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| | Interactive Audio |
 | | I hosted and produced a literary radio program in the eighties for six years; it concentrated on audio writing, ie, material done by people with a background in writing but the material was done for recorded media. |
 | | What is recorded, whether sound or language or image, etc., is inscribed, is 'written' even if it is also 'spoken' or 'drawn' etc., and becomes subject to the same sorts of editing, self-consciously external representation, morphing among like objects, and even blending with unlike objects. |
 | | Lingo is sufficiently powerful a programming language and attentive to audio that it's possible to subvert the dominance of the visual (see the Technotes). |
| www.vispo.com /nio/The_Art_of_Interactive_Audio.htm (5051 words) |
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