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	MusicalNirvana - Ustad Bade Ghulam Ali Khan
		Ustad Bade Ghulam Ali Khan can be described as an artiste who has had the maximum impact on the 20th Century Hindustani Classical Music scenario.
		But what actually characterised Bade Ghulam Ali Khan was an effervescent melodic quality which was concertised in a masterly flow of ideas which were delivered with a unique sense of alacrity, aided by one of the most pliable and dextrous voices ever heard in living memory in this land.
		For Bade Ghulam Ali Khan, 'Taleem' was but a means to a greater end where sheer melody and freedom of movement became unified His music was the joyous expression of an unfettered musical psyche.
	www.musicalnirvana.com /hindustani/bade_ghulam_ali_khan.html (549 words)

	Indian Melody : Ustad Bade Ghulam Ali Khan - An Article
		Bade Gulam Ali Khan had an impressive physique and the lofty gait of a monarch.
		Bade Gulam Ali hailed from Lahore in Punjab.
		Bade Gulam Ali, however, allowed his brother to accompany him on the harmonium but never to sing with him in public.
	www.indianmelody.com /badearticle1.htm (0 words)

	Bade Ghulam Ali Khan
		Smt Susheela Mishra's Artilcle on Ustaad Bade Ghulam Ali Khan
		This tribute to Bade GHulam Ali Khansaheb appeared in the Illustrated Weekly of India, shortly after his passing away, almost exactly 27 years ago.
		Whether it was a khayal with a courtly theme, a thumri with wistfully romantic word content or a bhajan with highly devotional words, Ustad Bade Ghulam Ali Khan could always put his heart and soul into the song.
	members.tripod.com /~somdg/Bade_Ghulam_Ali_Khan.html (0 words)

	Ustad Bade Ghulam Ali Khan classical vocalist - Ustad Bade Ghulam Ali Khan Thumri - Ustad Bade Ghulam Ali Khan Khayal
		Born in 1902 at Lahore, Bade Ghulam Ali Khan is one of the greatest classical vocalists of India.
		Ghulam Ali Khan was up brought with the musical roots developed by father, Ali Baksh Khan, who was a well-known Sarangi player and a vocalist.
		Ghulam Ali Khan is often referred as the Tansen of 20th century.
	music.indobase.com /classical-singers/ustad-bade-ghulam-ali-khan.html (571 words)

	Ali Khan, Bade Ghulam History \| ema_01_package.xml
		Bade ("The Great") Ghulam Ali Khan was one of the finest Hindustani vocalists of the twentieth century, one whose style and standing reflect a unique historical setting.
		Ghulam Ali was trained by his uncle, Kale Khan, and his father, Ali Baksh Khan, the latter a court musician to the Maharaja of Kashmir.
		Ghulam Ali consequently became the first of a new generation of musicians who was sensitive to a new "public" audience: one that was increasingly large, varied, and anonymous.
	www.bookrags.com /history/ali-khan-bade-ghulam-ema-01 (343 words)

	NationMaster - Encyclopedia: Ustad Bade Ghulam Ali Khan (Site not responding. Last check: )
		Ghulam Ali was born in 1940, at village Kaleke, district Sialkot, which is now a part of Pakistan in 1940.
		Ghulam Ali has a heavy, baritone voice, and while rendering ghazals he creates very subtle vibrations in his voice which he uses very beautifully, to convey a whole range of emotions through it.
		Ghulam Ali produces only a few albums a year, concentrating more on his live concerts.For his live concerts, usually the accompanying musical instruments are harmonium and tabla.
	www.nationmaster.com /encyclopedia/Ustad-Bade-Ghulam-Ali-Khan (934 words)

	NationMaster - Encyclopedia: Ghulam Ali (Site not responding. Last check: )
		Ghulam Ali (1940-) is a famous Pakistani ghazal singer of Patiala Gharana.
		Ghulam Ali was born in the village of Kaleke, Sialkot, now in Pakistan.
		At the age of 15, Ghulam Ali became a disciple of the legendary classical singer Bade Ghulam Ali Khan, who was a master of the Patiala Gharana.
	www.nationmaster.com /encyclopedia/Ghulam-Ali (938 words)

	Ghulam Abbas
		Ghulam Abbas’ tabla is the embodiment of the traditional tabla of Punjab as espoused by the late Khalifa of the Punjab gharana, Ustad Miyan Qadir Baksh.
		Ustad Ghulam Hasan Khan (aka Kuk Khan) was born in Dina Nagar, Punjab.
		Ustad Ghulam Hasan Khan was a representative of the style of tabla known as “maidan ka tabla” in which the masters of old would gather regularly to show off their newest forays into the world of rhythm by presenting their newest compositions, techniques, and ideas to their fellow tabla and pakhawaj masters.
	www.ghulamabbas.com /home.htm (750 words)

	singer-ghulam-ali (Site not responding. Last check: )
		He belongs to a musical family, his father was vocalist and sarangi player Ghulam Ali got his initial musical training from his father.His father would teach him by keeping small green leaves over the harmonium keys and marking them with a ballpoint pen.
		Ghulam Ali encountered Ustad Bade Ghulam Ali Khan, an unparalleled legend of classical music fro the first time, when he was a 15-year-old boy.
		Bade Ghulam Ali Khan had three brothers, Barqat Ali Khan, Mubarak Ali Khan and Amanat Ali Khan, all of whom were renowned classical musicians.
	www.hindilyrix.com /singers/singer-ghulam-ali.html (1011 words)

	An ustad's legacy (Site not responding. Last check: )
		Bade Ghulam Ali Khan's enduring contributions to the world of Hindustani music and to the singing of the thumri, the bhajan and folk tunes are in focus in this, his birth centenary year.
		Bade Ghulam Ali Khan admitted that it was his early felicity with the sarangi that influenced his musical articulateness profoundly and later, his ability to execute difficult but exceedingly fluent and sonorous taans.
		Ghulam Ali Khan made his first bow before the public in a Delhi durbar, organised in honour of the Prince of Wales by the British government and the princely states in the early 1920s.
	www.cis.ksu.edu /~ab/Miscellany/badegulam.htm (2025 words)

	SSOT - Ustad Baray Ghulam Ali Khan
		When Baray Ghulam Ali was stricken with paralysis in 1961 his admirers all over the country felt deeply grieved not only for themselves, but even more for the great Ustad for whom life without music would be nothing better than the silence of the tomb.
		Ghulam Ali also had the privilege of receiving talim from Ashiq Ali (who belonged to the Gharana of Tanras Khan), and from the late Baba Sinde Khan.
		A remarkable fact in Baray Ghulam Ali's life was his transformation, in the early part of his life, from the role of a Sarangi player to that of a vocalist.
	www.sitarschool.com /us3.html (2212 words)

	Ustad Bade Ghulam Ali Khan - Regal Resonance / cdRoots
		In Indian vocal music, Bade Ghulam Ali Khan (1902-1968) is recognized as an artists who has restored verve and vigour to the singing tradition of North India and who many years after his death continues to be cited as a key reference point.
		In the second, the whole range of Bade Ghulam Ali Khan’s interpretative powers are displayed in the thumri genre which is just as accessible as the khayal, and equally adept in focusing on the passing feeling of the moment, the sentiment that issues from the act of improving and embellishing on traditional forms.
		The spontaneity with which he tackles these two ragas, accompanied by the second voice of his son Munawar Ali Khan, is testament to a purity and intensity of which only the greatest innovators are capable.
	www.cdroots.com /rd-regal.html (487 words)

	More about Ghulam Ali
		Ghulam Ali was born in 1940, at village Kaleke, district Sialkot, which is now a part of Pakistan.
		Ghulam Ali has a heavy, baritone voice, and while rendering ghazals he creates an effect which is simply out of this world.
		Ghulam Ali is equally sensitive about the rhythm and technical virtuosity of the ghazals.
	www.geocities.com /technofundo/fun/music/ga/gamore.html (1029 words)

	Homage to Ustad Bade Ghulam Ali Khan : Audiorec[indian music store]
		The collection is a tribute by Ustad Munawar Ali Khan, accompanied by his son Raza Ali Khan, to his mentor and guru, the legendary Ustad Bade Ghulam Ali Khan who reigned supreme as a highly original classicist.
		Ustad Munawar Ali Khan and Raza Ali Khan is obviously at home in repertoire and sing with a nice rhythmic feeling as well as plenty of fervour.
		The music on this set is sung by Khan and his son, both of whom are carrying on a house-style going back a long time in history: their vocal agility puts many singers to shame.
	www.audiorec.co.uk /newprdtls.asp?id=51 (370 words)

	The Hindu : Metro Plus Kochi : Transcending man made borders
		Ghulam Ali came by, quietly, traveller-like, sang and flew back even before the city woke up from the nasha of the previous evening's concert.
		Ghulam Ali was never like the other ghazal singers of his time.
		What makes Ghulam Ali's compositions special is his perfect understanding of the poetry, the soul of a ghazal.
	www.hindu.com /mp/2006/12/30/stories/2006123002620100.htm (836 words)

	Bade Ghulam Ali Khan - Tribute to a Maestro
		Ghulam Ali was initiated into vocal music as well as the sarangi at a very early age, mainly by his uncle Kale Khan.
		Bade Ghulam Ali had a unique voice, a wide range spanning three octaves, effortless production, all-round sweetness and unparalleled flexibility and ease of movement in all tempi.
		After the partition, Ustad Bade Ghulam Ali used to visit India from Lahore but owing to his growing popularity and the mass adulation he enjoyed in India, he became its citizen in 1958.
	www.itcsra.org /tribute.asp?tribute=4 (682 words)

	Ustad Bade Ghulam Ali Khan - Regal Resonance (Site not responding. Last check: )
		In the ambit of Indian vocal music, Bade Ghulam Ali Khan (1902-1968) is universally recognized as an artists who has restored verve and vigour to the singing tradition of North India and who many years after his death continues to be cited as a key reference point.
		In the second, the whole range of Bade Ghulam Ali Khan's interpretative powers are displayed in the thumri genre which is just as accessible as the khayal, and equally adept in focusing on the passing feeling of the moment, the sentiment that issues from the act of improving and embellishing on traditional forms.
		Considering that the thumri is a genre based on lyrics looking at romantic love from a female perspective, it's curious how well Bade Ghulam Ali Khan (despite his imposing physique and bushy moustache aside) managed over the course of his career to render to perfection the thoughts and feelings of besotted young women.
	www.folktrax.com /felmay/FY8080.php (394 words)

	Ustad Bade Ghulam Ali Khan at AllExperts
		Having lived a life of the greatest and worst experiences, Bade Ghulam Ali absorbed all his mental, physical and spiritual powers into the study and practice of music.
		By 1944, though still in the age of giant personalities like Abdul Karim Khan, Alladiya Khan and Fayyaz Khan, he was considered by many as the uncrowned king of Hindustani music.
		Bade Ghulam Ali Khan was reluctant to sing for film but sang two songs for the movie Mughal-e-Azam where his voice was represented as Tansen's voice by music director Naushad.
	en.allexperts.com /e/u/us/ustad_bade_ghulam_ali_khan.htm (421 words)

	The Telegraph - Calcutta : Opinion
		And, in an analogy which I understood immediately, Kumar Mukherji observes that Bade Ghulam Ali Khan was to the art of the khayal what Syed Mushtaq Ali was to the art of batsmanship.
		Thus Bade Ghulam could so easily lose the thread of a raga, or Mushtaq get out for a quick twenty or thirty when the situation demanded that he play a long innings.
		Like Bade Ghulam Ali, he too was a victim of his own skill and virtuosity.
	www.telegraphindia.com /1060930/asp/opinion/story_6800870.asp (1125 words)

	Kamat Research Database - Tribute to Bade Ghulam Ali Khan (Site not responding. Last check: )
		Bade Ghulam Ali's performance at the darbar of the Prince of Wales, in Delhi, in the early' twenties, was the beginning of his rise to fame.
		While the success of his technique of musical expression can well be judged from the large following he commanded among our up-coming stylists, the characteristic exuberance and freedom of Bade Ghulam Ali's music provoked as much criticism among his detractors as it evoked admiration from his ardent fans.
		Genial and gay, big-built and puffy-faced Bade Ghulam Ali was a composer of high merit.
	www.kamat.com /database/articles/bade_ghulam_ali_khan.htm (616 words)

	Ustad Bade Ghulam Ali Khan : Sabrang - His Life and Music
		Through her close relationship with her guru emerges an evocative account of the world of music in Calcutta, and Khan Sahib’s undisputed place in it.
		Khan Sahib, however, contributed to sing in both the Sufi and the Bhakti traditions.
		The narrative itself is enriched by frequent quotations from Khan Sahib’s lyrics.
	www.easternbookcorporation.com /moreinfo.php?txt_searchstring=3825 (200 words)

	indiayogi.com - Yogi Shop - Classical Vocal - Details of Unforgettable Legends - Bade Ghulam Ali Khan - spiritual shop, ...
		Ustad Bade Ghulam Ali Khan can be described as an artiste who has had the maximum impact on the 20th Century Hindustani Classical Music scenario.
		For Bade Ghulam Ali Khan, ‘Taleem’ was but a means to a greater end where sheer melody and freedom of movement become unified.
		Bade Ghulam Ali Khan passed away prematurely at 66, having given the world less of himself than it would have wished to have.
	www.indiayogi.com /eshop/detail.asp?id=2545 (466 words)

	Ustad Faiyaz Khan Sahib, Sangeeta Bandyopadhyay and others / RootsWorld Recording Review
		Ghulam Ali's exhibitionistic tendencies are somewhat muted; the performance of the night raga Behag is relatively restrained.
		The fast composition which follows is revealed to be a composition of Bade Ghulam Ali Khan (possibly the one we missed from the truncated LP reissue described above) by the incorporation of his nom-de-plume "Sabrang" in the final lines of song text.
		Bade Ghulam Ali has been better represented elsewhere, and Sangeeta Bandyopadhyay is early in her career in a performance culture that has changed immeasurably since the days that Faiyaaz Khan's voice made the lanterns flicker in the courts of princes and maharajas.
	www.rootsworld.com /reviews/faiyaz05.shtml (1472 words)

	Ustad Bade Ghulam Ali Khan Summary
		Bade Ghulam Ali Khan hailed from a West Punjabi family of musical heritage.
		Having lived a life of the greatest and worst experiences, Bade Ghulam Ali absorbed all his mental, physical and spiritual powers into the study and practice of music.
		Bade Ghulam Ali Khan was reluctant to sing for film but sang two songs for the movie Mughal-e-Azam where his voice was represented as Tansen's voice by music director Naushad.
	www.bookrags.com /Ustad_Bade_Ghulam_Ali_Khan (670 words)

	YouTube - Ustad Bade Ghulam Ali Khan - Mian Ki Todi, Bihag, interview
		Ustad Bade Ghulam Ali Khan - Excerpt of Kate Na Birha Ki Raa
		Ustad Bade Ghulam Ali Khan - Excerpt of Raag Basant
		Chupke Chupke Raat Din - Ghulam Ali (Nikaah - 1982)
	youtube.com /?v=Duqmk_44nxg (0 words)

	YouTube - Bade Ghulam Ali Khan
		Together with Ustad Amir Khan the greatest vocalist in Indian music last century.......mesmerizing fluidity of Taans, full voice, sweetnes of aesthetics........
		Mere shauq da naeen aitebaar tenoon - Ghulam Ali
		Phir sawan rutt ki pawan chalee - Ghulam Ali
	www.youtube.com /watch?v=OL3VmTyINUs (0 words)

	sarangi.info » Bade Ghulam Ali Khan
		Salamat Ali & Sharafat Salamat - Gorakh Kalyan
		Kiran Maharaja on Buland Iqbal & Zafar Ali Khan
		Rohit Joshi on Interview with Bade Ghulam Ali Khan
	sarangi.info /bgak (0 words)

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