Factbites
 Where results make sense
About us   |   Why use us?   |   Reviews   |   PR   |   Contact us  

Topic: Berthold Bartosch


Related Topics

In the News (Sat 12 Dec 09)

  
  Berthold Bartosch - Wikipedia, the free encyclopedia
Berthold Bartosch (1893 - 1968) was born in Bohemia (now Czech Republic).
In 1930 Bartosch moved to Paris and created the 30 minute film entitled "The Idea" to which he is most remembered for.
From 1935 to 1939 Bartosch worked on an anti-war film "St. Francis" or "Nightmare and Dreams." When the Nazis invaded Paris, he deposited the film at the Cinematheque Francaise.
en.wikipedia.org /wiki/Berthold_Bartosch   (249 words)

  
 Berthold Bartosch - Wikipédia
Berthold Bartosch (29 décembre 1893 - 13 novembre 1968), fils de cordonnier, est né en Bohême (maintenant la République tchèque).
En 1929, Bartosch s'installe à Paris et trouve un abri sous le toit du théâtre du Vieux-Colombier à Paris, grâce au soutien de Jean Tedesco (directeur du théâtre de novembre 1924 à 1934) ; et il avait aussi pour amis Jean Renoir et le critique d'art Wilhelm Uhde.
Bartosch utilisait une caméra de 35 mm Parvo K, actionnée par une pompe (réplique d'une pompe à bicyclette mais construite avec grande précision).
fr.wikipedia.org /wiki/Berthold_Bartosch   (560 words)

  
 [No title]
Bartosch, like Masereel, was a leftist; during the First World War, he made an animated educational film on the socialist theories of T. Masaryk, Czechoslovakia's founder.
Masereel was initially engaged to collaborate with Bartosch, but when he found how tedious and painstaking the work of animation was, he bowed out, giving Bartosch free reign in his adaptation.
The one improvement Bartosch made to Masereel's original storyline is his suggestion, at the very end, of the Idea's ultimate transcendence.
www.smallbytes.net /~bobkat/masereel.html   (2558 words)

  
 The Man We Want to Hang - June 20th, 2006
Bartosch was born in Bohemia in the actual Czech republic in 1893, in 1920 he moved to Berlin, where he later met silhouette animator Lotte Reiniger, Bartosch worked with her, on the film 'The Adventures of Prince Achmed'.
Bartosch was one of the first persons to demonstrate animation could be poetic, when the film came out in 1932, the newspapers refered it has 'Masereel's L'idée' not recognizing all the painfull work Bartosch went trough.
This is the solely surviving film of Bartosch, he later made Cosmos, a 109 minutes film, which the Gestapo destroied.
hands-tied.livejournal.com /2006/06/20   (890 words)

  
 Animated Music 3
Zur Umsetzung benutzt Bartosch Legetrickfiguren, um den schöpferischen Akt und den Prozeß einer künstlerischen Idee zu beschreiben.
The programme "Avant-garde" is narrowed down to a few key works from the history of the representational animated film, and compiles in stylistic and thematic groups films from the last ten years, which all deal with the relationship of picture and music in an artistic and innovative way.
To move them, Bartosch uses cut-out figures to describe the creative act and describe the process of an artistic idea.
www.awn.com /stuttgart_anifest/music/music3.html   (492 words)

  
 The Adventures of Prince Achmed   (Site not responding. Last check: 2007-11-03)
In the twenties, there lived in Berlin many artists who went their own ways and tried out new methods of animating films and Prince Achmed succeeded in winning two of them for collaboration on his film: Walter Ruttmann and Berthold Bartosch.
Koch was the producer and had control of the technical aspects, I cut the figures and sets and animated them, assisted by Alexander Kardan and Walter Turck.
Ruttmann invented and created wonderful movements for magic events, fire, volcanoes, battles of good and evil spirits and Bartosch composed and cut out movements of waves for a sea storm, now a household word in animation but something quite new at this period.
www.keyframeonline.com /kf.php?op=a_prach   (906 words)

  
 The Adventures of Prince Achmed (Die Geschichte des Prinzen Achmed) Film Review - Time Out Film   (Site not responding. Last check: 2007-11-03)
In the days of super-expensive CGI technology and ever growing armies of animation technicians, it's worth noting that Reiniger and husband Carl Koch were a two-person factory.
Ex-actress Reiniger designed and made all the articulated foot-high cutouts herself; Koch was in charge of the camera, and Walter Ruttmann and Berthold Bartosch helped with the special effects and backgrounds.
As the original negative was lost, the DVD is based on the tinted restoration of the NFTVA answer print (1999); thankfully, the syrupy music added in the '50s has been replaced by Wolfgang Zeller's romantic original score.
www.timeout.com /film/77537.html   (223 words)

  
 A Visual Process — iota   (Site not responding. Last check: 2007-11-03)
Welsh painter Clive Walley composed a set of six films, called Divertimenti, which extend his painting into time and space.
Using layers of horizontal glass (as Lotte Reiniger and Berthold Bartosch had), Walley mixed paint with things like Vaseline and paraffin to give the brush strokes a more solid and enduring presence.
For one film he even prepared a series of "puppet brush strokes" made of fiberglass which could be substituted one for the next to give a sense of motion.
www.iotacenter.org /visualmusic/articles/moritz/Absolut/vprocess   (510 words)

  
 Berthold Bartosch - L'Idée - Contemporary Arts Media Online   (Site not responding. Last check: 2007-11-03)
Berthold Bartosch - L'Idée - Contemporary Arts Media Online
It was Bartosch who first dared to give animation the dimensions of a g">
It was Bartosch who first dared to give animation the dimensions of a great art, trusting it to voice his pain, to lay bare his heart, to tell of his hope for a better future - which he never saw." Alexander Alexeieff and Claire Parker
www.hushvideos.com /v2/shop/detail.asp?catalogueNo=713   (80 words)

  
 Boundless possibilities - fanlisting for animated movies   (Site not responding. Last check: 2007-11-03)
Walt Disney's Snow White and the Seven Dwarfs (produced in Technicolor) is generally considered as the first animated feature, even though feature-length animation had been produced before: the very first was El Apóstol (1917) from Argentine Quirino Cristiani, shown in Argentina.
A notable early feature was The Adventures of Prince Achmed (1926) from German Lotte Reiniger and French/Hungarian Berthold Bartosch.
These two early examples were fl and white and silent.
whoa-cool.net /animation/history.php   (279 words)

  
 Berthold Bartosch   (Site not responding. Last check: 2007-11-03)
Abenteuer des Prinzen Achmed, Die (1926) (collaborator) (as Berthold Bartose)
Discuss this person with other users on IMDb message board for Berthold Bartosch
Find where Berthold Bartosch is credited alongside another name
www.imdb.com /name/nm0059293   (125 words)

  
 Cincinnati CityBeat : 05/18/2005 : Man Out of Time
Talk of artist inspiration is brief, although the work of Belgian artist Frans Masreel comes to mind.
His woodcut novel The Idea was turned into a film by Czech animator Berthold Bartosch in 1932.
Red Grooms, another Kentucky artist, dabbled in filmmaking, using a mishmash of animation and visual distortions.
www.citybeat.com /2005-05-18/cover.shtml   (4156 words)

  
 Arabian Fantansy   (Site not responding. Last check: 2007-11-03)
This rare Lotte Reininger film utilizes laborious cutout silhouettes to tell its story.
Art direction by Reiniger, Walter Ruttmann, Berthold Bartosch, and Alexander Kardan.
Released in 1927 with English intertitles as The Adventures of Prince Achmed.
www.aucegypt.edu /academic/anth/anth400/new_page_11.htm   (7432 words)

  
 AV #7279 - 16mm - The Adventures of Prince Achmed   (Site not responding. Last check: 2007-11-03)
Lotte Reiniger ’s delicately cut silhouettes against hand-tinted backgrounds are perfect for this adaptation of tales from " The Arabian Nights ".
Directed by Karl Koch; magic and scenery by Walter Ruttman, Berthold Bartosch and Alex Kardan; musical score by Wolfgang Zeller, present music by Freddie Phillips.
Last modified on August 17, 2006 by av@sfsu.edu
www.sfsu.edu /~avitv/avcatalog/7279.htm   (75 words)

  
 Berthold Bartosch - L Idee - DVDs & VHS - MovieMail UK
Berthold Bartosch - L Idee - DVDs & VHS - MovieMail UK Empty
Earn 85 Bonus Points when you buy this product
Animated through paper cut-outs, the film concerns 'The Idea', represented by a young woman, who tries to spread her artist-creator's message.
www.moviemail-online.co.uk /films/12717/Berthold_Bartosch_-_L_Idee   (202 words)

  
 History of animation   (Site not responding. Last check: 2007-11-03)
The first animated feature-length film was El Apóstol (1917) from Argentine Quirino Cristiani shown in Argentina.
The second animated feature film was The Adventures of Prince Achmed (1926) from German Lotte Reiniger and French/ Hungarian Berthold Bartosch.
First Long feature film animated cartoon Quirino Cristiani
www.freeglossary.com /History_of_Animation   (726 words)

  
 Amazon.com: "independent animators": Key Phrase page   (Site not responding. Last check: 2007-11-03)
See all pages with references to independent animators.
characters, Disney countered by promoting his multiplane camera which produced similar depth sensations through co-ordinating several layers of moving cels (independent animators such as Lotte Reiniger and Berthold Bartosch had been doing that since the early 1920s).
Key Phrases in this book: United States, New York, Soviet Union, Second World War, First World War, Hong Kong, permanent exhibition sites, structural film, muto italiano, generic pleasure, del cinema italiano, scene dissection (See more)
www.amazon.com /phrase/independent-animators   (519 words)

Try your search on: Qwika (all wikis)

Factbites
  About us   |   Why use us?   |   Reviews   |   Press   |   Contact us  
Copyright © 2005-2007 www.factbites.com Usage implies agreement with terms.