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Topic: Bartolomeo Tromboncino


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In the News (Tue 16 Jul 19)

  
  Bartolomeo Tromboncino: Biography - Classic Cat
Bartolomeo Tromboncino (c.1470 – 1535 or later) was an Italian composer of the early Renaissance.
From 1502 Tromboncino was employed by the even more infamous Lucrezia Borgia in Ferrara, where he wrote music for the famous intermedi of her opulent court, and most significantly for her wedding to Alfonso d'Este.
The poetry that Tromboncino set tended to be by the most famous writers of the time; he set Petrarch, Galeotto, Sannazaro and others; he even set a poem by Michelangelo, Come haro dunque ardire, which was part of a collection Tromboncino published in 1518.
www.classiccat.net /tromboncino_b/biography.htm   (565 words)

  
  Renaissance Music / Circa 1500 - Chandos Records - CHA 0524 - 095115052426 - H&B Recordings Direct   (Site not responding. Last check: 2007-10-29)
Bartolomeo Tromboncino (circa 1470 - circa 1535)
Bartolomeo Tromboncino (circa 1470 - circa 1535): Virgine bella
Bartolomeo Tromboncino (circa 1470 - circa 1535): Ostinato vo'seguire
www.hbdirect.com /album_detail.php?pid=38142   (194 words)

  
 Frottola - Wikipedia, the free encyclopedia
It was an important predecessor not only to the madrigal, but to much later practices in the Baroque era such as monody, since it anticipates chordal accompaniment, has the melody in the highest voice, and shows an early feeling for what later developed into functional harmony.
The most famous composers of frottola were Bartolomeo Tromboncino and Marchetto Cara, although some of the popular secular compositions of Josquin (for example Scaramella and El Grillo) are stylistically frottolas, though not in name.
Except for Tromboncino and Cara, who were extremely famous, very little is known about these composers; in many cases only their names survive, and those because Petrucci, the prominent Venetian publisher, included their names in collections containing their music.
www.encyclopedia-online.info /Frottola   (344 words)

  
 Bartolomeo Tromboncino -- Facts, Info, and Encyclopedia article   (Site not responding. Last check: 2007-10-29)
Bartolomeo Tromboncino (c.1470 – 1535 or later) was an (A native or inhabitant of Italy) Italian composer of the early (The period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries) Renaissance.
From 1502 Tromboncino was employed by the even more infamous (Italian noblewoman and patron of the arts (1480-1519)) Lucrezia Borgia in Ferrara, where he wrote music for the famous (additional info and facts about intermedi) intermedi of her opulent court, and most significantly for her wedding to Alfonso d'Este.
Sometime before 1521 he moved to (The provincial capital of Veneto; built on 118 islands within a lagoon in the Gulf of Venice; has canals instead of streets; one of Italy's major ports and a famous tourist attraction) Venice, where he most likely spent the remainder of his life, seemingly in rather more placid circumstances.
www.absoluteastronomy.com /encyclopedia/b/ba/bartolomeo_tromboncino.htm   (610 words)

  
 Bartolomeo Tromboncino Biography - AOL Music
Besides being one of the earliest composers to use this form he did so with polyrhythmic settings, an innovation considering the conventions of the times.
Tromboncino composed approximately one hundred and seventy frotollas but many were not copied due to an application for a patent to Lorrenzo d'Medici that may have been granted.
Sacred works by Tromboncino included seventeen laude in basic homorhythmic textures with complementary sections scored polyrhythmically.
music.aol.com /artist/bartolomeo-tromboncino/174591/biography   (118 words)

  
 HOASM: The Frottolists
These composers, Bartolomeo Tromboncino and Marco Cara, were the direct cause of Mantua's renown as the center of the new art.
Tromboncino, who was a man of stormily emotional temperament, often found himself in trouble, eventually murdering his unfaithful wife and her lover.
Although Tromboncino, Cara, and their fellow frottolists were essentially composers of secular music, they wrote some church music also.
www.hoasm.org /IIIG/IIIGFrottolists.html   (1996 words)

  
 Bossinensis 1509: Thematic Index
A ---------------------------------------------------------------- d -----------------3---------------------------------------------- g -3-----2-----0---------------0------2--------2------------0----- b -----------------------3--1--3------1-----0--1--3--------------- e'-1-----1---------1--0------------------------------0--1---3----- a'---------------------------------------------------------------- NOTES: signed B.T. [Bartolomeo Tromboncino] at top of folio; to be preceded by ricercari numbers 6, 7, 11, 16, 21, or 25 --------------------------------------------------------------------------- SOURCE: Bossinensis 1509 (f.
A -------------------------------------------------------0----- d ----------2----------------0--------2---------3-------------- g -2-----------------2-----------------------------------2----- b -----------------------1----------------3--1--0---0---------- e'-0-----2------3----------------1----0------------------------ a'------------------------------------------------------------- NOTES: signed B.T. [Bartolomeo Tromboncino] at top of folio; to be preceded by ricercari numbers 1, 5, 8, 10, 12, 13, or 19 --------------------------------------------------------------------------- SOURCE: Bossinensis 1509 (f.
D -------------------------------------------------------------------------- G -------------------------------------------------0---2-------2------------ c -0-----0---0---0---0----0-----0-----2---0----2-----------2----------2----- e -3-----3---3---3---3----3-----0-----1---3----1---3---0-------0------1----- a -------------------------------------------------------------------------- d'-------------------------------------------------------------------------- NOTES: signed B.T. [Bartolomeo Tromboncino] at top of folio; to be preceded by ricercari numbers 6, 7, 11, 16, 21, or 25 --------------------------------------------------------------------------- SOURCE: Bossinensis 1509 (f.
www.library.appstate.edu /music/lute/16index/tbos09.html   (4180 words)

  
 Bartolomeo Tromboncino Biography - famous Bartolomeo Tromboncino Classical collection and Bartolomeo Tromboncino Music ...   (Site not responding. Last check: 2007-10-29)
Known in particular as a composer of frottolas, secular songs of the time, Tromboncino was associated for much of his life with the court of Mantua.
He was pardoned for the excusable murder of his wife caught with a lover, but not forgiven for final unauthorised absence that took him, as on earlier occasions, to Venice.
Tromboncino's frottolas survive in a number of varied sources and include settings of poems by major Italian poets of the day, as well as works suitable for inclusion in theatrical contexts.
www.naxos.com /composerinfo/1059.htm   (122 words)

  
 Mignarda Editions by Ron Andrico
Several vocal settings are paired with intabulations for lute solo of the same piece, either from original sixteenth century sources or arranged by the editor for performance purposes.
Hippolito Tromboncino, a mid-sixteenth century Venetian singer/lutenist, is overshadowed by and often mistaken for his more colorful predecessor, Bartolomeo.
His imaginative and highly decorated lute songs, found in the Bottegari manuscript, appear to represent the oft-depicted sixteenth century practice of playing the lower voices of a madrigal on the lute while singing an ornamented version of the superius.
mignarda.eglanteria.com /editions   (746 words)

  
 Non e' tempo d'Aspettare
Bartolomeo Tromboncino (c.1470-c.1535): Lacryme e vol sospir (voice, 3 viols, lute, cornet, dulcian)
The two main composers in the genre, Marchetto Cara and Bartolomeo Tromboncino, were both from Verona and both were associated with the court of Isabella d'Este.
She is thus seen as central to the development of the frottola.
www.medieval.org /emfaq/cds/svs33516.htm   (549 words)

  
 MUSL 242: The Musical Court of Lucrezia Borgia   (Site not responding. Last check: 2007-10-29)
Bartolomeo Tromboncino moved from the court of Isabella d'Este, Lucrezia's archrival, to Lucrezia's court in 1505.
He was a reknowned frottolist, lutenist, and was the highest paid musician in the court.
Tromboncino was the only Italian frottolist outside Rome or Naples to compose frottolas with Spanish texts.
www.vanderbilt.edu /htdocs/Blair/Courses/MUSL242/f98/borgia.htm   (1002 words)

  
 Duo Liveoak Cds   (Site not responding. Last check: 2007-10-29)
There are two stately anonymous songs from the court of Ferdinand and Isabella, taken from the "Cancionero de Palacio," a love song for Knowles, "Si d'amor pena sentí s," and "De la vida deste mundo," for Wallace, cautioning against covetousness.
A highlight here is Tromboncino's "Quasi sempre," which finds the lovers elatedly cooing at each other.
A lover presses his suit with determination in Tromboncino's "Ostinato vo seguire," a florid solo for Wallace.
www.theatrescene.net /ts/articles.nsf/MSolo/DE3BD3576C2D5CF785256F810077DAF6?OpenDocument   (722 words)

  
 englensemble
Les Nations main field of study is the music from Renaissance and early Baroque Era.; particular attention is devoted to music for winds and wind ensembles, with and without voices.
The group has made the first world recording of Bartolomeo Tromboncino sacred works Instruments and voices for this recording have been choosed according to northern italian performance practice of early Renaissance, trying in particular to reproduce the sound of the Venetian ‘processioni’.
A new recording of Tromboncino secular music on latin text has been published in 2001: in 2002 Les Nations has recorded a CD of sacred music by the renaissance composer Costanzo Porta; for 2004 is in preparation a recording of the baroque Oratorio 'Il transito di S. Giuseppe', by Giovanni Paolo Colonna.
www.angelfire.com /la/lesnations/englensemble.html   (242 words)

  
 CDCOLLF
Tromboncino, Bartolomeo: Quanta mai leggiadria (from il Libro del Cortegiano), vocal
Tromboncino, Bartolomeo: Poi chal fin (from il Libro del Cortegiano)
Tromboncino, Bartolomeo: Tu dormi (from il Libro del Cortegiano)
userpage.fu-berlin.de /~history1/cdcollf.htm   (5624 words)

  
 Fire and Ice - Love Songs from 16th Century Venice - Reviews
Some of the composers are anonymous, but even those who are not - such as Bartolomeo Tromboncino and Marco Cara - are hardly household names.
But their music is most attractive, and in these performances, which communicate an infectious sense of enjoyment and enthusiasm, makes thoroughly satisfying listening.
Su, su, leva [frottola à 4]: Bartolomeo Tromboncino (c.1470-1535)
www.signumrecords.com /catalogue/sigcd035/reviews.htm   (469 words)

  
 cantar alla pavana
Bartolomeo Tromboncino Facto son per affanni ombra sí oscura (canzone)
Bartolomeo Tromboncino Poi che volse la mia stella (intavolatura per liuto di Joan Ambrosio Dalza)
Bartolomeo Tromboncino Occhi mei lassi, mentre ch’io vi giro (canzone)
www.consortveneto.it /testi/cantar_alla_pavana.htm   (139 words)

  
 Rolling Stone : Nella Anfuso: Il canto Il Canto alla Corte di Isabella D’Este (1474-1539) : Music Reviews
Bartolomeo Tromboncino - Tu dormi io veglio a la tempesta e vento - Strambotto -
Bartolomeo Tromboncino - Zephiro spira e'1 bel tempo rimena - Strambotto - Libro
Bartolomeo Tromboncino - Che debo far che me consegli Amore - Canzone di F. Petr
www.rollingstone.com /artists/nellaanfuso/albums/album/7149472/il_canto_il_canto_alla_corte_di_isabella_deste_14741539   (295 words)

  
 Classics Today.com - Your Online Guide to Classical Music
The title of the CD (and contrary to the two-disc jewel-box packaging, this is only a single CD) comes from a lauda by early-16th century composer Bartolomeo Tromboncino.
These pieces tend to be characterized by strong rhythms and prominent melodies; the laude are devotional songs with sacred texts.
Several solo songs are performed by soprano Carolyn Sampson (accompanied by lutenist Robert Meunier), and her clear-focused, golden-toned voice makes a fine complement to Podger's.
www.classicstoday.com /review.asp?ReviewNum=4833   (530 words)

  
 VARIATIONS Sound Recording bhw1503   (Site not responding. Last check: 2007-10-29)
Tromboncino, Se ben hor non scopro el foco
Tromboncino, Non val aqua al mio gran foco
Use of this copy is restricted to authorized computers at Indiana University.
www.dlib.indiana.edu /variations/html/bhw1503.html   (82 words)

  
 The Toronto Consort - The DaVinci Collection
Vale, diva, vale in pace - Bartolomeo Tromboncino
Sú, sú, leva, alza le ciglia - Bartolomeo Tromboncino
El mio amor è intiero amore - Bartolomeo Tromboncino
www.marquisclassics.com /357_davinci.asp   (305 words)

  
 Retrover Bazellette (Opus111: OPS 30-243)   (Site not responding. Last check: 2007-10-29)
Primary composers were Bartolomeo Tromboncino (c.1470-c.1535) and Marchetto Cara (c.
Composers represented in this recording include Tromboncino and Cara as well as Ganassi, Dalza, and others.
The performance practice on the recording is well done (all original instruments, of course).
www.thetomb.org /musica/recommend/retrover_bazellette.htm   (255 words)

  
 Léonard de Vinci – l’Harmonie du monde [JvV]: Classical CD Reviews- Sept 2003 MusicWeb(UK)   (Site not responding. Last check: 2007-10-29)
And both Anne Quentin and Anne Azéma have beautiful voices, very appropriate for this kind of music.
I particularly liked the way Ms Azéma sings Tromboncino’s frottola ‘Non val acqua’.
I am a little surprised, though, that in the vocal pieces of French origin at the end of the CD there is hardly any ornamentation, although these are all strophic.
www.musicweb-international.com /classrev/2003/Nov03/Leonardo.htm   (690 words)

  
 JR.com: Tromboncino: Dulces Exuviae / Baldassari, Les Nations in Music: Classical:
Composer: Bartolomeo Tromboncino (circa 1470 - circa 1535) Period: Renaissance Form / Genre: Frottola
Composer: Bartolomeo Tromboncino (circa 1470 - circa 1535) Period: Renaissance
Composer: Bartolomeo Tromboncino (circa 1470 - circa 1535) Period: Renaissance Form / Genre: Frottola / Psalm
www.jr.com /xs-tromboncino-dulces-exuviae-baldassari-les-nations-in-music-classical--pi!3771669.html   (1104 words)

  
 Amazon.com: La Favola di Orfeo (1494): Music: Bartolomeo Tromboncino,Anonymous,Michele Pesenti,Filippo de ...   (Site not responding. Last check: 2007-10-29)
La Favola Di Orfeo: Tromboncino: Mopso: E'non e tanto il momorio piacevole
La Favola Di Orfeo: Tromboncino - Serafino dall'Aquilano: Orfeo And Choir: O regnator di tutte quelle genti
La Favola Di Orfeo: Tromboncino - Cara: Euridice: Oime, che 'l troppo amore
www.amazon.com /Favola-di-Orfeo-Bartolomeo-Tromboncino/dp/B0000029LO   (1064 words)

  
 Barzellette - Frottole Italiane del Cinquecento / Retrover   (Site not responding. Last check: 2007-10-29)
Composer: Tromboncino, Bartolomeo Conductor: Tapio, Veli-Markus Ensemble: Retrover Ensemble Performer: Cantor, Annemieke Instrument: Alto Period: Renaissance FormGenre: Frottola Country: Italy StudioLive: Studio
Composer: Tromboncino, Bartolomeo Conductor: Tapio, Veli-Markus Ensemble: Retrover Ensemble Performer: Knif, Jonte Instrument: Harpsichord Period: Renaissance FormGenre: Frottola Country: Italy StudioLive: Studio
Composer: Tromboncino, Bartolomeo Conductor: Tapio, Veli-Markus Ensemble: Retrover Ensemble Period: Renaissance FormGenre: Frottola Country: Italy StudioLive: Studio
www.songsearch.com /rel/v2_viewupc.php?storenr=264&upc=70986130243   (753 words)

  
 Amazon.ca: O Lux Beata: Music: Bartolomeo Tromboncino,Jacques Moderne,Antonio de Cabezon,Enriquez de ...   (Site not responding. Last check: 2007-10-29)
Amazon.ca: O Lux Beata: Music: Bartolomeo Tromboncino,Jacques Moderne,Antonio de Cabezon,Enriquez de Valderrabano,Anonymous,Pierre Attaingnant,Claudin de Sermisy,Grant Herreid,Paul Shipper,Thomas Zajac,Becky Baxter
~ Bartolomeo Tromboncino (Composer), Jacques Moderne (Composer), Antonio de Cabezon (Composer), Enriquez de Valderrabano (Composer), Anonymous (Composer), et al.
Composer: Bartolomeo Tromboncino, Jacques Moderne, Antonio de Cabezon, Enriquez de Valderrabano, Anonymous, et al.
www.amazon.ca /O-Lux-Beata-Bartolomeo-Tromboncino/dp/B00003OPAU   (820 words)

  
 BBC - Radio 3 - Through the Night - Part One
Anon: Ar ne kuth ich sorghe non (Formerly I Knew No Sorrow); Jesu Cristes milde moder
Bartolomeo Tromboncino: Frottola 'Per mio ben ti vederei'
Johann Stobaeus: Motets - Audi filia et vide; Tota pulchra es amica mea
www.bbc.co.uk /radio3/throughthenight/pip/ua9aa   (131 words)

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