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| | Bill Callahan: Woke on a Whaleheart: Pitchfork Record Review |
 | | Callahan may finally be stepping into his own name, but in both narrative and sound, Woke on a Whaleheart is insistently vague, riddled with half-thoughts and muddled images. |
 | | Callahan's voice, meanwhile, is thick and precise, tempered only by the smallest hints of grit-- on "The Wheel" he channels Outlaw composure, sounding like a cross between Johnny Cash and Waylon Jennings with all his round sounds and bellows. |
 | | Callahan may have ditched the instrumental, uber lo-fi methodology of his earliest days, but Woke on a Whaleheart is still a fully realized event, if not necessarily a game-changing one. |
| www.pitchforkmedia.com /article/record_review/42443-woke-on-a-whaleheart (436 words) |
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