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| | The Adelaide Review [Dance] Delicate balance |
 | | WITH Stephen Page being artistic director of Bangarra Dance Theatre, it was a fair bet that dance would be significant in the 2004 Adelaide Festival, and indeed it formed a strong spine throughout, with five diverse companies. |
 | | In Bangarra Dance Theatre’s triple bill, however, Stephen Page’s Rush (2002) had plenty of substance, challenging the audience with urban Aboriginal problems, especially drug-taking and the dilemma of encompassing both fl and white cultures. |
 | | Bangarra’s program began with Kabar, Kabur (Rumours), a quirky social comment by Indonesian Mugiyono Kasido, who contorted his flexible body and poked hands and feet through the sleeves and neck of his T-shirt in hilarious ways to express his belief that the elements of society, like the body’s, should work in harmony. |
| www.adelaidereview.com.au /archives/2004_04/dance_index.shtml (1115 words) |
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