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| | Adiós Nonino |
 | | The first is by its composer with his quintet: Piazzolla on bandoneon, Jaime Gosis on piano, Quicho Díaz on double bass, Horacio Malvicino on electric guitar and Simón Bajour on violin, a group which recorded it for the Antar-Telefunken label (Montevideo), in the year 1960. |
 | | And that melodic, touching passage of the composition, almost usually assigned to the strings –which are those most suited to express it-, was in charge of the remarkable interpretation of Simón Bajour, one of the best violinists in tango history. |
 | | The sweetness of his sound, the finesse of his interpretation and his extraordinary sensitivity knew how to understand and express the message of pain that the author left implied on that theme, in an admirable way. |
| www.todotango.com /english/biblioteca/cronicas/adios_nonino.html (833 words) |
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