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Topic: Bellamou Messaoud

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	Afropop Worldwide
		She does turn out a couple of pop tracks, notably the fast, keyboard-driven "Mani Man," with its hook refrain, but most of these compositions are moody and static.
		Another rai veteran, trumpet man Bellamou Messaoud, sits in on three tracks.
		His clean, strong lines become that much more poignant when you consider that these two artists both collaborated and feuded famously during the 1960s.
	www.afropop.org /explore/album_review/ID/533/Nouar (268 words)

	Amazon.ca: Nouar: Music: Cheikha Rimitti (Site not responding. Last check: 2007-11-01)
		The title track is a fabulous melodic song, but the rest are more in the percussive, tribal mode, with exotic instrumentation.
		I love the gasba (a type of low-pitched flute) on many of the tracks, and Bellamou Messaoud's trumpet on "Hak Hak", "Osman", and "Khalouhom".
		Also included is a lot of ululation, a sound I find thrilling.
	www.amazon.ca /exec/obidos/ASIN/B0000508JM (420 words)

	arabia
		In 1992 Don Was produced the eponymous LP which included "Didi Didi," a top ten hit in France.
		The synth and bass create an atmospheric drone against which Rimitti, who is in her late seventies, sets up her plaint.
		On the third track, Bellamou Messaoud ("le père du Rai") comes aboard on trumpet.
	www.muzikifan.com /arabia.html (5761 words)

	A Brief History of African Popular Music
		Cheikha Rimitti was the first star, the best known of the "shaabi musicians" who became the soundtrack of Algeria's independence war.
		In the 1960s, trumpet player Bellamou Messaoud coined a westernized form of rai, replete with elements of flamenco, blues, rock, jazz and funk, arranged with guitars, saxophone and accordion.
		He replaced wahrani's qasbah flute with the trumpet.
	www.scaruffi.com /history/african.html (3940 words)

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