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Topic: Bartolome Esteban Murillo


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In the News (Mon 28 Dec 09)

  
  BARTOLOME ESTEBAN MURILLO - LoveToKnow Article on BARTOLOME ESTEBAN MURILLO   (Site not responding. Last check: 2007-11-07)
Murillo was needy, and offered his services; after balancing their own poverty against his obscurity the friars bade him begin.
Murillo covered the walls with eleven large pictures of remarkable power and beautydisplaying by turns the strong coloring of Ribera, the lifelike truthfulness of Velazquez, and the sweetness of Vandyck.
In 1648 Murillo married a wealthy lady of rank, Doa Beatriz de Cabrera y Sotomayor, of the neighborhood of Seville, and his house soon became the favorite resort of artists and connoisseurs.
www.1911encyclopedia.org /M/MU/MURILLO_BARTOLOME_ESTEBAN.htm   (4159 words)

  
 Bartolome Esteban Murillo Biography / Biography of Bartolome Esteban Murillo Main Biography
Bartolomé Esteban Murillo was born and died in Seville; he led an uneventful life of professional activity and success within the context of personal goodness and contentment.
Murillo's sacroprofanity, or failure to separate the sacred from the merely human, was as natural as breathing to him and as unquestionably sincere.
Murillo was born of well-to-do parents, Gaspar Esteban, a barber-surgeon, and Maria Murillo, and was baptized on Jan. 1, 1618.
www.bookrags.com /biography-bartolome-esteban-murillo/index.html   (632 words)

  
 Bartolomé Esteban Murillo - Olga's Gallery
Bartolomé Esteban Murillo was the youngest of fourteen children of a Sevillian barber, Gaspar Esteban, and his wife Maria Peres.
Murillo’s elder sisters and brothers were already grown up and could take care of themselves, while the 10 year old Bartolomé was adopted into the family of his aunt, married to a wealthy Sevillian doctor.
Murillo was apprenticed early to a painter Juan del Castillo (1584-1640).
www.abcgallery.com /M/murillo/murillo.html   (227 words)

  
 CATHOLIC ENCYCLOPEDIA: Bartolome Esteban Murillo
His family surname was Esteban; that of Murillo, which he assumed in accordance with an Andalusian custom, was his mother's.
In contrast with Velasquez and the Madrid school, Murillo is wholly a religious painter.
Murillo was the national painter of a country where all sentiment was still merged in the one sentiment of religion.
www.newadvent.org /cathen/10644a.htm   (1439 words)

  
 Bartolomé Esteban Murillo (Getty Museum)   (Site not responding. Last check: 2007-11-07)
The market for Bartolomé Esteban Murillo's pictures was so large and lucrative that the king refused to allow their export from the country.
Murillo's early style was highly realistic, and his models were often local peasants.
In Murillo's last years, the grace and lightness of his "vaporous" paintings gave them a Rococo quality decades before the Rococo style was firmly established.
www.getty.edu /art/collections/bio/a3009-1.html   (222 words)

  
 MURILLO
In this case the peace and serenity that expresses the child with the lamb allowing itself to be caressed, tries to show the pleasure and peace a believer should experience in his faith.
All of Murillo's characteristics are found in this one piece, the vapourous atmosphere, the domination of the childish figure and expression, the detail, the idyllic feminine figure.
Transmission of tranquility, interior peace, Murillo was an expert of the time in expressing devotion in his paintings, he uses the light and dark not only as a technique but also a way to communicate to the onlooker´s soul.
www.spanisharts.com /prado/murillo.htm   (428 words)

  
 Bartolomé Estéban Murillo - Wikipedia, the free encyclopedia
There is an article on the Canadian village Murillo, Ontario, which was named after the artist.
Bartolomé Esteban Murillo (January 1, 1618 - April 3, 1682) was a Spanish painter from Seville.
He excelled in the painting of light clouds, flowers, water, and drapery, and in the use of color.
en.wikipedia.org /wiki/Bartolome_Esteban_Murillo   (142 words)

  
 The Return of the Prodigal Son
Murillo was a member of the Hermandad de la Caridad, a lay brotherhood devoted to acts of charity, and this large canvas was one of a series he painted for the brotherhood's church in Seville.
The brotherhood's leader called them "six hieroglyphs that explain six works of charity." The story of the prodigal son, told in Luke 15:11-32, was commonly used in the seventeenth century to focus on themes of forgiveness and resurrection.
While Murillo's emphasis on the garments is unusual, it does underscore one of the Hermandad's six acts of charity -- to clothe the naked.
www.nga.gov /collection/gallery/gg30/gg30-34972.0.html   (265 words)

  
 Exhibitions   (Site not responding. Last check: 2007-11-07)
Murillo was, during the 18th and 19th centuries, one of the most famous of western European artists.
Murillo's training as a painter was enhanced by the lively artistic environment of 17th-century Seville.
Murillo was particularly admired outside of Spain, from the 17th century on, for his genre paintings.
www.kimbellart.org /exhibitions/past_exhibitions.cfm?id=32   (564 words)

  
 Murillo, Bartolome Esteban. The Columbia Encyclopedia, Sixth Edition. 2001-05   (Site not responding. Last check: 2007-11-07)
From 1670 to 1682, Murillo painted many of his major religious works, including those for the Charity Hospital and for the Capuchin convent (Seville Mus.).
Murillo’s greatest works include his fine portraits—e.g., Don Andrés de Andrade y la Col (Metropolitan Mus.) and Knight of the Collar (Prado)—and his naturalistic genre paintings, such as Girl and Her Duenna (National Gall., Washington, D.C.) and Peasant Boy (National Gall., London).
While Murillo’s work is best seen in Seville, fine examples are in the Prado and the Louvre, and in the New York, Detroit, Sarasota, and Cincinnati museums.
www.bartleby.com /65/mu/Murillo.html   (326 words)

  
 CGFA- Bio: Bartolomé Esteban Murillo
Bartolomé Estéban Murillo was a Spanish painter of religious and secular subjects, born in Seville.
Murillo was the first president of the Seville Academy, founded in 1660.
Murillo's works prefigure the development of European and especially Spanish painting in the 18th and 19th centuries.
cgfa.dotsrc.org /murillo/murillo_bio.htm   (231 words)

  
 Bartolomé Esteban Murillo - Biography   (Site not responding. Last check: 2007-11-07)
Murillo's career is tied to Seville, the city where he lived and died.
In 1645, Murillo received his first known commission from one of the many local religious institutions of Seville, which were to be the mainstay of his career.
During the 1650s Murillo's fame increased rapidly, and he was employed to make paintings for the Seville Cathedral, which established his preeminent position among the local painters.
www.bonus.com /contour/national_gallery/http@@/www.nga.gov/cgi-bin/pbio?22950   (281 words)

  
 Murillo, Bartolomé Estéban on Encyclopedia.com   (Site not responding. Last check: 2007-11-07)
Bartolome Esteban Murillo (1617-1682): Paintings from American Collections.
Arts: Children of a lesser Goya; Murillo was once counted among Spain's foremost artists, though his star has long since waned.
Away from the chocolate box; Murillo's numerous depictions of children at play marked a new chapter in painting, but are now often dismissed as little more than saccharine fluff.
www.encyclopedia.com /html/m/murillo.asp   (587 words)

  
 AllRefer.com - BartolomE EstEban Murillo (European Art, 1600 To The Present, Biography) - Encyclopedia
BartolomE EstEban Murillo[bArtOlOmA´ AstA´bAn mOOrE´lyO] Pronunciation Key, 1617?–1682, Spanish religious and portrait painter.
In 1682, while working on the Marriage of St. Catherine for the Capuchin church of CAdiz, Murillo fell from a scaffold and died as a result of his injuries.
Murillo's greatest works include his fine portraits : e.g., Don AndrEs de Andrade y la Col (Metropolitan Mus.) and Knight of the Collar (Prado) : and his naturalistic genre paintings, such as Girl and Her Duenna (National Gall., Washington, D.C.) and Peasant Boy (National Gall., London).
reference.allrefer.com /encyclopedia/M/Murillo.html   (440 words)

  
 WebMuseum: Murillo, Bartolomé Esteban   (Site not responding. Last check: 2007-11-07)
Because Murillo did not put a date on most of his paintings, these changes in his style are often used to determine the order in which he painted them.
Among the pictures painted when Murillo was a youth are several affectionate studies of the ragged boys and the flower girls of Seville.
Murillo was buried in the church of Santa Cruz in Seville.
www.ibiblio.org /wm/paint/auth/murillo   (443 words)

  
 UAH: News & Events   (Site not responding. Last check: 2007-11-07)
In this presentation, Nancarrow interprets how Bartolomé Esteban Murillo's endearing religious paintings depict the societal expectations for Spanish men, women, and families in Spain in the late 17th century, a period of tremendous social and political flux.
Nancarrow's presentation suggests that Murillo's art was conceived for theological reasons, but also to reconfirm established gender roles with the goal of preserving and protecting the established social order.
Murillo's youthful Virgin Mary, cozy Holy Family, and seductive virgin martyrs functioned to promote an agenda of conservative Catholic family values during a period of social unrest that was generating unease at all levels of Spanish society.
www.uah.edu /News/2003news/murillo.html   (402 words)

  
 Bartolomé Esteban Murillo   (Site not responding. Last check: 2007-11-07)
Murillo was his mother's name, Esteban his father's.
The development of Murillo's style was divided into three phases,the frío, cálido and vaporoso.
Murillo probably kept a small studio practice; works attributed to his assistants Juan Simon Gutiérrez and Francisco Meneses Osorio are separately catalogued.
www.wallacecollection.org /c/w_a/p_w_d/s/a/murillo.htm   (314 words)

  
 Biography
Murillo also painted genre scenes of beggar children that have a similar sentimental appeal, but his fairly rare portraits are strikingly different in feeling - much more sombre and intellectual (an outstanding self-portrait is in the National Gallery, London).
In 1660, with the collaboration of Valdés Leal and Francisco Herrera the Younger, Murillo founded an academy of painting at Seville and became its first president.
He died at Seville in 1682, evidently from the after-effects of a fall from scaffolding.
www.wga.hu /bio/m/murillo/biograph.html   (329 words)

  
 Malaspina Great Books - Bartolome Esteban Murillo   (Site not responding. Last check: 2007-11-07)
Velazquez, the king's painter and the friend of Olivares, was himself a native of Seville; he welcomed his young compatriot and gave him the entree to all the royal galleries, where Murillo saw the masterpieces of Titian, Veronese, Tintoretto, and Rubens, not to mention Velazquez himself.
In contrast with Velazquez and the Madrid school, Murillo is wholly a religious painter.
Murillo has treated this theme more than twenty times, without repeating himself or ever wearying: six versions at Madrid,; six others at Seville,; the famous Louvre picture (dated 1678), and still others scattered over Europe -- all these did not exhaust the painter's enthusiasm or his power of expressing apotheosis.
www.malaspina.org /home.asp?topic=./search/details&lastpage=./search/results&ID=625   (3940 words)

  
 Bartolome Esteban Murillo (1618 - 1682) Artwork Images, Exhibitions, Reviews
Murillo died from a fall while painting an altarpiece in 1682.
Bartolome Esteban Murillo - The Blessed Giles Levitating before Pope Gregory IX c.
Bartolome Esteban Murillo - St. Thomas of Villanueva Dividing His Clothes Among Beggar Boys c.
wwar.com /masters/m/murillo-bartolome_esteban.html   (1020 words)

  
 The Christ Child as the Good Shepherd (Getty Museum)   (Site not responding. Last check: 2007-11-07)
Bartolomé Esteban Murillo barely suggested the Christ Child's head, which seems almost to emerge from a void determined by his hair and clothing, and jotted in only the barest of settings, a slightly scribbly ground.
Known and admired for his idealized portrayals of children, Murillo often drew and painted scenes of the infancy of Christ, here identified by a shepherd's staff.
Murillo drew this sketch on the back of a letter; the verso bears extensive writing in brown ink.
www.getty.edu /art/collections/objects/o463.html   (162 words)

  
 LACMA: Press Release   (Site not responding. Last check: 2007-11-07)
The paintings in the exhibition represent the stylistic development and thematic variety of Murillo’s oeuvre, and also illustrate an important chapter in the history of taste and collecting in America.
It is a poignant closure to an overview of Murillo’s long career, and reflects the evolution of his style.
Bartolomé Esteban Murillo (1617­1682): Paintings from American Collections will be on view at LACMA from July 14 to October 6, 2002.
www.lacma.org /info/press/murilloPR.htm   (1096 words)

  
 Bartolome Esteban Murillo Online
Bartolome Esteban Murillo at the Louvre Museum, Paris
Bartolome Esteban Murillo at the National Gallery, London, UK North Carolina Museum of Art
Bartolome Esteban Murillo at the Prado Museum, Madrid
www.artcyclopedia.com /artists/murillo_bartolome_esteban.html   (381 words)

  
 Annunciation by MURILLO, Bartolomé Esteban
She is not shown in the thralls of mystical rapture, nor in those of devotion.
Murillo's Mary is a very young woman with an almost childlike face, who is kneeling at her prie-dieu, her eyes cast pensively downwards.
She has set aside her basket of handiwork and seems to have been disturbed by an angel in the midst of her prayers.
gallery.euroweb.hu /html/m/murillo/1660/annuncia.html   (259 words)

  
 Murillo, Bartolome --  Britannica Student Encyclopedia   (Site not responding. Last check: 2007-11-07)
An artist whose many religious paintings emphasized the peaceful, joyous aspects of spiritual life, Bartolomé Murillo was the first Spanish painter to achieve renown throughout Europe.
In addition to the enormous popularity of his works in his native Seville, Murillo was much admired in other countries, particularly England.
The first person to oppose the enslavement and oppression of the Indians by Spanish colonists in the Americas was Bartolomé de las Casas, a 16th-century missionary and theologian.
www.britannica.com /ebi/article-9275988?tocId=9275988   (574 words)

  
 Bartolome Esteban Murillo
The next great 17th century Spanish master after Velazquez and Zurbaran is another artist who lived in Seville, Bartolome Esteban Murillo.
Sadly, Murillo is easy to misjudge; at his weakest, which is not all that infrequent, he has a softness that can only be called sentimental.
The girl, who is the emotional center of the picture, looks out at life with ironic detachment, but Murillo, and the older woman, know that her practical options are severely circumscribed.
www.artchive.com /artchive/M/murillo.html   (419 words)

  
 KEY Magazine Fort Worth - Issue
"Bartolome Esteban Murillo (1617-1682): Paintings from American Collections" features 34 paintings from the golden age of Spanish painting, drawn from the numerous outstanding examples of Murillo's work in American museums and private collections.
With the exception of a visit to the court of Madrid in 1658, Murillo spent his very productive life in his native Seville, where he created a number of religious paintings for its monasteries and churches, as well as works for a circle of private patrons.
The Return of the Prodigal Son, this page, is one of eight pieces Murillo did for the church of the Hospital of Charity in Seville.
www.keymagfw.com /0302/art1.html   (326 words)

  
 Alibris: Bartolome Esteban Murillo
by Stratton-Pruit, Suzanne, and Murillo, Bartolome Esteban, and Stratton-Pruitt, Susanne
Yet little has been written about Murillo, and this splendid volume -- which accompanies the first-ever exhibition of his paintings in American collections -- is the only...
by Murillo, Bartolomé Esteban, and Brown, Jonathan, and Princeton University.
www.alibris.com /search/books/author/Bartolome_Esteban_Murillo   (173 words)

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