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	BERNARD VAN ORLEY - LoveToKnow Article on BERNARD VAN ORLEY
		(1491-1542), Flemish painter, the son and pupil of the painter Valentyn van Orley, was born at 2 With all his faults, Bourbaki was hardly responsible for this failure.
		Whilst in his earlier work he continued the tradition of the Van Eycks and their followers, he inaugurated a new era in Flemish art by introducing into his native country the Italian manner of the later Renaissance, the style of which he had acquired during his sojourn in Rome.
		Van Orley, together with Michael Cocxie, superintended the execution of van Aelst's tapestries for the Vatican, after Raphael's designs, and is himself responsible for some remarkable tapestry designs, such as the panels at Hampton Court.
	www.1911encyclopedia.org /O/OR/ORLEY_BERNARD_VAN.htm (3699 words)

	Van
		Geoffrey van Orden Geoffrey van Orden is a 1999.
		Ingrid van Houten-Groeneveld Ingrid van Houten-Groeneveld is a astronomer.
		Van der Waerden's theorem Van der Waerden's theorem is a theorem of the branch of integers.
	www.brainyencyclopedia.com /topics/van.html (5607 words)

	Bernard van Orley - Biography (Site not responding. Last check: 2007-11-04)
		Bernard van Orley was the head of a large workshop and, as an artist affiliated with the court, he doubtless depended on his atelier to fill the demand for images.
		Van Orley was a skilled designer and draftsman, and in many ways his fame as a creator of a High Renaissance style in the North rests as much upon the tapestries he designed from 1518 onward as upon his paintings.
		"Bernard van Orley of Brussels." Ph.D. diss., Princeton University, 1981.
	www.bonus.com /contour/national_gallery/http@@/www.nga.gov/cgi-bin/pbio?23550 (325 words)

	Joris van Zelle by ORLEY, Bernaert van
		Van Zelle died in 1567 and was buried in the Church of St Gudule, next to his wife, Barbara Spapen.
		On the other hand, Van Orley renders almost palpable the warm, limited space surrounding the physician and reflects so well the humanist atmosphere that one feels that one has been admitted into Dr Van Zelle's wainscoted cabinet, as his painter friend probably was.
		The lively interaction of warm and delicately-shaded reds, greens and browns, the careful painting of the materials, with the viewer immediately able to sense the differences in texture, and the tight framing, all strengthen the sense of intimacy between the sitter and the viewer.
	www.wga.hu /html/o/orley/zelle.html (373 words)

	Biography
		Bernard (or Bernaert or Barend) van Orley, Netherlandish painter of religious subjects and portraits and designer of tapestries and stained glass.
		He was the leading artist of his day in Brussels, becoming court painter to Margaret of Austria, regent of the Netherlands, in 1518 and to her successor Mary of Hungary in 1532.
		None of van Orley's paintings bears a date later than 1530; after that time he was chiefly occupied with designing tapestries and stained-glass windows.
	www.wga.hu /bio/o/orley/biograph.html (170 words)

	Bernard van Orley
		In 1515 he was settled in Brussels, where he became court painter to Margaret of Austria, regent of the Netherlands, and to her successor, Mary of Hungary.
		Influenced by Dürer and Raphael, van Orley may have gone to Italy to study Raphael's tapestry cartoons.
		Van Orley also executed designs for stained glass and tapestries, an example of the latter being the
	www.factmonster.com /ce6/people/A0836884.html (85 words)

	Michael Coxcie article - Michael Coxcie 1499 March 1592 Flemish painter Malines Bernard Orley Italy - What-Means.com (Site not responding. Last check: 2007-11-04)
		The centre of this altar-piece, by Mabuse, represents St Luke portraying the Virgin; the side pieces contain the Martyrdom of St Vitus and the Vision of St John in Patmos.
		At van Orley's death in 1541 Coxcie succeeded to the office of court painter to the regent Mary of Hungary, for whom he decorated the castle of Binchc.
		He was subsequently patronized by Charles V, who often coupled his works with those of Titian; by Philip II, who paid him royally for a copy of van Eyck's Agnus Dei; and by the duke of Alva, who once protected him from the insults of Spanish soldiery at Malines.
	www.what-means.com /encyclopedia/Michael_Coxcie (385 words)

	Barent Van Orley
		He returned to Brussels and was commissioned in 1515 to paint an alter-piece for the Confraternity of the Holy Cross at Furnes.
		In 1530, Margaret of Austria having died, Orley received the official appointment from her successor, Mary of Hungary.
		Orley was a Catholic, but assisted at various Lutheran meetings held in his father's house.
	www.catholicity.com /encyclopedia/o/orley,barent_van.html (334 words)

	Bernard (barent) Van Orley ( - ) Artwork Images, Exhibitions, Reviews
		Bernard (Barent) van Orley, Madonna and Child, 16th century
		Jan Van Orley, The Marriage of the Virgin, 17th - 18th century
		Jan Van Orley, The Parable of Christ and the Sinner, 17th - 18th century
	wwar.com /masters/o/orley-bernard_(barent)_van.html (499 words)

	COXCIE - LoveToKnow Article on COXCIE (Site not responding. Last check: 2007-11-04)
		(1499-1592), Flemish painter, was born at Malines, and studied under Bernard van Orley, who probably induced him to visit Italy.
		The centre of this altarpiece, by Mabuse, represents St Luke portraying the Virgin; the side pieces contain the Martyrdom of St Vitus and the Vision of St John in Patmos.
		He was subsequently patronized by Charles V., who often coupled his works with those of Titian; by Philip II., who paid him royally fora copy of van Eycks Agnus Dei ; and by the duke of Alva, who once protected him from the insults of Spanish soldiery at Malines.
	www.1911encyclopedia.org /C/CO/COXCIE.htm (332 words)

	Orley, Bernard van -- Encyclopædia Britannica (Site not responding. Last check: 2007-11-04)
		The son of the painter Valentin van Orley, he entered the employ of Margaret of Austria, regent of the Netherlands, in 1515 and three years later was appointed court painter.
		More results on "Orley, Bernard van" when you join.
		The award-winning author Bernard Malamud drew from his Jewish heritage and his own experience to create novels and short stories that are warm, vivid, and universal.
	www.britannica.com /eb/article-9057410 (833 words)

	Bernard Artworks and Fine Art at arthistorynet.com
		Bernard Picart, Oeneus King of Calydon, having neglected Diana in a Sacrifice is punished for his impiety, 1731
		Bernard Picart, The Dioscuri, or Castor and Pollux, the Guardians of Mariners, 1730
		Bernard Picart, The Drowning of Johan Willem Friso Prince of Orange during the crossing of the Moerdijk on July 14 1711 - Pl.54 from: Netherlands 1566-1672, 1729
	www.absolutearts.com /masters/b/bernard-works.html (4129 words)

	MSN Encarta - Search Results - Lucas Van Leyden
		Lucas Van Leyden, real name Lucas Hugensz or Jacobsz (1494-1533), Dutch engraver and painter, who was among the first Dutch exponents of genre...
		The Dutch engraver Lucas van Leyden, greatly influenced by Dürer and by the classical style of his Italian contemporaries, depicted Dutch landscape...
		The Dutch and Flemish Mannerists, including Bernard van Orley, Lucas van Leyden, and Jan van Scorel, were all acquainted with the works of...
	uk.encarta.msn.com /Lucas_Van_Leyden.html (102 words)

	The Metropolitan Museum of Art - Works of Art: Drawings and Prints
		About 1528-30, Henry III of Nassau, an advisor to Emperor Charles V, commissioned eight tapestry designs from Bernaert van Orley glorifying his ancestors in the house of Orange-Nassau.
		Van Orley's tapestries are lost, probably destroyed in a fire in 1760, and the drawings are the only record of the commission.
		As can be seen in this large and beautifully colored design, which was virtually unknown until recently, van Orley modified the taste for overall surface design in tapestry by situating the figures in the foreground against a deeply receding space.
	www.metmuseum.org /works_of_art/viewone.asp?dep=9&viewmode=0&item=1995.12 (239 words)

	Bernaert van Orley
		Arlette Calvet has suggested that "Van Orley's talents were no doubt most fully expresses in his cartoons for tapestries, where his art achieves an almost classic breadth and ease.
		Bibliography: Maryan Wynn Ainsworth, "Bernart van Orley, Peintre-Inventeur," in Studies in the History of Art, Volume 24 (Washington D. C.: National Gallery of Art, 1990), Brou, Musee de l'Ain.
		VIII: Jan Gossart and Bernart van Orley trans.
	spaightwoodgalleries.com /Pages/Van_Orley.html (184 words)

	The Virgin With The Child And Angels - Bernard Van Orley
		The Virgin With The Child And Angels - Bernard Van Orley
		Bernard van Orley was the best known of the Brussels artists of the sixteenth century.
		It is said that he went to Italy, where he became a friend of Raphael.
	www.oldandsold.com /articles31n/paintings-28.shtml (357 words)

	Rest on the Flight Into Egypt
		The title of this new collection of poems by A. Moritz is taken from a painting by Bernard van Orley depicting a scene from the Gospel of Matthew.
		"Van Orley has shown things/ as they are" the poem tells us, which isn't at all a nod to realism.
		Among the former, however, there are some truly excellent poems, including "Manifestation," "Artisan and Clerk," "The Little Walls Before China," "Rest on the Flight into Egypt," and "The Lines." Each of these deserves re-reading, containing much of that hard-to-crack simplicity which is both the essence of poetry and things as they are.
	www.goodreports.net /reviews/restontheflightintoegypt.htm (752 words)

	Madonna and Child with Apple and Pears
		Bernard van Orley, known in his own day as “the Raphael of the Netherlands,” brought the style and subjects of the Italian Renaissance to Brussels.
		He headed a large workshop that produced paintings, tapestries and stained glass for Flemish aristocrats and their Spanish governors.
		Six years later, on a trip to Spain, he saw three paintings by Bernard van Orley in the collection of the Prado Museum.
	www.iub.edu /~iuam/wells/mary.html (177 words)

	Status of December, 1999
		S [Ta Paris Louvre -March/Aries] Flemish (Brussels, atelier frères et fils Dermoyen, between 1531-1533) (cartoon by Bernard van Orley and the paysagiste Jean Tons).
		The setting is a place called "Boisfort," at the edge of the forest of Soignes, SE of Brussels, which was the property of the imperial hunt.
		He holds a reverse curve horn with a huge, flat mouthpiece (which is probably not intended to be realistic).
	www.unh.edu /music/Icon/ighngs.htm (9695 words)

	The Red Stains on the Lier and Other Shroud Copies
		Thanks to the energy of the abbess Jeanne Van Goerle, in function from 1567 to 1613, the religious returned to their shelter "intra muros" (behind the city walls); and the convent was re-established in 1610.
		The Lier painting is also attributed to Bernard van Orley, house-painter at the court of Maximilian of Austria since 1518.
		It is possible, because van Orley had the strange habit, to date his work with the year, the painting was ordered..
	www.shroud.com /vanhels2.htm (8969 words)

	Antwerp Conference (Site not responding. Last check: 2007-11-04)
		Evolution in the Workshop Practices of Bernard van Orley
		1516 indeed influenced the direction of Van Orley's art, the assimilation of
		Orley's work, the inception of the production of replicas, collaboration of
	www.hnanews.org /2002/papers/ainsworth.htm (134 words)

	Van Orley Artworks and Fine Art at arthistorynet.com
		Van Orley Artworks and Fine Art at arthistorynet.com
		Bernard (Barent) Lady as Mary Magdelen, 15th - 16th century
		Artist: after Bernard van Orley Title: Awaiting the Chase Date: about 1650 Medium: wool, silk
	www.absolutearts.com /masters/o/orley-van-works.html (263 words)

	Canadian Conservation Institute (CCI) - CCI In Action - View Document (Site not responding. Last check: 2007-11-04)
		The painting was created as a private devotional object by van Orley for his patron, Margaret of Austria, who was Governor of the Netherlands.
		Before a decision was made to purchase it, the small oil and tempera panel painting was carefully examined by the Gallery's curatorial staff as well as by the staff of the Restoration and Conservation Laboratory.
		Identification of elements present in the van Orley was achieved without sampling.
	www.cci-icc.gc.ca /document-manager/view-document_e.cfm?Document_ID=88&ref=cci (904 words)

	artnet.com: Resource Library: Orley, van (i): (2) Bernard van Orley (Site not responding. Last check: 2007-11-04)
		He was one of the greatest proponents of ROMANISM, a northern style based on the ideals of the Italian Renaissance.
		Orley, van (i): (2) Bernard van Orley, §1(i): Paintings
		Orley, van (i): (2) Bernard van Orley, §1(ii): Designs for tapestry and stained glass
	www.artnet.com /library/06/0638/T063848.asp (420 words)

	Dutch Master Drawings
		Bernaert van Orley (Netherlandish, 1492-1542), Susannah and the elders.
		Van Orley is an important Netherlandish master whose works are in the collections of most major national museums, including the National Gallery of Art in both Washington and London, the Louvre, the Metroplitan Museum of Art, and the Worcester MA Art Museum.
		This drawing is a splendid example of late 16th-century Dutch Mannerist style typified by Maerten van Heemskerck.
	spaightwoodgalleries.com /Pages/Dutch_Master_Drawings.html (506 words)

	Bernaert van Orley Online
		Students included Pieter Coecke van Aelst and Michiel van Coxcie.
		Bernaert van Orley at the Metropolitan Museum of Art, New York City
		All images and text on this Bernaert van Orley page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/orley_bernaert_van.html (236 words)

	ArtLex on Tapestry (Site not responding. Last check: 2007-11-04)
		Bernard van Orley (Flemish, c.1488 or 1491/92 - 1542),
		Otto, Count of Nassau and his Wife Adelheid van Vianen, 1530-35, pen and brown ink, watercolor over traces of fl chalk; verso: tracing in fl chalk of the figures on the recto, 14 x 19 inches (35.6 x 48.3 cm), Metropolitan Museum of Art, NY.
		Probably woven by Pieter de Pannemaker (Flemish, flourished 1517-1535), after a painting by Bernart van Orley (Flemish),
	www.artlex.com /ArtLex/t/tapestry.html (722 words)

	Bernard Blondeel
		The Galerie Blondeel-Deroyan sprang from two antique dealers´ shared interest in the field of tapestry, of which they own an important collection of pieces dating from the fifteenth to the eighteenth century.
		Each of them also brought his own particular passion with him: for Bernard Blondeel the archaeology of the Mediterranean Basin, for Armand Deroyan collectable and highly decorative oriental carpets as well as Western antique or Art Deco carpets.
		This is why the Galerie Blondeel-Deroyan has ended up with three distinct departments, which however harmonise agreeably in permanent or temporary exhibitions at the Rue de Lille premises or the most prestigious international fairs at which the gallery participates.
	www.bblondeel.com /home_en.htm (182 words)

	Antiques Digest - Index 579
		This portrait dates from about 1539, when Holbein was in the heydey of his success in England, painting all the people of importance at the court of Henry VIII, whose successive queens and candidates for queens were posing for him.
		Like them it was shown at the Exhibition of Flemish Primitives in Bruges in 1902.
		It was there ascribed by its owner, Baron Albert Oppenheim, to Jan Van Eyck.
	www.oldandsold.com /articles/index579.shtml (1455 words)

	Van Orley
		- Bernard (Barent) Madonna and Child, 16th century
		- Bernard (Barent) Lady as Mary Magdelen, 15th - 16th century
		- Artist: Circle of Bernard van Orley Title: Month of September Date: 1525 - 1528 Medium:
	wwar.com /masters/o/orley-van-works.html (279 words)

	Gottfried Helnwein \| NEWS \| News Update \| OTORHINOLARYNGOLOGICAL ASPECTS OF HANDICAPPED CHILDREN IN VISUAL ...
		Hans Holbein the Younger painted Charles at the age of 7 with a still straight nasal dorsum and a mild enlargement of the lower lip and chin (Fig.
		The oil painting of Charles V at age 16, by Bernard van Orley, shows an increased nasal hump, a severe progenia with angle class III malocclusion, and the protruding Habsburgian lower lip.
		An unknown artist painted Emperor Charles V at the age of 45 with marked Habsburgian characteristics, partly camouflaged by the beard (Fig.
	www.helnwein.de /news/update/artikel_1982.html (5871 words)

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