actors whose permission had to be sought for use in the film had turned him down and that many had been very supportive of the idea.
	web.mit.edu /cms/reconstructions/repercussions/filmclips.html (1015 words)

	deseretnews.com - Movie review: Avalon \| Deseret Morning News Web edition (Site not responding. Last check: 2007-10-08)
		But his latest work, "Avalon," is by far his most personal and accomplished feature to date.
		Named after the neighborhood in Baltimore where Levinson grew up, "Avalon" is the story of several generations in one family, taking it forward some 50 years from 1914, when the family patriarch leaves Eastern Europe and first steps foot on American soil.
		The film opens with Sam reminiscing about his first day in America, regaling the family with stories they've already heard a hundred times, as his wife Eva (Joan Plowright) reminds him.
	deseretnews.com /movies/view/1,1257,112,00.html (676 words)

	Film History of the 1990s
		1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 1999
		In the film, he 'deconstructed' the Lee Harvey Oswald one-gunman theory denounced by the government-sanctioned Warren Commission with a counter-theory involving higher-ups angered by Kennedy's liberalism.
		The energetic film precipitated at least eight 'copycat' murders and violent incidents by self-professed 'natural born killers,' including two Oklahoma teens who watched the film repeatedly and then went on a similar shooting spree.
	www.filmsite.org /90sintro4.html (1795 words)

	MRC FilmFinder-Full Record: Avalon
		This is an episodic film about the Krichinsky family, who emigrated to America in the late 1910s and early '20s.
		This is a beautifully photographed film, one awash with graceful, lilting images of a romanticized past.
		Avalon is one of Levinson's Baltimore stories (like Diner and Tin Men before it) and like those films is handsomely constructed and almost flawlessly acted.
	www.lib.unc.edu /house/mrc/films/full.php?film_id=434 (277 words)

	Avalon DVD at Video Universe
		The third installment in Barry Levinson’s Baltimore Trilogy, AVALON tells the story of a Jewish family immigrating to the United States in pursuit of the American dream.
		AVALON was his first film since winning an Academy Award for RAIN MAN. As Roger Ebert noted, Avalon refers to the neighborhood in Baltimore where the film is set.
		But in Celtic mythology Avalon is supposed to be an island of blessed souls located somewhere in the western seas.
	www.cduniverse.com /search/xx/movie/pid/1576548/a/Avalon.htm (592 words)

	Movie Info for Avalon on MSN Movies
		The third of director Barry Levinson's autobiographical "Baltimore Trilogy" (the first two entries were Diner and Tin Men), Avalon covers nearly forty years in the lives of an immigrant Jewish family.
		With the introduction of the Krichinsky's grown son Jules (Aidan Quinn), the film ventures into culture-clash country.
		Avalon's elegiac and melancholy effect is underlined by Randy Newman's soulful musical score.
	entertainment.msn.com /movies/movie.aspx?m=142761 (163 words)

	Cinematic Terms - A FilmMaking Glossary
		a major film genre category denoting a film that emphasizes segments of song and dance interspersed within the action and dialogue; known for its distinctive artists, stars, singers, and dancers; two major types are 'backstage' musicals and 'music-integrated' musicals.
		a dark and brooding film that features a downbeat, depressing, dreary, cynical, gloomy or bleak tone; often doom-laden and concerned with the subjects of death, suffering, tragedy, unhappiness, and existential despair; the protagonist often meets with death or tragedy in a film's conclusion; see also dystopia.
		A film that wistfully looks back at an earlier past time, often depicting it as more innocent and uncomplicated than it actually was, historically; nostalgia films usually look back on the protagonist's or narrator's childhood.
	www.filmsite.org /filmterms13.html (1465 words)

	Comedy Central: Movies - Avalon - Review (Site not responding. Last check: 2007-10-08)
		Barry Levinson's sentimental family saga is an engaging and affecting film, particularly in its sense of comic detail, but is less persuasive in its overall design.
		The film covers half a century in the life of the Krichinsky's, a family of Russian immigrants, from their arrival in Baltimore in 1914.
		This often applies to his approach to the film, in which members of the extended Krichinsky family are more likely to become entangled in some comic byplay involving the movie Stagecoach (1939), than to have a real fight.
	www.comedycentral.com /movies/movie/1984/review.jhtml (324 words)

	filmlist
		Each of these films was selected purposefully because it dealt with one or more of the following issues: relationships, family functioning, and culture and ethnicity.
		Your assignment is to select one of these films, view it, and write a film review that is guided by specific questions which are listed below.
		There are other issues that we have covered in class that might pertain to your particular film as well.
	condor.depaul.edu /~sribordy/psych218/filmlist.html (560 words)

	Parent Previews: Avalon
		Almost like looking at someone?s photo album, where picture by picture a life story unfolds, this film is a collection of exquisitely crafted scenes that reveal the desires and disappointments of Sam Krichinsky?s family as they pursue the American dream.
		The film contains mild profanities, many depictions of main characters smoking and drinking (including a pregnant woman), a brief scene showing a stabbing victim?s blood, and portrayals of children playing recklessly with matches (the negative consequences are emphasized).
		The New Zealand film Whale Rider tells the story of a young Maori girl?s attempt to return to her cultural roots.
	movies.go.com /parentpreviews/review?rid=1218 (629 words)

	TAP: Vol 12, Iss. 8. The Capital of Loneliness. Jane Rosenzweig. (Site not responding. Last check: 2007-10-08)
		In his 1990 film Avalon, Barry Levinson heartbreakingly rendered the effects of TV on three generations of an immigrant family in Baltimore, Maryland, as frequent family gatherings were replaced by solitary TV dinners and aching loneliness.
		I thought of Avalon again while I was reading Bowling Alone: The Collapse and Revival of American Community, Robert Putnam's recent book analyzing the role of television in society.
		Putnam argues that there is a strong correlation between the rise in television watching and the decline in civic engagement over the past 30 years.
	www.prospect.org /print/V12/8/rosenzweig-j.html (1539 words)

	Biographies: Latter-day Saint and/or Utah Film Personalities: H
		Haley originally planned to make a film about the "double life" of her friend, an "inactive" Latter-day Saint teenager living in a religiously active family, but her friend's parents said she couldn't be in the film.
		The film is described thus: A woman tricked into selling her soul 24 years earlier to the devil, fights/argues for her souls salvation on the night of her preordained demise.
		In the film, the dreamer travels through a protective veil of the unconscious to face detached images of modern war in a struggle for human connection.
	www.ldsfilm.com /bio/bioH.html (8877 words)

	Jews in Film and Television: A Short Bibliography of Materials in the UC Berkeley Libraries
		Suggests that both text and film attest to the centrality of the immigrant experience as a national narrative that reproduces and in turn is reproduced by the American dream.
		His music, celebrated in the landmark film which ushered in the era of sound in the movies, mixed the spirit of the jazz age with a sentiment that was very distinctively Jewish.
		The film, which garnered awards from the Cannes Film Festival and Academy of Motion Picture Arts and Sciences and is the first foreign-language film to have seven award nominations in the Oscars, is directed, co-written and starred by Roberto Benigni.
	www.lib.berkeley.edu /MRC/JewishBib.html (14299 words)

	Narrative Psychology: Film & Media
		Students of narrative psychology may be interested in descriptions of the early film industry as camera and editing techniques were originally constructed and the problems of continuity and interconnecting narrative subthemes within a film's plot were first mastered.
		The questions of how audiences (a) learn to see a film using a visually-mediated vocabulary and (b) relearn how to view a film with changing editing and presentation techniques relates directly to narrative issues of the social construction of meaning.
		The films listed below were chosen because they offer a representative sample of very good-to-excellent works illustrating many issues raised by the narrative viewpoint and examined among the printed research materials listed above.
	web.lemoyne.edu /~hevern/nr-film.html (777 words)

	MoMA.org \| Exhibitions Schedule \| Film and Media \| 2006 \| A View from the Vaults 2006: Recent Acquisitions and ... (Site not responding. Last check: 2007-10-08)
		Based on Ishii Hisaihi’s long-running manga, the film captures the kind of traditional family that may be disappearing in an increasingly modernized Japan.
		A combination chase film, character study, and social portrait, this is one of Eastwood’s richest and most ambiguous features.
		This story of a couple struggling with her biological clock and his inability to commit to their future was filmed entirely in New York City, and won the Critics Award at the 1958 Venice Film Festival.
	www.moma.org /exhibitions/film_media/2006/vaults_2006.html (976 words)

	Sisterhood of Avalon - Avalonian Resources
		The Mists of Avalon - Marion Zimmer Bradley, Knopf, 1982
		Features Morgan Le Fay as The Moon, The Lady of the Lake as Justice, Nimue as The Priestess, The Holy Grail (with attendant Priestesses) as the Ace of Cups, and an exquisite Avalon rendering as The Judgment.
		Text and images are copyright © 2004 The Sisterhood of Avalon unless otherwise noted.
	www.sisterhoodofavalon.org /resources/resources.html (766 words)

	AMCTV.com BIOGRAPHY - Barry Levinson (Site not responding. Last check: 2007-10-08)
		Levinson not only acted as the film's screenwriter, but also figured prominently as the vengeful bellboy in the film's celebrated Psycho parody scene.
		A poignant, critically acclaimed coming-of-age story, the film helped to establish Levinson as a bankable director.
		It proved to be a success on many fronts: It solidified the rising reputation of Cruise as more than just a teen sensation, being one of his first major dramatic roles, and in pairing him with Hoffman showed that he could hold his own alongside Hollywood's best.
	www.amctv.com /person/detail?CID=1276-1-1 (517 words)

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