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Topic: Bellmark Records

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	Johnny "Guitar" Watson
		Given complete creative control by owner Dick James, Watson rose to the challenge with a series of recordings that merged his blues guitar skills with the emerging funk style, which was rhythmic, laid-back, and bass-heavy.
		So let the records show that there are serious students of soul music who consider Watson a figure of critical importance in the evaluation of blues-based music.
		In 1976, Watson released 'Ain't That A Bitch' on DJM Records, a brilliant marriage of 50's rockin' R & B, Hollywood schmaltz and futuristic funk.
	www.rockabillyhall.com /JohnnyWatson1.html (3454 words)

	Definition of index.php?search=V2\|Records&limit=20&offset=80
		1:...Respect Records''' was a daughter label of [[Stax Records]].
		1:...''Partee Records''' is a daughter label of [[Stax Records]].
		Originally [[Cameo-Parkway Records]], it was purchased and renamed by Klein in [[196...
	www.wordiq.com /knowledge/index.php?search=V2\|Records&limit=20&offset=80 (332 words)

	1994 Radio & Records All-Time Charts (Site not responding. Last check: 2007-11-03)
		King of kites.(Light Elements)(Richard Synergy attempts to set height records with kites and wishes to explore kite applications to......
		Concentration and diversity revisited: production logics and the U.S. mainstream recording market, 1940-1990 *.
		A region in harmony: southern music and the sound track of freedom.
	www.infoplease.com /ipea/A0151013.html (107 words)

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