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| | Tokugawa Bafuku |
 | | The Tokugawa bakufu was not long in recognizing the dangers of this form, and reacting against the hedonistic urban culture in which, as image, the print played a major, structuring role. |
 | | Its initial concerns were for the print as a source of information, and of potential attack against its own authority, though later its attention expanded to focus on the "moral" aspects of the print, and its challenge to official, Confucian values and hierarchy. |
 | | Therefore, although depiction of contemporary figures was prohibited, the bakufu at most times saw no contradiction of the law in the portraits of entertainers (courtesans, actors sumo wrestlers, print artists and gesaku writers) who as hinin ("non-people") were invisible to its gaze. |
| www.artelino.com /articles/tokugawa_bakufu.asp (706 words) |
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