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Topic: Baillie Scott


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In the News (Mon 28 May 12)

  
  Blackwell the Arts and Crafts House, Lake District - Baillie Scott
Baillie Scott was also to be influenced by the great architects and designers of the day, namely Mackintosh and Voysey.
Baillie Scott described his preferred clientele as "...people with artistic aspirations but modest incomes" and with this in mind he invented a new type of small house by opening up the plan around a spacious living area, and extending the interior into the garden.
Baillie Scott was perhaps better known and more highly regarded in Europe than in Britain and during his career he was commissioned to design a number of important buildings abroad.
www.blackwell.org.uk /bailliescott.shtml   (524 words)

  
 A Baillie Scott Chronology
New location is near to the 'Pyghtle' works of John P. White, for whom Baillie Scott produces designs for a catalogue of 120 pieces of furniture.
Baillie Scott and Beresford restore their practice, this time as partners, at 8 Grays Inn, Holborn.
Baillie Scott's growing fascination with historic structures sees him restore, first, a seventeenth century house at 8 Quarry Street, Guildford, Surrey and then, between 1920 and 1921, 'Oakhams', a modest, fifteenth century farmhouse off Marsh Green Road, Edenbridge, Kent.
www.scholars.nus.edu.sg /victorian/art/design/bailliescott/chron.html   (939 words)

  
 Mackay Hugh Baillie Scott: An Overview
Mackay Hugh Baillie Scott was born in Kent, the eldest of the fourteen children of a wealthy Scottish landowner with interests in Australia.
In 1889 Baillie Scott married, and went to Douglas, Isle of Man where he set up his own practice as an architect Here he got to know Archibald Knox, the designer, and collaboroted with him an the design of stained glass and fire grates to embellish the houses which he was building on the island
In 1897 Baillie Scott was commissioned by the Grand Duke of Hesse to provide decorations and fumiture for the drawing-room in the Grand Ducal Palace at Darmstadt, which he did in collaboration with C.
www.victorianweb.org /art/design/bailliescott/mhbsov.html   (378 words)

  
 [No title]   (Site not responding. Last check: 2007-10-28)
Baillie had the same ambition as did the famous men around her, but as a woman she had to accept the level of success afforded to women like her, Maria Edgeworth, Felicia Hemans, and others—and, clearly, that was not the same level of success enjoyed by Scott and her other male peers.
Baillie was also far ahead of her time in critical understanding and ambition, and her intimacy with the scientific community instilled in her a penchant for experiment—in her case directed at new ways of writing poems and plays.
Baillie probably did profit from many of Scott's comments, certainly from his experience with publishers, for he suggested how she might negotiate her contract with Longman, and their collaboration was typical for many writers as a significant part of the creative process.
www.alexanderstreet2.com /SWRPLive/bios/S7020-D001.html   (5861 words)

  
 Literary Encyclopedia: Baillie, Joanna
Baillie did not, however, approve of the Byronic hero, as is evidenced in her pointed and witty correspondence with Sir Walter Scott.
Perhaps it was the very stability of Baillie’s serene and secluded life that gave her the courage to depict the darker side of human nature with objective, unflinching honesty and to defend her ethical and artistic principles to the end.
Baillie’s 1831 essay “A View of the general Tenor of the New Testament regarding the Nature and Dignity of Jesus Christ” and the number of hymns and paraphrases of scripture in her 1840 Fugitive Verses testify to her intense exploration of faith after this period of loss.
www.litencyc.com /php/speople.php?rec=true&UID=219   (2093 words)

  
 RCAHMS : highlights
Baillie Scott went on to develop this relatively innovative design feature in his scheme for a series of twinned cottages for the Letchworth Garden City in Hertfordshire (1905).
Baillie Scott also felt it was important to employ local building techniques where possible and therefore the Sandford Cottage was originally thatched, "This little house was built in a district of Scotland where thatching with reeds was still understood, and so this method of roofing was adopted." 1
In 1909/10 Baillie Scott was commissioned to extend the house and a wing was added to the west creating an L-shape plan that incorporated a south-facing courtyard with three arch loggia and a tiled fountain.
www.rcahms.gov.uk /highlightacp2.html   (4869 words)

  
 www.bailliescott.com/2000_007.htm   (Site not responding. Last check: 2007-10-28)
Slater said: 'This is a not too dissimilar Baillie Scott house to the threatened Majestic Hotel, the building we are desperately trying to save from demolition.
He added: 'The great value to me was to feel his enthusiasm for Baillie Scott and his desire to do all he can to help.
This clear, genuine support is both heartening and very encouraging to the developers to incorporate this impressive work into what will become a fine asset to them, the Isle of Man, and the tens of thousands of people worldwide who are increasingly aware of the significance of this giant among architects'.
www.bailliescott.com /2000_007.htm   (285 words)

  
 Baillie Bibliography (Bugajski)   (Site not responding. Last check: 2007-10-28)
States that Baillie's plays are "better suited to the sober perusal of the closet than the bustle and animation of the theatre." Praises Baillie's moral example, Christian faith, and her clear and forceful style.
Uses Baillie as a representative female theatre theorist to demonstrate "the problems women theorists encounter when moving from 'the closet' to engage critics in public space." Emphasizes Baillie's dramatic and theoretical work as a means to examine her negotiation of self and gender representation in public and domestic spheres.
Further argues that Baillie characterizes the "masculine public sphere" as dominated by self-destructive egotism and pride while she portrays the feminine counter-public sphere with a basis in domestic action and nurturing affection.
www.c18.rutgers.edu /biblio/baillie.html   (6232 words)

  
 Heath Close and Waterlow Court
Baillie Scott practised in the Isle of Man until 1903 and there is an element of the Celtic faery in his designs, mingling stark originality with sentimental whimsy.
The courtyard shows Baillie Scott at his starkest, with sheer unbroken white plaster walls and smooth undecorated round-arched cloisters.
What is peculiarly Baillie Scott himself is the softness and gentleness of the proportions; for example, his roofs have a curious comforting depth, which Mr.
www.hgs.org.uk /tour/tour00014000.html   (262 words)

  
 Purcell and Elmslie   (Site not responding. Last check: 2007-10-28)
Baillie Scott's book [Houses and Gardens (1906)] published about this time shows a great deal of what we call plastic treatment of both the larger design elements and of interior finish.
Scott's long rows of casement windows anticipated in no small way the feeling for a new and better relation between living rooms and the out of doors.
Wright undoubtedly knew Baillie Scott's work and recognized that this man was in tune with the vital forces being released in building.
www.organica.org /pejn5_1.htm   (2314 words)

  
 Baillie, Joanna   (Site not responding. Last check: 2007-10-28)
Baillie, daughter of a minister, was born on 11 September 1762 at Bothwell, Lanarkshire.
Baillie's first poetry collection, published anonymously in 1790, was called "Fugitive Pieces" (and has no connection with the novel by Ann Michaels!).
Baillie died in London on 23 February 1851.
www.cartage.org.lb /en/themes/Biographies/MainBiographies/B/bailliejoanna/1.html   (152 words)

  
 Christopher Wood - Art Consultant & Historian
When Scott bought it in 1812, it was only a small farmhouse.
The architect was the new increasingly influential Mackay Hugh Baillie Scott (1865-1945), and it is the first house by him to become a public museum.
Baillie Scott was not trained in a conventional Arts and Crafts background, but he thoroughly absorbed its principles.
www.christopherwoodgallery.com /pages/report.cfm?start=3   (723 words)

  
 Period Property UK - Blackwell
Filled with period detail, the house was designed by Mackay Hugh Baillie Scott as a weekend retreat for Sir Edward Holt, a wealthy Manchester brewer, and his family.
Blackwell is the only Baillie Scott house open to the public and is his largest and most important surviving work in this country.
Although none of the original furniture remains, Baillie Scott's interest in all aspects of the rooms design is apparent.
www.periodproperty.co.uk /ppom072002.htm   (852 words)

  
 Romanticism On the Net 21 (February 2001)   (Site not responding. Last check: 2007-10-28)
Baillie and Scott, among other women playwrights, wrote drama that engaged these interconnected fields of theatre and science, but they did so in ways that challenged the spectral use of bodies, rendering fictive what appeared to be objective, factual, and authentic science.
Baillie and Scott, in particular, expose not only the fictive and theatrical nature of science but also the ways in which staged science functioned as science fiction, popular and powerful in its public presentation.
Baillie and Scott appropriate staged science as techno-gothic drama, specifically charged with scientific ideology, to challenge the roles and afflictions assigned to women by medical and scientific discourses that sought to keep them subordinate to men.
www.erudit.org /revue/ron/2001/v/n21/005968ar.html   (6543 words)

  
 Baillie Scott : The Artistic House   (Site not responding. Last check: 2007-10-28)
Baillie Scott the Artistic House by Diane Haigh Baillie Scott’s long career spanned the years from 1892 to 1939 — several ages in architecture.
The main themes of his agenda — the development of alternative small houses for the average householder, open and spacious planning, continuity of internal and external space, exploration of the rich textures of materials — are as important today as they were in early years of the century.
It reveals for the first time the beauty of Baillie Scott’s architectural works and the fascinating breadth of his theory and practice.
www.familyhaven.com /architecture/architecture45/1854904329AMUS497802.shtml   (218 words)

  
 M Baillie Scott ( - ) Artwork Images, Exhibitions, Reviews
Captain William Baillie, From a Drawing of G. Dou, in the collection of Wm.
Inspired by the monument to the 10,000 Irish emigrants who died in the 1840’s quarantine station of Grosse-Ile, Scott MacLeod’s figurative paintings and drawings are a reminder of the pain, suffering and death of so many who did not survive their...
Scott Alberg, an MFA candidate at The Museum School, will be making his debut in futuremaybe with plastine sculptures of the Space Shuttle Challengerís explosion.
wwar.com /masters/b/baillie_scott-m.html   (1111 words)

  
 Scott Baillie Cars - 1220 Tollcross road, Tollcross, Glasgow, G32 8HH, UK
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You can find details on how you can contact us regarding any questions you may have or for further details on any of the vehicles you've seen in our virtual showroom.
users.autoexposure.co.uk /scottbailliecars   (199 words)

  
 SPA feature
Little is known of what led Mackay Hugh Baillie Scott (1865-1940) from his studies in 'scientific farming and estate management' at the Royal Agricultural College to being articled to the City Architect of Bath.
But Baillie Scott had more innovative ideas in his head than could be explored in such commissions, so he resolved to develop plans for his own house.
The stir it caused is likely to have been every bit as successful in bringing Baillie Scott to public attention, as the blanket coverage of Sarah Wigglesworth's 'Slick and Hairy' house has for her today.
www.spa.uk.net /bs.htm   (675 words)

  
 BBC - Legacies - Architectural Heritage - England - Cumbria - - Article Page 2
In his design, Baillie Scott reinterpreted elements of vernacular architecture to suit his own purposes.
The hub of the house was the main reception room which Baillie Scott described as a "living hall".
Baillie Scott designed Blackwell so all the main rooms were south-facing, the only exception being the drawing room, which faces both south and west and looks out onto Windermere in the distance.
www.bbc.co.uk /legacies/heritage/england/cumbria/article_2.shtml   (309 words)

  
 The Architectural Review: Arts and crafts perspectives. (Arts and Crafts ... @ HighBeam Research   (Site not responding. Last check: 2007-10-28)
Darmstadt is a particularly appropriate place for such a reconsideration, for the last Grand Duke of Hesse, Ernst Ludwig, was a great admirer of the English and in 1898, he asked Baillie Scott and C.R.Ashbee to design two rooms in his Neuer Palais.
But there is an ingenious slide show of Webb's Red House (done for Morris in 1859) and, right at the end of the exhibition, the two most famous entries for the Hans eines Kunstfreundes ideas competition organised by the Darmstadt magazine Innendekoration in 1901.
Baillie Scott won, but his entry has been looked down on since because his outsides were relatively conventional.
www.highbeam.com /library/doc0.asp?DOCID=1G1:16788109&refid=ip_encyclopedia_hf   (874 words)

  
 Romanticism On the Net 12 (November 1998)   (Site not responding. Last check: 2007-10-28)
Subjects include: Edgeworth's visits with Baillie and her sister Agnes (several letters are written from their home), the sisters' hospitality, a trip with Baillie to see Anna Barbauld, a dinner party at which Baillie danced, the Baillie sisters' care for an ailing cat, the many visitors to the Baillies' home, and the sisters' consistent kindness.
Narrates the author's 1835 introduction to Baillie, and describes her as living "exactly as an English gentlewoman of her age and character should live." Also briefly notes an 1838 meeting during which Baillie spoke kindly of Sir Walter Scott and John Gibson Lockhart.
Suggests that Baillie never achieved acclaim beyond the literati, and asserts that praise of her work resulted from Baillie's dramatic ideas, not her execution of them in her plays.
users.ox.ac.uk /~scat0385/bwpbaillie.html   (6901 words)

  
 Obituaries
Baillie, 74, of Freehold, died May 4 at CentraState Medical Center, Freehold Township, after a long battle with heart disease.
He was predeceased by his parents, Mary C. and Walter J. Baillie; his first wife, Gail E. Burke; and a son, Walter Scott Baillie.
Surviving are his wife, Judith A. Baillie; three daughters and a son-in-law, Kathleen and Michael Rossi of Millstone, Dawn Garrett of Wall and Cheri Plamondon of Farmingdale; a sister and brother-in-law, Diane and Robert Rathschmidt of Cream Ridge; four grandchildren; and a niece and nephew, as well as their spouses.
examiner.gmnews.com /news/2004/0617/Obituaries   (486 words)

  
 Isle of Man Government Manx National Heritage: - Mackay hugh Baillie Scott
Baillie Scott is famous for his architecture, interior designs and involvement with the Arts and Crafts movement.
The entries for Scott have been extracted from the original catalogues which are too fragile for use.
Mackay Hugh Baillie Scott (1865 -1945) (267 kb)
www.gov.im /mnh/heritage/library/bibliographies/bailliescott.xml   (1372 words)

  
 Blackwell- The Arts and Crafts House, Windermere, Cumbria   (Site not responding. Last check: 2007-10-28)
It was designed by M H Baillie Scott between 1897 and 1900, and is a superb example of Arts and Crafts movement architecture, with most of the original decorative interiors still intact.
Having assimilated the philosophies of John Ruskin and William Morris, Baillie Scott brought a new approach to the design of the house.
Baillie Scott also designed every detail within the house.
www.visitcumbria.com /amb/blackwel.htm   (323 words)

  
 BBC - Legacies - Architectural Heritage - England - Cumbria - - Article Page 1
It was intended as a weekend retreat for Holt and his family, and demonstrates the aspiration shared by many city industrialists to find an alternative country lifestyle and establish a family seat.
Unfortunately, two fires destroyed most of Baillie Scott's drawings and records, so Blackwell House, the only Baillie Scott building open to the public, is one of the most important surviving examples of his work.
In his writings, Baillie Scott often stressed his idea of "the soul" of a house - a calm, still, quiet earnestness, rather than the showy pretentiousness found in many modern mansions of the time.
www.bbc.co.uk /legacies/heritage/england/cumbria/article_1.shtml   (301 words)

  
 [No title]   (Site not responding. Last check: 2007-10-28)
As Johnstone implies, just as Scott was renowned for the grand historical sweep of his writing and Baillie for her gloomy, dignified tragedies, Grant was known for her work on what she insisted were the simple virtues of traditional Highland life.
If unable to rival Scott in popularity -- with the exception of Byron, no writer of that generation could -- Grant was nonetheless a successful and important figure, and an understanding of her work is necessary in any attempt to develop a full picture of the early nineteenth-century Scottish literary scene.
In part (as she later argued) as a result of her status as a linguistic outsider, the landscape and culture initially failed to appeal, despite the high expectations created by James Macpherson's "translations" of Ossian.[14] Yet she was not entirely a foreigner, as she could claim solid Jacobite and Highland antecedents.
www.alexanderstreet2.com /SWRPlive/bios/S7024-D001.html   (7615 words)

  
 Books, Research and Information - Arts & Crafts Home
Blackwell was designed by arts and crafts architect M.H.Baillie Scott as a holiday home for Edward Holt, the mayor of Manchester, and was completed in 1900.
By dismissing the restrictive Victorian plan in favour of a modern open plan design, Baillie Scott utilised space and light to from the large, yet comfortable and adaptable living spaces seen at Blackwell.
In keeping with the arts and crafts philosophy, Baillie Scott also designed every detail of the house, oak panelling, stained glass, decorative plasterwork, metalwork and fabric designs.
www.achome.co.uk /places/blackwell.htm   (169 words)

  
 Scott Coat of Arms
First found in Roxburghshire where they were seated from early times and their first records appeared on the early census rolls taken by the early Kings of Scotland to determine the rate of taxation of their subjects.
Some of the first settlers of this name or some of its variants were: Nicholas Scot settled in Virginia in 1606; fourteen years before the "Mayflower"; Elizabeth Scot settled in the Barbados in 1667; Goodwife Scott settled in Virginia in 1623.
It is hard to say exactly when man first came to the lands that were to become the British Isles, but it can be said with certainty that Paleolithic tribes were flourishing there by 8000 BC.
www.houseofnames.com /xq/asp.c/qx/scott-coat-arms.htm   (1249 words)

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