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| | Billy Vaughn |
 | | Vaughn did many of his own arrangements, but during the 1960s, he began to rely on other Dot house arrangers such as Milt Rogers, as well as freelancers Jimmie Haskell, Jack Pleis, and Jerry Gray. |
 | | Like Dot's other leading band leader and cover factory, Lawrence Welk, Vaughn tended to have a consistent, predictable sound, a little heavier on the sax section than Welk. |
 | | As Vaughn's popularity faded in the US, it grew in Germany and Japan, and he took bands on tours of each country several times. |
| www.spaceagepop.com /vaughn.htm (411 words) |
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