| |
Barry Hughart, Bridge of Birds |
 | | When approaching the matter of China, Hughart could have gone all mystical and created a China where the folklore becomes almost a religion in and of itself, where we become all too aware of the author having a great reverence for his subject to the point of losing objectivity. |
 | | Hughart manages to bring these two disparate threads together through Number Ten Ox's narrative voice, which is that of a simple peasant who finds all of life a joy to be experienced, even when those experiences are fraught with mortal peril (usually due to Master Li's plans not going exactly as conceived). |
 | | Hughart could easily have bitten off more than he could chew, but in the end, Bridge of Birds manages an amazing feat: to be two books at once, neither one suffering in the process. |
| www.greenmanreview.com /book/book_hughart_bridgeofbirds.html (808 words) |