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| | Salsa history web links |
 | | While the above mentioned afro-cubans were revolutionizing cuban music in new-york, other afro-cubans were also revolutionizing music in Cuba (peruchin, bebo valdes, cachao, beny moré, arsenio rodriguez, just to mention a few). |
 | | Afro-cuban music was already totally developped in Cuba and in new-york when the U.S embargo arrived in 1960, and cubans had rooted their music in new-york. |
 | | Theirs musicians started emerging, but they were not playing "bombas" or "plenas" as every one knows, but emulating completely afro-cubans creations (charanga and conjuncto formats), innovations (cachao, machito, beny moré, arsenio, mario bauza, etc...), and music. |
| salsavideoreviews.org /salsa-history-web-links.html (8788 words) |
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