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| | Martinique: Cane Fields and City Streets |
 | | The notes plausibly suggest that Loulou Boislaville, who sings the biguine Ti Paul, took Lomax to Sainte-Marie, and the home of Raoul Grivalliers (‘Ti Raoul’), for Boislaville was the organiser of Les Ballets Folkloriques Martiniquais, the leading presenters of folkloric entertainment for tourists, and Ti Raoul had been a member, off and on, since 1952. |
 | | Martinique is split by mountains running north-south, and this led to distinctively regional styles, which were still vigorous in 1962; Sainte-Marie, in the northeast, was an area where many freed slaves and sons of mixed race unions had owned small farms for many generations, and some families became specialists in music and dance. |
 | | Back home, the music is much more unbuttoned and energised; the clarinettist produces a taut, shawm-like tone in order to be heard over the trombonist without balancing microphones, and the harmony as a whole is pleasingly rougher, probably because the musicians are not accommodating their tunings to a piano. |
| www.mustrad.org.uk /reviews/martiniq.htm (1538 words) |
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