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| | Howard E. Wooden / Billy Morrow Jackson |
 | | Howard Wooden surveys Jackson's stylistic and technical developments as an artist, beginning with his early fl-and-white woodblock prints executed in Mexico in 1949 and 1950 and ending with three large murals painted in the late 1980s, one of which adorns the Illinois State Capitol. |
 | | Jackson's work, which hangs in the National Museum of American Art, the National Gallery of Art, and the Library of Congress in Washington, D.C., and in many other museums across America, feature images derived, but not copied, from reality. |
 | | A brief essay by Jackson on his painting technique appears in an appendix. |
| www.press.uillinois.edu /pre95/0-252-01735-8.html (130 words) |
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