| |
| | Neglected Bel Canto Composers |
 | | Instead of ending with the usual solo scene for soprano, as is typical for almost all bel canto operas, its' finale, and dramatic climax is a violent confrontation between Elaisa (La gioconda) and Viscardo (Enzo), which ends with his killing her. |
 | | Of course, many later works were still to display characteristics of bel canto (as does Il giuramento) or to be throwbacks to this earlier era, but the pendulum had begun to swing and, with some exceptions, the prima donna and her final rondo were to become less and less important. |
 | | Another example of the composer's experimentation with form can be seen in the opening scene, where, instead of introducing each, or most, of the principals in separate set pieces, he opens with the usual chorus, gives the tenor and baritone short solos, and concludes with a reprise of a section of the original chorus. |
| www.meyerbeer.com /negl-belcanto.htm (3346 words) |
|