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Topic: Bembo


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In the News (Wed 15 Feb 12)

  
  CATHOLIC ENCYCLOPEDIA: Pietro Bembo
He was the son of Bernardo Bembo, whose enthusiasm for Italian literature led him to raise a monument to Dante at Ravenna.
It was at her urgent solicitation that Bembo, in 1520, on the death of Leo X, withdrew from public affairs and retired with his health impaired by severe sickness to Padua, where he lived in ease and elegance, devoting himself to literary pursuits and the society of his learned friends.
Bembo was a thorough master of elegant diction.
www.newadvent.org /cathen/02425e.htm   (601 words)

  
 International Paintings and Sculpture | Portrait of Cardinal Pietro Bembo (obverse); Pegasus on the fountain Hippocrene ...   (Site not responding. Last check: 2007-10-08)
The subject of the medal, Cardinal Pietro Bembo, was born in Venice in 1470 and is regarded as one of the most influential figures in the world of Italian literature during the Renaissance.
Bembo appears as a character in Castiglione's celebrated treatise on ideal courtly behaviour, Il Cortegiano [The Courtier].
Sacred to the Muses, the spring was associated with poetry and literature, and was thus appropriate for the writer and humanist Bembo.
www.nga.gov.au /International/Catalogue/Detail.cfm?IRN=82783&BioArtistIRN=12735&MnuID=1&GalID=ALL   (436 words)

  
 BEMBO - LoveToKnow Article on BEMBO   (Site not responding. Last check: 2007-10-08)
Bembo, as a writer, is the beau ideal of a purist.
Perhaps the most famous are a little treatise on Italian prose, and a dialogue entitled G/l Asolani, in wInch Platonic affection is explained and recommended in a rather longwinded fashion, to the amusement of the reader who remembers the relations of the beautiful Morosina with the author.
The edition of Petrarchs Italian Poems, published by Aldus in 1501, and the Terzerime, which issued from the same press in 5502, were edited by Bembo, who was on intimate terms with the great typographer.
www.1911encyclopedia.org /B/BE/BEMBO.htm   (347 words)

  
 1502, Venice: ALDUS MANUTIUS
Bembo is most familiar outside of Italy for his Neoplatonic discourse on love in the last book of Castiglione's The Book of the Courtier, or for Titian's majestic portrait of him (1540) shortly after his elevation to the cardinalate.
Bembo's linguistic and rhetorical reform of the Italian vernacular found its mature expression in his vernacular humanist manifesto Le prose della volgar lingua (1525), where the Venetian proposed the 14th-century classics Petrarch and Boccaccio as vernacular models for poetry and prose respectively, just as Virgil and Cicero served as humanist models for Latin eloquence.
While Bembo's edition represented a radical improvement of the text from an objectively philological perspective, it also had the effect of revealing the distance between Dante and the rhetorical sensibilities of the High Renaissance, whose idol was increasingly the urbane and psychologically exquisite Petrarch.
www.nd.edu /~italnet/Dante/text/1502.venice.html   (620 words)

  
 Two Renaissance Book Collectors
Bembo himself copied one of the earliest books known to his collection while he was at the University of Padua.
Bembo used his collection to become learned in the shared metaphors of a courtly culture that esteemed classical literature, as well as to display this knowledge publicly to advance his career and social standing.
Just as the location of Bembo's books illustrated their function in his life, the location of Capranica's collection in his study at his main residence showed that his collection was immediately accessible for practical and applied use in his daily duties as cardinal.
www.si.umich.edu /SI_504/Papers/miclight2.html   (2709 words)

  
 Bembo - Wikipedia, the free encyclopedia
Bembo is a Monotype typeface based on a font cut by Francesco Griffo in 1495, in Venice, Italy.
That font was first used to print De Aetna, by classicist Pietro Bembo, an account of his visit to Mount Etna.
The romans of Monotype Bembo Book, Jack Yan's JY Aetna, Franko Luin's Griffo Classico, Bitstream Aldine 401 and Matthew Carter's Yale are all contemporary versions of Griffo's font; the digital font sold as plain Bembo roman is a facsimile of the drawings for the nine-point metal version, and as such should be avoided.
en.wikipedia.org /wiki/Bembo   (138 words)

  
 Pietro Bembo
Her extensive use of translations from Bembo's 2,600 letters, including exchanges of love letters with Lucrezia Borgia, provide a picture of personal life in the brilliant, turbulent years of the Italian Rrenaissance.
Bembo, a Venetian patrician and man of letters, had a close association with the printer Aldus.
Bembo was active in education in Padua; and his great achievement was to have helped create a common language for Italy through the revival of medieval Tuscany in his poetry and prose.
www.mqup.mcgill.ca /book.php?bookid=1706   (325 words)

  
 Cardinal Pietro Bembo
The son of a Venetian statesman, Pietro Bembo (1470–1547) is recognized as one of the most celebrated diplomats, poets, and humanist scholars of the sixteenth century.
Bembo was appointed librarian of St. Mark's Cathedral in 1530, and he became official historian for the city of Venice.
Bembo's dark eyes are bright and alert; his short gray beard is softly modeled.
www.nga.gov /collection/gallery/gg23/gg23-41365.0.html   (217 words)

  
 Monotype: Bembo
The last of this group, Bembo, appeared in 1929 and has proved to be one of the most popular typefaces of our time.
The history of Bembo originates in Venice, an important typographic center in 15th and 16th century Europe.
Bembo is a true classic-and a typographic gem.
www.monotypefonts.com /Library/HiddenGems.asp?show=bembo   (443 words)

  
 Pietro Bembo
A favorite of the Medici, he was secretary to Pope Leo X and was made a cardinal by Paul III.
Bembo was for many years the arbiter of Italian letters, insisting that classical traditions be preserved.
He was responsible for editions of Petrarch and Dante and helped establish the language of Tuscany as the standard literary Italian.
www.orbilat.com /Encyclopaedia/B/Bembo_Pietro.html   (107 words)

  
 Bembo font. Fonts-online.com   (Site not responding. Last check: 2007-10-08)
Monotype Bembo, issued in 1929, is based on the roman cut by Francesco Griffo for Cardinal Bembo’s tract “de Aetna” in 1495.
The Bembo italic fonts were adapted from a face of Giovanni Tagliente (1524).
Bembo is one of the most beautiful and distinctive typefaces and has been widely used for book text, advertising and display work over the last 60 years.
www.fonts-online.com /fonts/Bembo-font/336.html   (210 words)

  
 Reference.com/Encyclopedia/Pietro Bembo
He was born in Venice and while still a boy he accompanied his father to Florence, and there acquired a love for that Tuscan form of speech which he afterwards cultivated in preference to the dialect of his native city.
Perhaps the most famous are a little treatise on Italian prose, and a dialogue entitled Gli Asolani, in which Platonic affection is explained and recommended in a rather longwinded fashion, to the amusement of the reader who remembers the relations of the beautiful Morosina with the author.
The edition of Petrarch's Italian Poems, published by Aldus in 1501, and the Terzerime, which issued from the same press in 1502, were edited by Bembo, who was on intimate terms with the great typographer.
www.reference.com /browse/wiki/Pietro_Bembo   (445 words)

  
 Palazzo Bembo - Bed & Breakfast - San Marco - Venice
Palazzo Bembo unites history and comfort for a memorable experience in the City of the Doges.
Giovanni Bembo who defeated the Uskok pirates and was elected doge in 1635.
The illustrious Pietro, elected cardinal in 1539, was from the branch of the family that owned the palace on the "Riva del Carbon" and appears to have been born in the same house.
www.veniceby.com /bembo/pages/profile.htm   (205 words)

  
 Nestled among the rooftops of Venice with a sweeping view of the Grand Canal and the famed Rialto Bridge
It was built by the noble Bembo family towards the end of the fourteenth century along the quay destined for the unloading of coal, a resource which the family itself traded.
The noble Bembo were among the ancient families of the Venetian aristocracy and sought refuge in the lagoon at the time of the barbarian invasions, fleeing from Bologna.
Palazzo Bembo is located at the Rialto Bridge in the heart of Venice with quick access to Venice's public transportation system and major sights of interest including Saint Mark's Square and the Rialto market.
www.palazzobembo.com /Palazzo_Bembo-en.htm   (304 words)

  
 monotype.co.uk   (Site not responding. Last check: 2007-10-08)
Originally drawn by Monotype in 1929, Bembo was inspired by the types cut by Francesco Griffo and used by Aldus Manutius in 1495 to print Cardinal Bembo’s tract “de Aetna”.
Not intended to be a facsimile of Manutius’ work, Bembo was drawn to embody the elegance and fine design features of the original but marry them with the consistency of contemporary production methods and to ensure that the typeface would work satisfactorily with high speed printing techniques.
This new digital version of Bembo, called Bembo Book, has been designed to be more suited to text setting in the size range from 10 point to 18 point.
monotype.co.uk /bemboAMT   (438 words)

  
 Bembo™ font. Fonts for Windows and Mac
The origins of Bembo goes back to one of the most famous printers of the Renaissance, Aldus Manutius.
The first developmental phase was defined by the influence of the classic Roman forms, indentifiable by the slight slant of the lower case s and the high crossbar of the lower case e, which in time took on less and less of a slant.
Bembo is an old face type of unusual legibility.
www.paratype.com /fstore/fonts/Bembo.htm   (280 words)

  
 TheJambar.com
Researching Bembo is the most exciting and important part of her trip to Venice and Florence, and Bembo is actually the reason she is able to go to Italy.
Bembo is a person, a man who was alive in the 15th century.
She's on a mission, and that mission is to study Bembo's letters and review official government records about what Venetians and Turks were doing during Bembo's life that might have affected his activities.
www.thejambar.com /home/index.cfm?event=displayArticle&istory_id=957733   (446 words)

  
 Institute for the Classical Tradition | Boston University
Bembo expands the four verses of Propertius into a poem that contains other Propertian features, but while Bembo adheres on one level to a singel model the poem has a distinctly Ovidian tone.
Bembo transforms the rustic Polyphemus of his epic poem into a figure that is still rustic and naive but has characteristics of the more sophisticated and learned lover poet of Latin elegy.
Bembo remains true to Ovid as his model, but in an interesting way.
www.bu.edu /ict/ijct/search/1/4/grant.html   (183 words)

  
 Adobe Type Bembo 2 - Multimedia Shopping at dooyoo.co.uk
Bembo was modeled on typefaces cut by Francesco Griffo for Aldus Manutius' printing of De Aetna in...
Bembo is a fine text face because of its well-proportioned letterforms, functional serifs, and lack of peculiarities; the italic is modeled on the handwriting of the Renaissance scribe Giovanni Tagliente.
Books and other texts set in Bembo can encompass a large variety of subjects and formats because of its quiet classical beauty and its high readability.
www.dooyoo.co.uk /multimedia/adobe-type-bembo-2   (197 words)

  
 daidala: words on letters   (Site not responding. Last check: 2007-10-08)
To abandon the principle altogether was to risk forfeiting a substantial part of a reputation for typographic quality.” He continues, “Some [manufacturers] apparently thought that increasing the x-height of the faces would be an acceptable alternative.
In the upper half of this figure, metal Bembo and JY Aetna are shown first and second, respectively, while in the lower half, the upper and lower case letters, text figures, and ligatures are displayed at 24 pt in Aetna Roman.
And not so subtle is the lower case a, in which the Aetna glyph appears to lack the modulation of stroke seen in the metal analogue, as well as in several of the other Aetna glyphs.
www.daidala.com /05jul2002.html   (321 words)

  
 Bembo   (Site not responding. Last check: 2007-10-08)
Pietro Bembo, philologist, critic, poet and humanist, was made official historiographer of Venice in 1529 and a cardinal in 1539.
Bembo wrote one of the first Italian grammars and helped to establish the Italian literary language.
Gli Asolani (1505), perhaps his most famous work, is a book of dialogues on platonic love, also written in the vernacular.
www.nd.edu /~rarebook/exhibits/durand/italian/bembo.html   (90 words)

  
 Textism: Twenty Faces: Bembo   (Site not responding. Last check: 2007-10-08)
Jenson · Bembo · Granjon · Elzevir · Caslon · Fleischmann · Baskerville · Fournier · Bell · Bulmer · Miller · Centaur · Perpetua · Janson · Electra · Fairfield · Dante · Aldus · Sabon · Albertina
Monotype Bembo, released in 1929, was a brilliantly realized revival of type in use in 1495 Venice by the printer Aldus Manutius.
In its metal version, Bembo is my favourite thing to read; with acknowledged subjectivity, it is the most beautiful and readable text face of all.
www.textism.com /textfaces/?id=2   (156 words)

  
 LPO: Bembo's Zoo
As I was writing this introduction to Bembo's Zoo, one of my favorite websites, I came across a word I hadn't remembered seeing before.
However, I did find "abecedarian," which is a noun meaning "one who teaches or studies the alphabet, one who is just learning, a beginner." As an adjective, it means "having to do with the alphabet, being arranged alphabetically, and elementary or rudimentary." Certainly these terms apply to this fabulous site.
The Bembo's Zoo website was created by the graphic designer Roberto de Vicq de Cumptich and is an animated version of his high-concept and appealing picture book, Bembo's Zoo,* in which animals are made from stylish letters.
www.learningplaceonline.com /living/diversions/01-bembo.htm   (356 words)

  
 Bembo's Ascent
This is a summary of Bembo's Ascent to Divine Union as presented in Castiglione's
I have not yet had a chance to check Pietro Bembo's own writings to see how accurate Castiglione's presentation may be.
Bembo's Ascent is compared with some of the others in the following chart (which is not completely consistent, it should be noted, with that in Sources for the Dantean Ascent).
www.cs.utk.edu /~mclennan/Classes/US310/Bembo-Ascent.html   (655 words)

  
 AllRefer.com - Pietro Bembo (Roman Catholic And Orthodox Churches: General Biography) - Encyclopedia
AllRefer.com - Pietro Bembo (Roman Catholic And Orthodox Churches: General Biography) - Encyclopedia
Pietro Bembo, Roman Catholic And Orthodox Churches: General Biographies
Pietro Bembo[pyA´trO bem´bO] Pronunciation Key, 1470–1547, Italian humanist, cardinal of the Roman Catholic Church.
reference.allrefer.com /encyclopedia/B/Bembo-Pi.html   (251 words)

  
 Antonia: Baroque Women V Bembo, composer, biography, discography
Thus begins Antonia Bembo’s cantata for soprano and basso continuo, Clizia, amante del sole, one of the vocal compositions found in her manuscript Produzioni armoniche, compiled at the turn of the 18th century and dedicated to King Louis XIV.
The book begins with an autobiographical letter revealing that Bembo, a Venetian noblewoman, had left her family and everything behind to come to France.
The message of Bembo’s cantata may be interpreted as a metaphor that cleverly drew a parallel between her status as the king’s admirer (Clytie) and the “Sun King” Louis XIV (Helios) and served to reinforce the power of the message of her dedicatory letter.
www.goldbergweb.com /en/magazine/composers/1999/03/10964.php   (277 words)

  
 Download Bembo Roman - Linotype.com   (Site not responding. Last check: 2007-10-08)
This type was designed by Francesco Griffo, a prolific punchcutter who was one of the first to depart from the heavier pen-drawn look of humanist calligraphy to develop the more stylized look we associate with roman types today.
Because of their quiet presence and graceful stability, the lighter weights of Bembo are popular for book typography.
The Bembo™ Roman typeface belongs to the Bembo™ Font Family which is part of the Assorted Collection.
www.linotype.com /13306/bemboroman-font.html   (939 words)

  
 artnet.com: Resource Library: Bembo   (Site not responding. Last check: 2007-10-08)
At least nine artists with the name Bembo were active in Cremona between 1425 and the end of the 16th century.
The two best known, (1) Bonifacio Bembo and (2) Benedetto Bembo, were the sons of Giovanni Bembo (fl 1425–49), a master who worked both in his home town and in Brescia.
Another son, Andrea Bembo, also a painter, became a Brescian citizen in 1431, and a further member of the family, Ambrosio Bembo, is recorded in Cremona in 1450.
www.artnet.com /library/00/0077/T007778.asp   (157 words)

  
 artnet.com: Resource Library: Bembo: (3) Giovan Francesco Bembo   (Site not responding. Last check: 2007-10-08)
This must have been done between 1513, the year of Leo X’s election, and 1518, when Bembo is documented at Cremona for the decoration of the central nave of the cathedral.
He was paid in December 1519 for the Adoration of the Magi and the Presentation in the Temple in the fifth bay on the left.
Chronologically close to these frescoes was the altarpiece of the Virgin and Child with SS Francis and Stephen, of which only two fragments survive: the Virgin and Child (Cremona, Gal.) and a tondo with the head of St Francis (Gazzada, nr Varese, Cagnola priv.
www.artnet.com /library/00/0077/T007784.asp   (425 words)

  
 Gaby Lita Bembo and Orchestre Stukas du Zaïre(RETRO18CD)
Gaby Lita Bembo and Orchestre Stukas du Zaïre
Lita Bembo – the great showman of Congo-Zaïrean music – was one of the most inspirational musicians of the 'new generation' that stormed Kinshasa in the late 1960s and early 1970s with his band Stukas du Zaïre.
His unique blend of impassioned Ekonda vocal styles and frenetic guitar patterns turned his compositions into instant hits, while his eccentric stage antics and innovative dance routines endeared him to young and old alike.
www.retroafric.com /html/catalogue/18cd-1.html   (104 words)

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