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| | Guardian | Jamie Cullum, Twentysomething |
 | | It's an elegantly-produced 14-track summary of Cullum's enthusiastically open listening habits, from American Songbook classics (there are two Cole Porters among six standards), to unselfconsciously autobiographical originals from himself and his brother Ben, and high-quality classic-pop material from Jimi Hendrix and Jeff Buckley. |
 | | Cullum's virtues are a remarkable relaxation (which makes music-making, even in a sophisticated studio recording, sound like fun to him), a youthful bounce that makes his work engagingly airy and light, and a hipness of timing that marks him out from many of his competitors on this crowded stage. |
 | | Cullum's pledge to infuse jazz with rock and soul's urgency surfaces on a funky, guitar-wailing Singin' in the Rain, but it is less successful on I Could Have Danced All Night, with its Headhunters-like bass lick. |
| www.guardian.co.uk /print/0,3858,4770770-108884,00.html (690 words) |
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