Where results make sense

About us   |   Why use us?   |   Reviews   |   PR   |   Contact us

Topic: Bausch

    Note: these results are not from the primary (high quality) database.

German Cinema - Back in Trouble Bausch recalls that there had been calls for him to make a sequel straightaway, "but that would have been a cheap rip-off and I'd resisted such an idea until two years ago when I was with Thierry van Werveke at the Braunschweig Film festival and we decided to make a second film". This spring saw the shooting on location in Luxemburg and Hamburg of Back in Trouble, Andy Bausch's sequel to his 1988 cult classic Troublemaker, as a coproduction between Hamburg-based Wüste Filmproduktion and the Duchy's Lynx Productions. The central roles of Johnny, Chuck and Jenny are reprised by the original cast members van Werveke (called "my Robert de Niro" by Bausch because they have made over 10 films together), Ender Frings and Nicole Max, with an addition to the trio of Oscar Ortega Sanchez as Chuck's brother Coco. www.german-cinema.de /magazine/1997/03/prodreport/5-produkt_E.html

10.2.r_houston.txt Although Pina Bausch is not solely feminist in her agenda, her feminism cannot be mistaken in the context of the present discussion as a clin d'oeil in the direction of Irigaray, a pupil of Jacques Lacan whom he repudiated because of her feminist approach to psychoanalysis. Bausch's piece invokes moments in the history of psychoanalysis where the relationship between the patient and the psychoanalyst are critiqued, where the notions of cause and effect that support psycholanalytic discourse are examined and questioned, and where definitions of repression and the unconscious are advanced. Bausch's representation of this tendency toward blindness, or refusals to see, is what puts her in tension with the psychoanalytic tradition, among others, in a way that echoes Nietzsche's dismantling of the transcendental in "On Truth and Lies in a Nonmoral Sense": "Truths are illusions about which we have forgotten they are illusions" (81). jefferson.village.virginia.edu /pmc/text-only/issue.100/10.2.r_houston.txt   (3154 words)

Kinoeye Luxembourg: Andy Bausch's Le Club des chomeurs Andy Bausch explains this method and time frame of shooting by the limited budget that was at his disposal. Bausch claims that his "heart goes out to the little man," namely the working class, "because the Luxembourgish people also have other faces" than those represented by the banker stereotype. Andy Bausch in Tageblatt, 9 July 2001, p 13. www.kinoeye.org /04/03/kraus03.php   (3154 words)

Presidential Lectures: Pina Bausch - Bibliography Comments on Bausch's approach to dance theater, her willingness to look at human nature in all its hues, her portrayal of violence, her use of repetition, and the humor and tenderness that is often unrecognized. Proposes that the real significance of Bausch's work is that she broadened the concept of dance and released choreography from its traditional definition of "connected movements." Dance theater developed into something one could define as 'theater of experience', a theater that made reality, communicated in an aesthetic form, tangible as a physical reality. Pina Bausch: teatro dell'esperienza, danza della vita: Atti del Convegno Internazionale, Torino, 2-5 giugno 1992. prelectur.stanford.edu /lecturers/bausch/biblio.html   (1409 words)

Ballet-Dance Magazine - Pina Bausch Tanztheater Wuppertal - Nelken - Sadler's Wells, London Bausch often seems more akin to a visual artist than a choreographer, and you want to treat a single scene of this two-and-a-half hour show as you would a canvas or installation in a gallery. And of course Bausch and her dancers learnt what it was they needed to learn some time ago and started dancing again. Ballet-Dance Magazine - Pina Bausch Tanztheater Wuppertal- Nelken - Sadler's Wells, London www.ballet-dance.com /200503/articles/Bausch20050217.html   (974 words)

National Arts Centre - Centre national des Arts Bausch constructs dances by using repetition as ballast for meaning: by repeating a gesture as simple as fiddling with a lock of hair or crossing a leg, the movement becomes a phrase, and then a dance. Born in Solingen, Germany in 1940, Pina Bausch began her dance studies at the age of 15 at the Folkwang School in Essen, where she studied with several teachers, including the renowned expressionist choreographer Kurt Jooss. Café Müller /Pina Bausch, 1985 / 48 minutes Mirroring themes of love and separation, grief and despair, Pina Bausch dances one of the four characters; a desolate, solitary figure, she is fabulous, with focus and precision in her heart-breaking, slow movements. www.nac-cna.ca /en/dance/pina_bausch.html   (708 words)

LaserMyEye :: Encyclopedia :: Bausch & Lomb Bausch and Lomb, besides being a familiar name for contact lens products, is very active in refractive surgery. Use of this website is subject to LaserMyEye's Terms of Use. They manufacture the Hansatome microkeratomes which are widely used in LASIK. www.lasermyeye.org /encyclopedia/bandl.html   (118 words)

Bausch & Lomb Bausch and Lomb Optical Company (now just Bausch and Lomb, Incorporated), was founded in 1853 by John J. Bausch and Henry Lomb. The company was renamed Bausch and Lomb but was known as the "Triple Alliance" and the new logo featured three prisms, each with the initials of the participating organizations: "B-L", "Z" and "S". Bausch and Lomb concentrated its efforts on making rangefinders, gun sights, binoculars, trench periscopes, search light mirrors, optical glass and other materials for military use. www.surveyhistory.org /bausch_&_lomb1.htm   (450 words)

Andy Bausch - Wikipedia, the free encyclopedia Through his interest in rock music, Bausch came into contact with en.wikipedia.org /wiki/Andy_Bausch   (450 words)

govfilms/luxindustry.html Andy Bausch would certainly have made a great movie out of it, anywee I've been told that he'd make a short of it instead, might just be for the better. Well, the comic may be poor, but it's still the ultimate representative of Luxembourgs culture. www.phi.lu /govfilms.luxindustry.html   (450 words)

Luxembourg film - Wikipedia, the free encyclopedia Troublemaker( http://www.eurofilmfest.org/ecff/projects/p3.lasso?andandnr=78and-nothing) - a review and a biography of Andy Bausch Troublemaker (1988)- a comedy, directed by Andy Bausch and starring This page was last modified 15:02, 26 Oct 2004. en.wikipedia.org /wiki/Luxembourg_film   (450 words)

Presidential Lectures: Pina Bausch Although Bausch trained in New York for three years from 1959-62 during her formative phase as a young dancer, her sensibility is firmly European in the visions of a dark, brooding and tension-filled world her theatre depicts. What has irked American dance critics since Bausch made her U.S. debut in June 1984 at the Olympic Arts Festival in Los Angeles, is not this subject matter of her work so much as her coolly neutral position in regards to the often brutal, aggressive and physically and emotionally cruel episodes in her dances. Bausch's dance works, many of which are evening- long, offer different vantage points on a compelling yet bleak portrait of humanity. prelectur.stanford.edu /lecturers/bausch   (953 words)

Wuppertal on Encyclopedia.com Pina Bausch à Budapest en mai 2000 Pour la 21ème fois depuis la saison 1978-1979, la chorégraphe allemande Pina Bausch et. Pina Bausch en 2000 à Budapest La nouvelle création de la chorégraphe allemande Pina Bausch a été accueillie jeudi soir av. Deux danseurs du Tanztheater Wuppertal de Pina Bausch mercredi soir au Théâtre de la Ville à Paris Trois heures durant, la.. www.encyclopedia.com /html/W/Wupperta.asp   (932 words)

MSN Encarta - Search Results - Bausch Pina Bausch, Pina (1940- ), German dancer, choreographer, and actress, director of the Tanztheater Wuppertal. MSN Encarta - Search Results - Bausch Pina uk.encarta.msn.com /Bausch_Pina.html   (81 words)

Scene4-Ned Bobkoff-Going Up In Smoke Given the paradoxical nature of creativity, the drama of Bausch’s work lies in her steady perception of the clutter in human behavior; the dance is in what moves us. Watching Pina Bausch walk out of a huge screen and down into the audience is like watching the best laid plans of interviewers go up in smoke. Just at the right moment, when things began to feel stiffly academic, Bausch made her move. www.archives.scene4.com /spring-2002/html/nbb-smoke-dec01.htm   (917 words)

Guardian Unlimited Archive Search Bausch herself has never spoken about this probable eating disorder or to what degree it may have influenced themes of gender identity in her work, so exact details of its causes, course or consequences remain obscure. Philippine Bausch was born on July 27 1940, in the small German town of Solingen, not far from Wuppertal, the third child of August Bausch, proprietor of a small hotel and restaurant, and his wife Anita. But these insecurities are always tempered by Bausch's ferocious determination, which pushes her to demand miracles from herself and her dancers: "She works in the rehearsal room from 10 in the morning, and rehearsals don't end till late in the evening," continues Kay. www.guardian.co.uk /Archive/Article/0,4273,4342939,00.html   (3625 words)

SFBG A and E Bausch was probably trying to see whether she couldcatch a glimpse of the people behind the masks. Bausch was escorted through the latter part of the evening by Sara SheltonMann, local choreographer and artistic director of Contraband, and performanceartist Nao Bustamante. Bausch concerns herself almost exclusively with what she sees as ourinability to achieve intimacy. www.sfbg.com /AandE/31/01/100296dance.html   (939 words)

B.co Interview with Pina Bausch Bausch became interested in ``forms, materials'' which later influenced her distinctive sets, such as the sea of flowers in her work Nelken (Carnations), the heaped leaves of Bluebird, the water-flooded stage of Arien, or the mounds of peat in her Le Sacre du Printemps (The Rite of Spring). Bausch still has her own yearnings, among them, to work with dancers in classical companies, to ``learn a lot in other countries. When she graduated, Bausch won a grant to study at the Juilliard School in New York, where her teachers were the choreographers Limon, Paul Taylor and Antony Tudor. www.ballet.co.uk /magazines/yr_02/feb02/interview_bausch.htm   (2089 words)

NPR : Modern Dance Master Pina Bausch's Latest Work Morning Edition, November 16, 2004 · German choreographer Pina Bausch is one of the giant figures of modern dance. Bausch's work gained greater notoriety when director Pedro Almodovar featured one of her dance works in his film Talk to Her. One of Bausch's dance compositions, featured in the opening scenes of the film Talk to Her. www.npr.org /templates/story/story.php?storyId=4172000   (341 words)

Ann Daly: "Mellower Now, A Resolute Romantic Keeps Trying" Bausch once explained about her dancers applies most of all to herself: she is not repeating herself; she is trying again. Bausch's 1996 co-production with several American universities in the Southwest and California, that laid bare the fundamental romanticism of her vision. Bausch continues to probe the human condition, after having explored its foulest, most malignant territories, bespeaks the romantic's refusal to surrender to rational argument. www.anndaly.com /articles/bauschmellower.html   (1545 words)

Ann Daly - "Pina Bausch Goes West to Prospect for Imagery" Bausch's modus operandi since the late 1970's, when she shifted from a traditional choreographic method to a more collective process in which dancers generate raw material, prompted by hundreds of questions, or ideas, posed by her. Bausch is seated at a central table, which is decorated with a vase of flowers, equipped with a smoke-eating ashtray and littered with books (about American Indians, the Los Angeles riots and women on the frontier). Bausch gives notes in the Lichtburg, an old movie house that is now the troupe's rehearsal studio. www.anndaly.com /articles/bauschimagery.html   (1710 words)

Pina Bausch The essence of Pina Bausch, much imitated but never replicated, is not to be found in a press conference or in the morsels that one out-of-practice reporter can salvage from such a group interview, which Bausch has consented to so that she doesn't have to grant additional interviews; ""I'm not a big talker," she says. Bausch, seemingly forever clad in black, leans her chin on one palm, her eyes rolling upwards -- not in exasperation, but as if searching her head for the words -- as long tendrils of smoke spiral from the long cigarette held in her long fingers. Pina Bausch's "Nefes" (Breath), a co-production of the International Istanbul Theatre Festival and Istanbul Foundation for Culture and Arts, receives its French premiere tonight on the Tanztheater Wuppertal at the Theatre de la Ville - Sarah Bernhardt in Paris, where it continues through June 22. www.danceinsider.com /f2004/f0604_1.html   (1470 words)

Pina Bausch and the Tanztheater Wuppertal return to Barcelona in a show dedicated to the world of children · Forum 2004 Pina Bausch and her company were working on it for two years, and were trying to understand the feelings of children, especially “getting close again to things we have forgotten and thanks to them perhaps being able to understand better the world around us”. For Pina Bausch «children are a symbol of hope, they are our origin, and their fragility is also ours, so it is so important we talk about them”. Pina Bausch found the title in a book of stories about a North American Indian which “says it all”. www.barcelona2004.org /eng/actualidad/noticias/html/f042191.htm   (482 words)

The Austin Chronicle Arts: Waves Coming to Shore Bausch's pieces are multi-layered and studded with curious props, ironic twists, and self-revelatory text, much of which is drawn from the personal life experiences of the performers in her company and their responses to the probing questions Bausch poses during the lengthy rehearsal process. Bausch used every element available to the choreographer and theatre artist to create dances -- or works of dance/theatre -- that were epic in every sense of the word. Where Bausch is given adequate resources to explore her vision, American artists struggle for funding and theatre space, a particularly thorny issue in Austin. www.austinchronicle.com /issues/dispatch/1999-10-22/arts_feature.html   (1862 words)

Ballet.co Pina Bausch, Tanztheater Wuppertal Review And typical of Bausch's style, there are interactions between performers and the audience, as in that episode in Act 1 where a sluttish female dancer repeatedly titillates the members of the audience in the front row by asking, "Where do you come from?". For this third season Pina Bausch's company of 22 dancers has brought a two-act work created in 1998 called "Masurca Fogo" (Mazurka of Fire) which was also performed at the Olympic Arts Festival in Sydney last autumn. All in all this was an entertaining dance theatre show, and better than the productions Pina Bausch brought on her company's two previous visits here in the 1990s. www.ballet.co.uk /magazines/yr_01/jun01/kn_rev_pinab_0301.htm   (558 words)

Bausch and lomb - Adaptations Bausch and Lomb (German pronunciation BOWsh and LAWM) is an American Bausch and Lomb are involved in a lawsuit with Novartis which claims to have a Bausch and Lomb Eye Wash Sterile, ophthalmic solution that refreshes, irrigates and cleanses eyes as it removes foreign particles. Bausch and Lomb Incorporated, one of the oldest continuously operating companies in the US Bausch and Lomb traces its roots to 1853, when John Jacob Bausch, www.netdatax.com /?q=bausch-and-lomb   (263 words)

bausch_lomb.htm Bausch and Lomb has recently purchased another several hundred seats of eRoom as a result of the initial experience with the product and is also exploring the possibility of integrating eRoom with other enterprise applications to maximize the collaborative capabilities of eRoom. Bausch and Lomb manages its product lines in three reporting segments: contact lens and lens care, surgical and pharmaceuticals. Bausch and Lomb purchased several hundred seats of eRoom's digital workplace for project team members at over 10 global sites. www.documentum.com /customer_success/success/bausch_lomb.htm   (753 words)

Bausch and Lomb - Information and Resources Bausch and Lomb is a world leader in the R and D, manufacturing, and marketing of contact lenses and many other eye care products. Bausch and Lomb is a world leader in vision care for a reason. Bausch and Lomb boasts revenues in excess of 2 billion USD annually. www.eyeoncontacts.com /bausch-and-lomb.html   (453 words)

German American Corner: Bausch & Lomb Three Bausch and Lomb Super Baltar Lenses were modified for use in the television cameras which sent back pictures until the Ranger crashed on the moon. Bausch and Lomb Incorporated, one of the oldest continuously operating companies in the U.S today. Bausch and Lomb traces its roots to 1853, when John Jacob Bausch, a German immigrant, set up a tiny optical goods shop in Rochester, New York. www.germanheritage.com /biographies/atol/bausch.html   (1527 words)

Try your search on: Qwika (all wikis)

About us   |   Why use us?   |   Reviews   |   Press   |   Contact us   Copyright © 2005-2007 www.factbites.com Usage implies agreement with terms.