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| | Theater Review | 'Big Bill': A Tennis Stars Life, in Glory and in the Shadows (Site not responding. Last check: ) |
 | | Scenes of Tilden in his prime, playing to adoring crowds like a Barrymore of the net, are punctuated by sequences in which he hangs his head, a broken man, before a censorious judge. |
 | | The shaping conceit is that for Tilden, a son of financially strapped gentility from the Philadelphia Main Line, all the world was a tennis court, and every tennis court a stage. |
 | | (Tilden to a judge after his first arrest: "Apparently, I reached across the net.") The anecdote-heavy, famous-name-spiced script is also stocked with images of the theater, as when Tilden and the opera diva Mary Garden (Margaret Welsh, the only woman in the show's protean ensemble) compare notes on winning an audience over. |
| topics.nytimes.com /2004/02/23/arts/theater/23BRAN.html?ei=5007&en=7778689619e6f272&ex=1392872400&adxnnl=6&partner=USERLAND&adxnnlx=1097233782-Uy8wn0pFQF3WrSGXu6t8VQ (1004 words) |
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