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| | village voice > film > by Chuck Stephens |
 | | And though he tooled his movies for mainstream success, Fukasaku's jet-fl satire was every bit as deadly as his art-film contemporary, Nagisa Oshima; the contempt both men held for post-war Japan seemed dark enough to bury the rising sun. |
 | | American audiences never cultivated much awareness of Fukasaku as an auteur prior to the recent revival of his 1960s and '70s yakuza masterworks at festivals and cinematheques, yet he's been hovering around the fringes of our cinematic subconscious for decades. |
 | | Myriad lesser-known yakuza flicks routinely ape the great one's accomplishments as well, but—in a stroke of inadvertent Zen negation—Fukasaku's greatest contribution to the younger generation was probably the film he decided not to direct, Violent Cop, thereby allowing his fill-in, Takeshi Kitano, to light off the first firework of his directing career. |
| www.villagevoice.com /film/0303,stephens,41184,20.html (420 words) |
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