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| | The Recorder Blues |
 | | Further south, in the Congo-Angola region, where Bantu and pygmy influence was felt, the choral music was among the most highly developed in Africa. |
 | | This, in turn, was reshaped by the need of spirituals to encourage the soul, work-songs to relieve drudgery, field shouts to communicate or relieve loneliness in the vast acreage, ring shouts for emotional Christian worship, jump-ups (short, unrelated lines over chorded accompaniment), narrative ballads, and a pervasive rhythmic percussion of hand, feet, and body. |
 | | In folk music the contrast between relative major and minor is so slight that the modes almost fuse into one. |
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