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 | | But the complex narratives of Egyptian and Assyrian wall reliefs were replaced by a limited, repetitive range: the king enters his palace, gives audience, sits enthroned, is attended by servants or fights a monster; two beasts battle, or endless files of the vanquished bring tribute. |
 | | This reduced content, and a different positioning, show clearly that relief has been deprived of its old informative purpose and is being used in the applied arts tradition, as decoration. |
 | | Ptolemy kept Egypt; the Macedoniain monarchy was confined to Greece, while Seleucus, having ceded the south Afghan and Punjab territories to an Indian prince of the rising Maurya dynasty, Chandragupta, now held an unwieldy empire that stretched from Anatolia and Syria to central Asia and Afghanistan [cf. |
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