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	Bernardo Bellotto - Wikipedia, the free encyclopedia
		"Bellotto's urban scenes have the same carefully drawn realism as his uncle's Venetian views but are marked by heavy shadows and are darker and colder in tone and colour." (2004 Encyclopaedia Britannica)
		Bernardo Bellotto (January 30, 1720 — October 17, 1780) was an Italian urban landscape painter or vedutista.
		Bellotto was born in Venice, the son of Lorenzo Antonio Bellotto e Fiorenza Canal, sister of the then famous Canaletto, and studied in his uncle's workshop.
	en.wikipedia.org /wiki/Bernardo_Bellotto (347 words)

	Bernardo Bellotto Paintings Reproduction and Biography
		Bernardo Bellotto (1721-1780) made his first paintings in Venice, where he probably studied with his uncle, Canaletto (Antonio Canal), one of the best-known Italian view painters.
		Bernardo Bellotto paintings combine precise topographical detail with a dramatic use of light and shade, all infused with a vivid sense of atmosphere.
		Bellotto traveled to several other central European cities in subsequent years and painted cityscape paintings in each one; he lived in Vienna from 1759 to 1761, in Munich in 1761, and returned to Dresden in 1762.
	www.allartclassic.com /author_biography.php?p_number=10 (208 words)

	Bernardo Bellotto (1721 - 1780) Artwork Images, Exhibitions, Reviews
		Bernardo Bellotto, Vue du Roc, et de Forteresse de Koenigstein du cotÈ de l*Occident...(View of the Rock and of the Fortress of Kˆnigstein from the West Side...), circa 1765
		Bernardo Bellotto - The Arno in Florence with the Ponte Vecchio c.
		Bernardo Bellotto - The Arno in Florence with the Ponte Alla Carraia c.
	wwar.com /masters/b/bellotto-bernardo.html (904 words)

	Bernardo Bellotto
		Bernado Bellotto was son of Fiorenza Canale, elder sister of Antonio Canale (the "first Canaletto") and Lorenzo Bellotto, of whom little is known.
		In 1747 Bernardo left Italy permanently and embarked on a spectacularly successful career as a view painter at the Courts of the Electors of Bavaria in Munich and Saxony in Dresden, where he became the highest paid artist in the Saxon court, and where he executed some of his greatest works.
		Bellotto's use of the name Canaletto (which is how he is still generally known in Poland) was no doubt partly intended to open the doors of patrons who knew of his uncle's renown.
	arthistory.heindorffhus.dk /frame-Bellotto.htm (538 words)

	History of Art: Baroque and Rococo - Bernardo Bellotto
		Bellotto studied under his uncle, Canaletto, and was himself known by that name when painting outside Italy.
		Bellotto's urban scenes have the same carefully drawn realism as his uncle's Venetian views but are marked by heavy shadows and are darker and colder in tone and colour.
		Bellotto's accurately detailed views of the Polish capital were used after World War II to restore the historic sections of the city.
	www.all-art.org /rococo/bellotto_bernardo1.html (273 words)

	Bernardo Bellotto Online
		Bellotto's work is often confounded with those of his celebrated uncle, Canaletto.
		Bernardo Bellotto at the Metropolitan Museum of Art, New York City
		Bernardo Bellotto at the National Gallery, London, UK A Caprice Landscape with Ruins
	www.artcyclopedia.com /artists/bellotto_bernardo.html (433 words)

	Bernardo Bellotto (Getty Museum)
		Bernardo Bellotto's work sometimes has been mistaken for that of his famous uncle Canaletto; the native Venetian spent most of his life outside Italy and signed his works abroad de Canaletto.
		Bellotto employed cooler colors than Canaletto, however, and showed a stronger feeling for landscape and sky in his vedute, or views.
		Always maintaining his appreciation of architectural form and the varying tones of differing skies, Bellotto's compositions evolved from sparsely populated, evocative stillness to foregrounds of milling crowds and hustle-bustle.
	www.getty.edu /art/gettyguide/artMakerDetails?maker=3540&page=1 (195 words)

	Bernardo Bellotto: Pirna: The Obertor from the South (1991.306) \| Object Page \| Timeline of Art History \| The ... (Site not responding. Last check: 2007-10-13)
		Bernardo Bellotto: Pirna: The Obertor from the South (1991.306)
		Between 1753 and 1756, Bellotto painted canvases representing Pirna with the Obertor for Elector Frederick Augustus II of Saxony and for his prime minister, Count Brühl.
		"Bernardo Bellotto: Pirna: The Obertor from the South (1991.306)".
	www.metmuseum.org /TOAH/hd/venc/hod_1991.306.htm (168 words)

	Canaletto's nephew: a traveling exhibition of paintings by Bernardo Bellotto, whose 18th-century views document Italian ...
		Bellotto describes minutiae at long distance with an exactness graspable by the mind, but unavailable to the eye.
		The show was appropriately titled, for it concentrated on Bellotto's vedute that document the growth of absolutist courts east of the Rhine.
		Bellotto was a servant of the high and very mighty; but if his art bears witness to a monumental urbanism, it keeps its distance from its pretensions.
	www.findarticles.com /p/articles/mi_m1248/is_1_90/ai_82012869 (972 words)

	AllRefer.com - Bernardo Bellotto (European Art, 1600 To The Present, Biography) - Encyclopedia (Site not responding. Last check: 2007-10-13)
		Bernardo Bellotto[bernAr´dO bAl-lOt´tO] Pronunciation Key, 1720–80, Venetian architectural and landscape painter, also called Canaletto, after his uncle and teacher Canaletto.
		His paintings, at first resembling those of his master, are numerous and may be seen in most of the leading European museums.
		In 1747 he was appointed court painter at Dresden and in 1770 painter to Stanislaus II at Warsaw.
	reference.allrefer.com /encyclopedia/B/Bellotto.html (226 words)

	Amazon.com: Bernardo Bellotto and the Capitals of Europe: Books: Edgar Peters Bowron (Site not responding. Last check: 2007-10-13)
		Bernardo Bellotto: A Venetian Painter in Warsaw by Krysztof Pomyan
		Bernardo Bellotto is considered to be one of the greatest topographical and landscape painters of the eighteenth century.
		Bellotto began as a painter of conventional views of Venice in the manner of his more famous uncle, Canaletto.
	www.amazon.com /Bernardo-Bellotto-Capitals-Europe-Peters/dp/0300091818 (947 words)

	ARTINVEST2000® BELLOTTO BERNARDO ENGLISH
		Canaletto, whose name Bellotto sometimes illegally adopted, especially during his stay in Poland, was his uncle on his mother’s side and had trained the young artist for many years.
		By 1738, Bellotto was already a member of the Venician Painters’ Guild.
		Bellotto had enormous success and his reputation spread throughout the whole of Central Europe.
	www.artinvest2000.com /bellotto_bernardo-english.htm (412 words)

	Cleveland Museum of Art - Piazza San Marco, Venice (Bernardo Bellotto)
		Bernardo Bellotto was the nephew and student of Canaletto (Giovanni Antonio Canal, 1697–1768) who ran one of the most productive painting workshops in Italy.
		Like his uncle, Bellotto specialized in vedute (views) of Italy, especially Venice, which were purchased avidly by British aristocrats traveling on the Grand Tour.
		Bellotto later worked for the courts of Dresden, Vienna, Warsaw, and Munich, painting topographical and imaginary views of those cities.
	www.clevelandart.org /explore/artistwork.asp?artistLetter=B&recNo=103&woRecNo=0 (276 words)

	Bernardo Bellotto - Search Results - MSN Encarta (Site not responding. Last check: 2007-10-13)
		Bernardo Bellotto - Search Results - MSN Encarta
		Bertolucci, Bernardo, born in 1940, Italian motion-picture director, whose films are known for their flamboyant visual style.
		Strozzi, Bernardo (1581-1644), Italian artist, the leading painter of Genoa in the early 17th century.
	encarta.msn.com /Bernardo_Bellotto.html (87 words)

	BERNARDO BELLOTTO - Venice: Grand Canal from Campo San Vio (Site not responding. Last check: 2007-10-13)
		It was until recently believed that Bellotto produced no Venetian views of his own during this period but there is now a greater consensus among scholars that he indeed repeated or adopted some of his uncle’s compositions.
		Bellotto’s paintings tend to be marked particularly by a colder, grayer tone in the palette that becomes more pronounced in later years, stronger shadows and a distinct treatment of the figures, which are handled quite differently to those painted by the older artist.
		Nonetheless, in each of them, as in the painting reproduced here, the works of the nephew are distinguished by more subtle differences, particularly in the arrangement of the figures and boats, the placement of shadows and the cast of light.
	www.europeanpaintings.com /exhibits/xviiicent/bellven.htm (716 words)

	BERNARDO BELLOTTO, called Canaletto
		Though his paintings are marked by a stunning topographical exactitude and verisimilitude of details, Bellotto altered reality in favour of a compact composition and added structure to his paintings with the help of strong contrasts of light and shadows.
		After a sojourn in Munich, Bellotto returned to Dresden in 1762 before finally settling in Warsaw in 1767.
		This show is a unique opportunity as Bellotto´s views of Warsaw have lately been restored and will soon be firmly installed again on the walls of Warsaw Palace and thus not available as loans in the foreseeable future.
	www.khm.at /bellotto/en.html (441 words)

	Bernardo Bellotto: Biography
		Bernardo Bellotto (1721-1780) began his career in Venice, where he probably studied with his uncle, Canaletto (Antonio Canal), one of the best-known Italian view painters.
		By the age of twenty-five, Bellotto had achieved considerable success, having been commissioned to paint views of such cities as Venice, Florence, and Rome for Italian and other European patrons.
		Bellotto traveled to several other central European cities in subsequent years and painted cityscapes in each one; he lived in Vienna from 1759 to 1761, in Munich in 1761, and returned to Dresden in 1762.
	www.clarkart.edu /exhibitions/klimt/bellotto/bio.cfm (233 words)

	BERNARDO BELLOTTO - BIOGRAPHY (Site not responding. Last check: 2007-10-13)
		Guarienti notes ‘passò a Verona, Brescia e Milano, dove con molta sua lode le più conspicue prospettive di quei paesi in tele ritrasse.’[1] Guarienti then goes on to describe the artist's activities in Venice and Dresden, where Bellotto was at the time but, alas, passes over discussion of his output while working in Venice.
		The great Bellotto scholar, Stefan Kozakiewicz, identifies only seven paintings and twenty-one drawings of specific Venetian views and a handful of Capricii incorporating Venetian elements, but these must be considered a small proportion of his total Venetian output.
		The son of Fiorenza Canale, elder sister of Antonio Canale, Canaletto’;, and Lorenzo Bellotto, of whom little is known (and after whom he named his own son), Bernardo entered his uncle’s studio as an assistant around 1735.
	www.europeanpaintings.com /exhibits/xviiicent/bellobio.htm (466 words)

	'The Fortress of Königstein from the South', Bernardo Bellotto
		It was commissioned by Augustus III, King of Poland and Elector of Saxony, from his court painter, the Venetian artist Bellotto.
		Bellotto's composition emphasises the monumentality of the castle, which sits several hundred feet above the valley of the river Elbe.
		In October 1756, soon after Bellotto had finished sketching the castle, Königstein was captured by Prussian troops.
	www.liverpoolmuseums.org.uk /walker/collections/18c/belloto.asp (201 words)

	Home\|Exhibitions\|BERNARDO BELLOTTO, called Canaletto
		Bernardo Bellotto is one of the most important artists who specialised in townscapes - topographically exact views of towns and cities.
		This sub-genre of landscape painting evolved in Venice during the 18th century in connection with the growing number of visitors making the Grand Tour to Italy.
		The most important representative was Antonio Canal, the uncle and teacher of Bellotto, after whom he also called himself Canaletto.
	www.khm.at /staticE/page3243.html (67 words)

	Polish culture: "Bernardo Bellotto - The Secrets of His Painting"
		Bernardo Belloto (1721-1780), known also as Canaletto, spent part of his life in Warsaw, enjoying a special relationship with the Royal Castle and Court throughout that time.
		Following the destruction of World War II, his works proved extremely valuable as visual records, assisting in the reconstruction of some of the historical sections of the city of Warsaw.
		During the thirteen years he spent in Poland, Bernardo Bellotto produced approximately seventy paintings.
	www.culture.pl /en/culture/artykuly/wy_wy_bellotto_sekrety_malarstwa_zamek_warszawa (368 words)

	Bernardo BELLOTTO (Site not responding. Last check: 2007-10-13)
		Bellotto was Canaletto's nephew and pupil and this work by a young Bellotto was once attributed to Canaletto.
		The view here of the west-end of the Roman Forum is dominated by the three columns of the Temple of Castor and Pollux.
		Bellotto has rather poetically contrasted the decay of ancient Rome with the splendour of its Renaissance and Baroque features.
	www.ngv.vic.gov.au /european/em_ipa00205.html (123 words)

	Bernardo Bellotto (Canaletto)
		Bellotto began his artistic career at the age of fifteen in the workshop of his uncle Antonio Canal and took over not only his speciality of veduta painting, but also largely his style and finally even his name Canaletto.
		Bellotto finally settled in Warsaw where he became court painter to Stanislaus II.
		The close connection between uncle and nephew makes it difficult to draw a clear line between Bellotto's early work and the late work of his teacher.
	artyzm.com /e_artysta.php?id=231 (315 words)

	Bellotto, Bernardo (1721-1780)
		Bernardo Bellotto, born in Venice in 1722, became the court painter of Poland's last King, Stanislaw August Poniatowski in 1768.
		Bellotto's painting View of Warsaw from Praga in 1770
		Article regarding the "Bernardo Bellotto - the Secrets of His Painting" exhibition held in Warsaw's Royal Castle, December 17, 2003 - February 29, 2004
	info-poland.buffalo.edu /web/arts_culture/painting/painters/Bellotto/link.shtml (292 words)

	Bernardo Bellotto: Introduction
		Bernardo Bellotto’s immaculately detailed views of Vienna from the early 1760s are among this Italian painter’s most magnificent works.
		Included in the Clark’s exhibition will be Bellotto’s masterpiece of the group, the panoramic View of Vienna from the Belvedere, which depicts the broad sweep of the city from the elevated grounds of the Belvedere palace.
		Also on view will be an inner city street view of Vienna that reveals the diversity and vitality of one of Europe’s most important imperial capitals.
	www.clarkart.edu /exhibitions/klimt/bellotto (117 words)

	Bernardo Bellotto : Dresda, Vienna, Monaco (1747-1766) by Alberto Rizzi, Bernardo Bellotto - 888650215X
		Bernardo Bellotto : Dresda, Vienna, Monaco (1747-1766) by Alberto Rizzi, Bernardo Bellotto - 888650215X
		For the first time all of Bellotto's epic and magnificent views of Dresden, Munich and Vienna are here.
		The reader will be able to appreciate not only the technical mastery of Bellotto but to see the wonder of 17th century Dresden - lost forever during the bombing raids of World War II.
	www.allbookstores.com /book/888650215X/Bernardo_Bellotto.html (114 words)

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