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	Ola Bini on Java, Lisp, Ruby and AI
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	ola-bini.blogspot.com (2692 words)

	Metroactive Music \| Jeff Beck
		On previous CDs, Beck has always had at least one other musician serving as a key songwriting collaborator who was involved in writing the material from the ground up.
		The hard-rocking "Earthquake" and "Loose Cannon" are driven by ear-grabbing riffs and spiced by typically fleet-fingered Beck solos.
		One other new twist is Beck's explosive techno treatment of the Muddy Waters' blues classic "Rollin' and Tumblin'." The song features a stormy vocal from British singer Imogen Heap and represents one of the few times since the breakup of the second Jeff Beck group that the guitarist has featured a vocal on a song.
	www.metroactive.com /papers/metro/02.15.01/beck-0107.html (1176 words)

	Jeff Beck - Music Downloads - Online
		Beck stayed with the Yardbirds for nearly two years, leaving in late in 1966 with the pretense that he was retiring from music.
		Beck had intended to form a power trio with Vanilla Fudge members Carmine Appice (drums) and Tim Bogert (bass), but those plans were derailed when he suffered a serious car crash in 1970.
		Beck collaborated with Jan Hammer, a former keyboardist for Mahavishnu Orchestra, for 1976's Wired, and supported the album with a co-headlining tour with Hammer's band.
	musicstore.connect.com /artist/405/Jeff-Beck/1019155.html (773 words)

	Beck, Jeff cds, vinyl records and music albums
		Beck got his start in the Yardbirds, a group that also boasted the one-time membership of Jimmy Page and Eric Clapton.
		Beck experimented with electronic effects and played the snarling, distorted solo on the wonderful "Heart Full of Soul." After leaving the Yardbirds he started the Jeff Beck Group, along with future solo star Rod Stewart on vocals and eventual Rolling Stone Ron Wood on bass.
		Beck continued to grow as a stylist and an innovator after the Jeff Beck Group broke up, but he has never had a vocalist anywhere near as good as Stewart.
	www.musicstack.com /show.cgi?find=beck,+jeff (361 words)

	Jeff Beck.com
		According to the magazine "Beck and his group turn in rapturous performances on material that covers every portion of the guitarist’s career.Beck’s fingerpicking technique, tone and touch have always been astounding, but Official Bootleg demonstrates that, some 40 years into his career, he is a peerless master of his craft".
		Beck proffered melodies followed by amazingly dexterous solos for 90 minutes.Playing a single Fender guitar through four good-sized Marshall amps, he opened with a slide-driven rendition of ‘Beck’s Bolero’ that was a model of economy, a warm-up to the rapid-fire tunes like ‘Scatterbrain’ that would dazzle.
		Jeff Beck is confirmed to appear at the Crossroads Guitar Festival on Sunday 6th June 2004 at the Cotton Bowl Stadium in Dallas.
	www.jeffbeck.com (6898 words)

	Epicurus.com Catalog: Beck-Ola
		If the Jeff Beck Group's 1968 debut, "Truth" is the blueprint for Led Zeppelin's debut as well as much of what we might call hard rock or metal through the '70s (Van Halen, etc) and beyond, "Beck-Ola," the 1969 followup is savage, malevelont, and chaotic, albeit less accessable.
		Beck has switched to a '54 Stratocaster, and "Beck-Ola" suggests Led Zeppelin having a showdown with the Stooges circa "Funhouse." Wood and Stewart wrote most of the material, and it is here that Stewart's songwriting voice (his humor especially) is first evident (check "Spanish Boots").
		There were a couple lineups later in Jeff Becks carear but none of them were nearly as good as the original.
	www.epicurus.com /store/index.php?itemID=B00004U2G3 (987 words)

	RATW: Jeff Beck Article
		Jeff Beck is one of a very few musicians today whose name can conjure up images of a variety of groups with a variety of sounds, a testament to both his versatility as well as his reluctance to settle down with a band.
		Some interesting combinations came up (like Beck, Bogart, Appice & Stewart under the name 'Cactus'), but nothing ever came of them because one fine day, Jeff almost wrote himself a one-way ticket to The Great Gig In The Sky in a car crash and musically, he was irrelevant for two years.
		In a way, it was really weird, `cuz Jeff had convinced himself that the friction of "Rough And Ready" was at least the right path for him, and now he found himself, to his surprise, wanting to rip off thousands of notes in the traditional rock' n' roll manner.
	www.ratw.com /issues/6/jeffbeck.htm (2307 words)

	CD Gallery - Jeff Beck
		Jeff Beck is one of the British guitar heroes that inspired a generation of guitarists.
		I have read that it had a huge effect on Aerosmith's Joe Perry, who to this day admits he is a big Jeff Beck fan.
		Jeff Beck's "Wired" is fusion of jazz and rock with smoking guitar leads.
	ultmetal.tripod.com /jeffbeck.htm (500 words)

	beck music, Compact Discs and Rare CD Singles
		Beck Hansen spent his formative years in coffeehouses creating a suburban, angst-ridden presence that would eventually lead to a multi-platinum career and inspire legions of 7-Eleven slackers.
		With albums like Mutations and Sea Change, Beck has shown that he's just as able to convey the wounds of a broken heart as he is rapping about Cheez Whiz.
		beck bogert & appice - beck bogert & appice upc: 074643214025.
	www.musicstack.com /show.cgi?t=B&find=beck (668 words)

	Beck-Ola \| Funny UK Comedy
		The most annoying thing about what Micky Most did to undermine the rest of the musicians in Jeff Becks band was that it left Rod Stewart with a degree of paranoia about his position in the Faces so that he developed twin track group and solo careers.
		Had the Jeff Beck Group been allowed to develop as a true group who knows what a different slice of musical history we would be looking at now, (much more significant I think).
		If you only know Beck for 'Hi Ho Silver Lining' then you''ll be pleasantly surprised by this heavy offering: opener 'All Shook Up' is great slice of bawdy R'n'B showcasing the talents of pre-Faces Rod Stewart, and the other Elvis cover, 'Jailhouse Rock' is a good, heavy re-interpretation.
	www.funny.co.uk /comedy/prod_0-B0001XLXN4-BeckOla.html (469 words)

	Jeff Beck
		I have seen Beck in concert and he is the most impressive guitar player I've ever seen - his technique is amazing from slide to blues to jazz fusion.
		Beck's guitar skills can lift almost any track (his own rather ordinary "Ice Cream Cakes" for one), but songs like the annoyingly dumb pop "Glad All Over" are still bad.
		Beck's playing strengths are his multitude of ideas, style shifts (Shaft-like, light jazz, slide), but most importantly his ability to coax emotion out of his playing when he wants to ("Cause We've Ended as Lovers" where the guitar pleads for its life, or the forlorn "Diamond Dust").
	jhendrix110.tripod.com /JeffBeck.html (2640 words)

	Jeff Beck: Reviews, Discography, Audio Clips, and more \|\|\| Music.com
		Beck sounds terrific as he reconstructs Gallup's parts, but he doesn't add anything to the originals.
		Jeff Beck's first new studio album in four years found him moving from old keyboard partner Jan Hammer (three tracks) to new one Tony Hymas (five), which turned out to be the difference between competition and support.
		Released in 1975, Beck's fifth effort as a leader and first instrumental album was a marked departure from its more rock-based predecessors.
	www.music.com /person/jeff_beck/1/discography/albums (960 words)

	Jeff Beck
		Despite all this, Beck was climbing to his peak by now, and his flashy brilliance is impossible to ignore - especially on the original numbers: the howling "Ice Cream Cakes"; the soul-drenched "Highways"; and the stately, gut-wrenching, 3/4 time jazz instrumental "Definitely Maybe," which pointed to later triumphs.
		Beck's idea was to cover a whole bunch of tunes by the Gene Vincent band, which featured a lead guitarist named Cliff Gallup who Beck seems to worship.
		Beck's first album of new material in a decade is another collection of instrumentals featuring perpetual sidekick Tony Hymas, who co-produced and wrote almost everything (sometimes with Beck).
	www.warr.org /beck.html (2476 words)

	Jeff Beck: Live, Remastered And Expanded
		Today, at the age of 62, Beck continues to be a source of inspiration for air guitarists far and wide.
		The innate peculiarities of Beckâs guitar playing transcend the backwards guitar on a mono version of âBeckâs Boleroâ and the distorted tones on âHi Ho Silver Liningâ that effectively end the pop phase of his post-Yardbirds career.
		Which, as Beck himself admits, was part of the problem in keeping the Jeff Beck Group together.
	www.allaboutjazz.com /php/article.php?id=24422 (1239 words)

	Jeff Beck: Truth - PopMatters Music Review
		From the start, Beck may have been a more accomplished guitarist than either Page or Clapton, but Beck’s playing lacked the carnal groove of Page’s, and while Clapton may not have turned out to be God, he rightfully gained a reputation for channeling his personal pain into the blues.
		Beck could play pretty much anything, but the fates conspired to keep him from reaching the commercial heights of his Yardbirds brethren.
		As Beck’s post-Yardbirds career was gaining steam, he lost a year recovering from a head injury suffered in a car crash, backed out of playing Woodstock, and lost vocalist Rod Stewart and bass player Ron Wood to the Faces.
	www.popmatters.com /pm/music/reviews/7561/jeff-beck-truth-and-beck-ola (1494 words)

	Jeff Beck
		Beck was born Jeffrey Arnold Beck in Wallington.
		Beck was one of the first electric guitarists in the 1960s to experiment with electronic distortion (most notably in the Yardbirds 1966 album, ''Roger The Engineer''), redefining the sound and role of the electric guitar in rock music and anticipating what Jimi Hendrix shortly thereafter took further.
		Beck's work with the Yardbirds and the Jeff Beck Group's 1968 album ''Truth'' were seminal influences on heavy metal music, which emerged in full force in the early 1970s.
	www.artistopia.com /jeff-beck (536 words)

	Amazon.com: Beck-Ola: Music: Jeff Beck
		While Truth, the first Jeff Beck Group album, has often been touted as the blueprint for Led Zeppelin and much of the bombastic blues rock that followed, the group's sophomore outing arguably comes closer to fitting that bill.
		That tightening of dynamics thus transforms the lovely Hopkins instrumental showcase "Girl from Mill Valley" into a placid island in a sea of greasy grooves.
		Truth gave us Beck's tasteful, if quirky heart, Beck-Ola is a jolt of his prodigious musical libido--and damned if less almost isn't more.
	www.amazon.com /Beck-Ola-Jeff-Beck/dp/B00004U2G3 (214 words)

	AlbumReview:BeckOla - GuitarZone.com \ Guitar Tab Universe
		So Beck is on lead guitar (of course) and he twists the strings and gets exited like a demon, and creates barbed wired like and chromated heavy riffs.
		Very few Europeans have had the chance or opportunity to see this extraordinery band in action; the Jeff Beck Group was busy carving itself a reputation in the US and it was there in front of crowds made up of flabbergasted students that Beck sticks to his guns.
		Left alone, Beck had to cancel their show for Woodstock as he was told that someone was shooting a movie on the site.
	www.guitarzone.com /w/AlbumReview:BeckOla (1030 words)

	Arts \| The Jeff Beck Group, Beck-Ola (Site not responding. Last check: )
		Thirty-five years later, everything is tweaked, polished and tweezered meticulously into place, but Beck-Ola sounds like a bunch of blokes who've staggered out of the pub, and started jamming and inadvertently stumbled against the on switch on the tape machine.
		Beck-Ola was the successor to the Beck group's mighty Truth, recorded when this volatile quintet was on the brink of splitting up, and it proved to be the end rather than a new beginning.
		Beck is in his full fret-wrenching, amp-bursting glory, squirting solos, chords and blasts of jagged noise into any spaces he can find, while if you ever wondered how Rod Stewart became famous in the first place, just listen to the bleeding-throat aggression of his performances here.
	arts.guardian.co.uk /print/0,,4944170-110430,00.html (199 words)

	Guardian \| The Jeff Beck Group, Beck-Ola (Site not responding. Last check: )
		Thirty-five years later, everything is tweaked, polished and tweezered meticulously into place, but Beck-Ola sounds like a bunch of blokes who've staggered out of the pub, and started jamming and inadvertently stumbled against the on switch on the tape machine.
		Beck-Ola was the successor to the Beck group's mighty Truth, recorded when this volatile quintet was on the brink of splitting up, and it proved to be the end rather than a new beginning.
		Beck is in his full fret-wrenching, amp-bursting glory, squirting solos, chords and blasts of jagged noise into any spaces he can find, while if you ever wondered how Rod Stewart became famous in the first place, just listen to the bleeding-throat aggression of his performances here.
	www.guardian.co.uk /print/0,3858,4944170-110430,00.html (199 words)

	Axe Idols Profiles: Jeff Beck
		Beck played with The Yardbirds for nearly two years, leaving late in 1966 under the pretense of retiring from the music business.
		Beck returned several months later with Love Is Blue, although his playing was poor bacuse he hated the song.
		Beck's intention was to form a new power trio with former Vanilla Fudge members Carmine Appice on drums and Tim Bogert on bass, but after recovering from a serious car crash, Beck found that Appice and Bogert had joined Cactus, so he instead formed a new Jeff Beck Group.
	www.angelfire.com /my/riplash/ai_beck.html (612 words)

	JEFF BECK (Site not responding. Last check: )
		Combining extraordinary technique with a predisposition to expand previously defined stylistic boundaries, he blazed path in the latter half of the 1960s that would be traveled by peers such as Jimmy Page, Mick Ronson, and Paul Kossof.
		Beck’s later experiments with blues rock, heavy metal, jazz fusion and new wave rockabilly offered further evidence of his facility in an encyclopedic range of styles.
		Instead, the group recruited the relatively unknown Beck, who immediately positioned himself in the forefront of guitar innovators, emulating the Indian sitar by filtering his guitar through a fuzzbox in "Heart Full of Soul" (Epic 9823; 1965; #9).
	www.shsu.edu /~lis_fwh/book/hybrid_children_of_rock/support/BeckJ.htm (486 words)

	Gibson Backstage Pass August 2006
		Not only did Beck sound radical, he dressed and acted the part, setting the stage for rock-star guitarists to follow, including Jimi Hendrix.
		After playing with the Yardbirds for only 18 months, Beck left the band at the height of their fame to form the Jeff Beck Group with then-unknown pub rockers Rod Stewart and Ron Wood.
		Friends and fans must have shaken their heads in disbelief, but Beck had a vision: take classic Willie Dixon and Howlin’ Wolf numbers, play them slower and louder than anyone had ever dared, add bellowing, sandpaper vocals, and thread his searing Les Paul tones through the whole grinding wall of sound.
	www.gibson.com /backstage/200610/jeffbeck.htm (542 words)

	LegacyRecordings.com: Jeff Beck
		Beck had intended to form a power trio with Vanilla Fudge members Carmine Appice (drums) and Tim Bogert (bass), but those plans were derailed when he suffered a serious car crash in 1970.
		Beck collaborated with Jan Hammer a former keyboardist for Mahavishnu Orchestra for 1976's Wired and supported the album with a co-headlining tour with Hammer s band.
		Beck supported the album with a tour, this time co-headlining with guitarist Stevie Ray Vaughan Again, Beck entered semi-retirement upon the completion of the tour.
	www.legacyrecordings.com /Jeff-Beck.aspx (674 words)

	Compare Prices and Read Reviews on Beck-Ola [Remaster] - Jeff Beck Group at Epinions.com
		Jeff Beck, one of the more underrated guitarists of the sixties, was a member of the Yardbirds, playing alongside future superstar Jimmy Page and replacing future superstar Eric Clapton.
		Beck builds "Plynth (Water Down the Drain)" and "Spanish Boots," (along with most of the songs on the album) with powerful, meaty riffs that hit you with the weight of a giant green apple, Rod Stewart sings his heart out, the other band members match them throughout with pure skill and heart.
		For the most part, Beck's career has been pretty inconsistent since this album; he dabbled in jazz fusion and only sporadically released records from 1970 onward, and he would never again reach the apple-sized heights he had with this album.
	www.epinions.com /content_76172398212 (722 words)

	Jeff Beck - Beck-Ola [Expanded / Remastered] (Album Review)
		As was the case with Truth, Jeff Beck spent very little time planning his sophomore outing Beck-Ola, and his band’s obvious lack of material combined with its inattentive focus continued to hamper its development.
		Hastily constructed by the ensemble — which officially had become The Jeff Beck Group but, nonetheless, was on the verge of collapse — the set never completely gained traction.
		Rounding out the extra selections is a promising rendition of B.B. King’s Sweet Little Angel that was recorded during the sessions for Truth, and although it pales in comparison to the rest of the material on Beck-Ola, its flaws effectively highlight how far the collective had come.
	www.musicbox-online.com /reviews-2006/jeffbeckgroup-beckola.html (362 words)

	Music Review: Jeff Beck - Truth, and The Jeff Beck Group - Beck-Ola Enhanced Editions
		Jeff Beck's original vision of his new group was to make as heavy a noise as humanly possible.
		Beck still continues to wow crowds with his all-style array of guitar ownership.
		Beck himself can be pretty gnarly, but it's always a relatively clean sounding kind of gnarly.
	www.blogcritics.org /archives/2006/10/07/055508.php (3261 words)

	DNK Amazon Store :: Beck-Ola
		Whether it's a cover of an old song or something completely new, Beck finished the sound that he had started on the previous album and, unfortunately, watched as his old bandmate rose to levels of super-stardom.
		Rod Stewart's vocals are incredible, and the heavy riff planted by Beck, not to mention the skillfully played bass by Ron Wood and piano by Nicky Hopkins, is awesome and practically danceable, making a sort of boogie-rock.
		Sometimes I think that Beck and Stewart should have just gone through Elvis's catalogue and covered his songs, because both of them are excellent.
	www.entertainmentcareers.net /book/ProductDetails.aspx?asin=B0001XLXN4 (517 words)

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